The King in Yellow is a book of short stories by American writer Robert W. Chambers, first published in 1895. The book is named after a play with the same title which recurs as a motif through some of the stories. The first half of the book features highly esteemed weird stories, and the book has been described by critics as a classic in the field of the supernatural. There are ten stories, the first four of which ("The Repairer of Reputations", "The Mask", "In the Court of the Dragon", and "The Yellow Sign") mention The King in Yellow, a forbidden play which induces despair or madness in those who read it. "The Yellow Sign" inspired a film of the same name released in 2001.

Nine spine-tingling stories from the creator of Sherlock Holmes Mournful cries in an ice-bound sea, a potion that allows the user to commune with ghosts, an Egyptian priest who cannot die, and a mesmerist of unrivaled power. Brace yourself for these and other chilling encounters in The Parasite and Other Tales of Terror. Even before he created Sherlock Holmes, Sir Arthur Conan Doyle terrified and delighted readers with tales of suspense, haunted by mysterious forces that defy rational explanation. These stories capture the unique draw of the uncanny and the curiosity that compels us all to ask, "Could it be true?" Presented by the Horror Writers Association, and introduced by award-winning author Daniel Stashower, this collection illuminates Sir Arthur Conan Doyle's talent for the macabre and the supernatural. The Parasite and the other stories in this collection showcase Conan Doyle at his most inventive, sure to entertain both new readers and his most dedicated fans.

In 2014, The New Annotated H.P. Lovecraft was published and devoured by the Lovecraft community and general readers alike. The landmark volume included twenty-two stories but there are many others worthy of attention, including Lovecraft's favourites. In this follow-up, twenty-five more Lovecraft stories are re-presented as well as a number of never-before-seen revisions and collaborations with other authors. Included are "Rats in the Wall", a post-First World War story about the terrors of the past and the newly contextualised "The Horror at Red Hook", which has been adapted recently by Victor LaValle. The stories magnify the creative ideas and writing processes of the literary genius. Best-selling author and editor Klinger reanimates Lovecraft with clarity and historical insight, offering a revelatory volume in which the author's story-writing method is uncovered, his vivid dreams are recorded and first drafts of stories are seen in immaturity. In addition to his ground-breaking writing, we glimpse a personal side of Lovecraft: his favourite stories are highlighted and his vulnerability as a young writer is obvious. With hundreds of annotations and dozens of rare images, Beyond Arkham provides the complete picture of Lovecraft's achievements in fiction. No lover of Gothic literature will want to be without this literary keepsake.

Devoured by the Lovecraftian community and general readers alike, Leslie S. Klinger's best-selling The New Annotated H.P. Lovecraft, Volumes I and II were hailed as classics of the genre. Now Klinger returns with the ideal annotated primer not only for Lovecraft devotees eager for a more portable version but also students, literature-lovers and curious newcomers looking for a scare. In "Dagon", one of Lovecraft's earliest stories, the terrifying idea of an unknown being at the bottom of the ocean is introduced for the first time; in "The Call of Cthulhu", the horror spreads beyond the sea. The iconic "Rats in the Walls" relates a journey into the depths of a haunted house and mind, while "The Outsider" is a twisted tale that will make the reader question everything. A necessity for any library, The Call of Cthulhu and Other Stories is an indispensable companion for anyone looking to experience a master at the height of his craft. A paperback original.

"Mysticism, horror, and racial identity merge fluidly in this thrilling tale... The suspense is tangible and the final reveal will leave readers reeling"-Publishers Weekly, STARRED review From groundbreaking Black author Pauline Hopkins comes an uncanny example of classic horror, exploring identity, race, and spirituality When medical student Reuel Briggs reluctantly attends a performance by the beautiful singer Dianthe Lusk, he can't help but fall for her. The very next day, their paths cross again when Dianthe's train crashes. To bring her back from the brink of death, Reuel draws on an eerie power he can't quite name. Soon, the two are engaged, and Reuel sets off on an archeological expedition to Africa to offset his debts before the wedding. But, in Ethiopia, unexpected danger and terror force him to confront the truth about his lineage, his power, and the disturbing history that lives in his very blood. First serialized in Colored American Magazine in 1902, this classic fiction exemplifies Pauline Hopkins's incisive writing and interrogates issues of race, blood, and history that remain urgent today. This edition of Hopkins's classic horror novel is presented by the Horror Writers Association and introduced by award-winning author Nisi Shawl. Includes notes, biographical information about the author, discussion questions for classroom use, and suggested further reading.

First published in 1923, Jim Hanvey, Detective is a collection of seven stories that originally appeared in The Saturday Evening Post and features private eye Jim Hanvey in classic whodunit style mysteries. Described as the "backwoods Nero Wolfe," the genial Hanvey befriends "good guys" and criminals alike to get the job done. Bank robberies, jewel heists, and all-purposes cons-none are a match for Octavus Roy Cohen's waddling sleuth.

