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This provocative, interdisciplinary and transnational collection
delves deeply into the educational and public intellectual
hallmarks of Stuart M. Hall, a core figure in the development of
the postwar British New Left, Cultural Studies at the Centre for
Contemporary Cultural Studies and, later, the Open University. It
opens new vistas on both critical educational studies and cultural
studies through interviews with, and essays by, leading writers,
shedding light on the under-appreciated public pedagogical and
cultural politics of the New Left, Thatcherism and Rightist,
neocolonial, diasporic and neoliberal formations in Jamaica, the
UK, Australia, North America and Brazil. Cogently argued and
beautifully written, the book looks to spark dialog about Hall's
under-appreciated educational contributions and illuminate
important aspects of his work for students and scholars in many
fields. Intimate and moving, the contributors' accounts describe
Hall's diasporic formation as a courageous 'artist' and educator of
cultural politics and social movements. The book shows both the
reach and the relevance of his public pedagogies in the
construction of alternatives to essentialist racial politics and
the despairing cynicism of neoliberalism. With contributors and
interviewees including Leslie G. Roman, Michael W. Apple, Avtar
Brah, John Clarke, Annette Henry, Lawrence Grossberg, Luis Gandin
and Fazal Rizvi, Hallmarks: The Cultural Politics and Public
Pedagogies of Stuart Hall reveals that neither cultural politics
nor public pedagogies are stable or self-evident constructs. Each
legitimates and requires the other as part of a longer radical
democratic project for social justice. This book was originally
published as a special issue of Discourse: Studies in the Cultural
Politics of Education.
First Published in 1993. Routledge is an imprint of Taylor &
Francis, an informa company.
The work of Raymond Williams has inspired radical intellectuals
engaged in cultural politics and influenced many academic
disciplines across the social sciences and humanities. This book
examines the assumptions and limitations of Williams's political
vision and commitments. In the spirit of appreciative criticism,
this international collection of essays analyzes the neglected yet
central tensions in Williams's thought. The contributors explore
the implications of his work for a wide range of disciplines
including education, cultural studies, history, literature, mass
communication, and drama. The first section, "Culture is Ordinary"
examines Williams's deconstruction of the false division between
what he considers "common culture" and a "whole way of life". The
second part, "Education From Below", explores Williams's conception
of meaningful democratic participation in cultural institutions
such as schools, taking into account the dilemmas that Leftist and
feminist educators experience in the varied national and regional
contexts of neo-conservatism. The final section is entitled
"Culture's Others: Culture or Cultural Imperialism".
This provocative, interdisciplinary and transnational collection
delves deeply into the educational and public intellectual
hallmarks of Stuart M. Hall, a core figure in the development of
the postwar British New Left, Cultural Studies at the Centre for
Contemporary Cultural Studies and, later, the Open University. It
opens new vistas on both critical educational studies and cultural
studies through interviews with, and essays by, leading writers,
shedding light on the under-appreciated public pedagogical and
cultural politics of the New Left, Thatcherism and Rightist,
neocolonial, diasporic and neoliberal formations in Jamaica, the
UK, Australia, North America and Brazil. Cogently argued and
beautifully written, the book looks to spark dialog about Hall's
under-appreciated educational contributions and illuminate
important aspects of his work for students and scholars in many
fields. Intimate and moving, the contributors' accounts describe
Hall's diasporic formation as a courageous 'artist' and educator of
cultural politics and social movements. The book shows both the
reach and the relevance of his public pedagogies in the
construction of alternatives to essentialist racial politics and
the despairing cynicism of neoliberalism. With contributors and
interviewees including Leslie G. Roman, Michael W. Apple, Avtar
Brah, John Clarke, Annette Henry, Lawrence Grossberg, Luis Gandin
and Fazal Rizvi, Hallmarks: The Cultural Politics and Public
Pedagogies of Stuart Hall reveals that neither cultural politics
nor public pedagogies are stable or self-evident constructs. Each
legitimates and requires the other as part of a longer radical
democratic project for social justice. This book was originally
published as a special issue of Discourse: Studies in the Cultural
Politics of Education.
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