"A collection that might have been called CSI: 1912."-Kirkus Reviews The seventh book in the esteemed Library of Congress Crime Classics, an exciting new classic mystery series created in exclusive partnership with the Library of Congress. This short story collection features twelve tales of intrigue and suspense, starring Craig Kennedy, the "American Sherlock Holmes." New York City, early 1900s. Craig Kennedy, a university professor who uses science to help catch criminals, investigates crimes in and around NYC boroughs featuring deaths by apparent-but-inexplicable means. These highly imaginative crimes include spontaneous combustion and vengeful spirits, along with less fatal crimes involving kidnapping, safe-cracking, and a missing fortune in diamonds. With his impressive knowledge, friend Walter Jameson (his own Watson!), and use of cutting-edge technology of the day, Kennedy cracks each case using unorthodox yet entertaining means. Arthur B. Reeve's Craig Kennedy stories were so popular in his time that he went on to publish twenty-six books featuring the professor, who also appeared in comic strips and a number of films. Readers of classic crime fiction will delight in this collection of twelve short stories. Fans of Sherlock Holmes will especially appreciate Kennedy's insistence on logic and science over brawn.

William Hope Hodgson's "cosmic horror" classic continues the Haunted Library of Horror Classics series. In a ruined house at the edge of an abyss lies the diary of a madman… Two friends on a fishing trip make an unsettling discovery when the river they've been following abruptly ends and reappears some 100 feet below the edge of an abyss. If that wasn't unnerving enough, the river runs along the remains of an oddly shaped house, half-swallowed by the pit. Within the ruins, they discover the moldering journal of an unidentified man—the Recluse—who had lived in the house years ago. Its pages reveal the man's apparent descent into madness—why else would he chronicle haunted visions, trips to other dimensions, and attacks by swine-like creatures that have followed him home? After a horrific vision in which he witnesses the end of the earth and time itself, the Recluse awakens in his study to find nothing has changed—except that his dog has dissolved into a pile of dust. And then the "swine things" return... Introduced by modern horror master Ramsey Campbell as "an enduring classic of cosmic terror," The House on the Borderland has inspired dozens of other classic horror novels and indelibly changed the genre. Influencing writers from H.P. Lovecraft to Terry Pratchett, this 1908 masterpiece shucks the conventions of Gothic horror and presents an eerie mix of sci-fi, fantasy, and the supernatural.

Following their acclaimed Ghost Stories and Weird Women, award-winning anthologists Leslie S. Klinger and Lisa Morton present a new eclectic anthology of ghosty tales certain to haunt the reader long past the closing page. In Haunted Tales, the reader will enjoy discovering masterpieces like Algernon Blackwood's terrifying "The Kit-Bag," Oscar Wilde's delightful "The Canterville Ghost," and F. Marion Crawford's horrific "The Screaming Skull," as well as lesser-known gems by some of literature's greatest voices, including Virginia Woolf's "A Haunted House," H. G. Wells's "The Story of the Inexperienced Ghost," and Rudyard Kipling's "They." Haunted Tales also resurrects some wonders that have been woefully neglected, including Dinah Mulock's "M. Anastasius" (which Charles Dickens called "the best ghost story ever written"); E. F. Benson's "The Bus-Conductor" (the source of one of the most iconic lines in horror); and E. and H. Heron's "The Story of the Spaniards, Hammersmith" (the debut adventure of Flaxman Lowe, fiction's first psychic detective). Whether the stories are familiar or overlooked, all are sure to surprise and astonish the reader long past the closing of this book's cover.

Edgar Allan Poe did not invent the tale of terror. There were American, English, and Continental writers who preceded Poe and influenced his work. Similarly, there were many who were in turn influenced by Poe's genius and produced their own popular tales of supernatural literature. This collection features masterful tales of terror by authors who, by and large, are little-remembered for their writing in this genre. Even Bram Stoker, whose Dracula may be said to be the most popular horror novel of all time, is not known as a writer of short fiction. Distinguished editor Leslie S. Klinger is a world-renowned authority on those twin icons of the Victorian age, Sherlock Holmes, and Dracula. His studies into the forefathers of those giants led him to a broader fascination with writers of supernatural literature of the nineteenth century. The stories in this collection have been selected by him for their impact. Each is preceded by a brief biography of the author and an overview of his or her literary career and is annotated to explain obscure references. Read on, now, perhaps with a flickering candle or flashlight at hand . . . Stories by: Ambrose Bierce, Joseph Sheridan Le Fanu, Theodor Gautier, Charlotte Perkins Gilman, Arthur Conan Doyle, Lafcadio Hearn, M. R. James, Bram Stoker, and many others.

The publication of Leslie S. Klinger's brilliant new annotations of Sir Arthur Conan Doyle's four classic Holmes novels in 2005 created a Holmes sensation. Klinger reassembles Doyle's four seminal novels in their original order, with over 1,000 notes, 350 illustrations and period photographs, and tantalizing new Sherlockian theories. Inside, readers will find: A Study in Scarlet (1887) a tale of murder and revenge that tells of Holmes and Dr. Watson's first meeting; The Sign of Four (1889) a chilling tale of lost treasure...and of how Watson met his wife; The Hound of the Baskervilles (1901) hailed as the greatest mystery novel of all time; and The Valley of Fear (1914) a fresh murder scene that leads Holmes to solve a long-forgotten mystery.

Whether as a stand-alone volume or as a companion to the short stories, this classic work illuminates the timeless genius of Conan Doyle for an entirely new generation."

"Remarkably, a nineteen-year-old, writing her first novel, penned a tale that combines tragedy, morality, social commentary, and a thoughtful examination of the very nature of knowledge", writes Leslie S. Klinger. Mary Shelley's Frankenstein is often reductively dismissed as a monster film or a cautionary tale about experimental science gone haywire. Illuminating every hidden dimension of the "first truly modern myth", Klinger does for Shelley's story of early nineteenth-century horror what he did for Sherlock Holmes, Dracula and H.P. Lovecraft, bringing this gothic tale to nightmarish life by reproducing the original text with the most lavishly illustrated and comprehensively annotated edition to date.

With an increasing distance from the twentieth century . . . the New England poet, author, essayist, and stunningly profuse epistolary Howard Phillips Lovecraft is beginning to emerge as one of that tumultuous period s most critically fascinating and yet enigmatic figures, writes Alan Moore. But at the time of his death, Lovecraft was maligned by critics and ignored by the public. Now, Leslie S. Klinger reanimates Lovecraft as never before, charting the rise of the pulp writer, whose rediscovery is almost unprecedented in American literary history. Following a trajectory not unlike Melville or Poe, Lovecraft s vast body of work a mythos in which humanity is a blissfully unaware speck in a cosmos shared by ancient alien beings is increasingly being recognized as the foundation for American horror and science fiction.

With nearly 300 illustrations and more than 1,000 annotations, Klinger illuminates every hidden dimension of 22 of Lovecraft s most canonical works."

Following the success of Weird Women: Volume 1, acclaimed anthologists Lisa Morton and Leslie S. Klinger return with another offering of overlooked masterworks from early female horror writers, including George Eliot, Zora Neale Hurston, Harriet Beecher Stowe, and Edith Wharton. Following the success of their acclaimed Weird Women, star anthologists Lisa Morton and Leslie S. Klinger return with another offering of overlooked masterworks from early female horror writers. This volume once again gathers some of the most famous voices of literature-George Eliot, Zora Neale Hurston, Harriet Beecher Stowe, and Edith Wharton-along with chilling tales by writers who were among the bestselling and most critically-praised authors of the early supernatural story, including Mary Elizabeth Braddon, Vernon Lee, Florence Marryat, and Margaret Oliphant. There are, of course, ghost stories here, but also tales of vampirism, mesmerism, witches, haunted India, demonic entities, and journeys into the afterlife. Introduced and annotated for modern readers, Morton and Klinger have curated more stories sure to provide another "feast of entertaining (and scary) reads" (Library Journal).

"It boiled down to a white cop and black me, and he had the 'difference' in his hand." Toussaint Moore is a college-educated, decorated war veteran. Because he's also a Black man, his employment options are limited, so he ekes out a living as a private eye serving Black clients in and around Harlem where he lives. When he's hired by producers of a television reality show called "You--Detective!" to keep tabs on the whereabouts of an accused child molester until the episode airs, the gig goes quickly south; Touie finds the man murdered, and himself framed for the deed. Needing to flee, he goes to the small Ohio town where the deceased was wanted for his crime, thinking the key to the murder may lie there. As Virgil Tibbs would experience years later in John Ball's IN THE HEAT OF THE NIGHT, Touie encounters a whole new level of resistance and racism as a Black man asking questions in a small-minded, predominantly white town. As Scott Adlerberg states in his Feb. 2019 article for Criminal Element): "What Lacy does in Room to Swing is consider a question Walter Mosely would more fully explore years later in his Easy Rawlins books. Lacy asks whether a black man (in the late fifties) can go everywhere he needs to, with the freedom his job requires, in order to conduct the investigation necessary to crack a case."

"One of the most famous ghost stories that no one has actually read" (New York Times), The Phantom of the Opera is the first in the Haunted Library Horror Classics series presented by the Horror Writers Association. An unabridged edition of the novel that inspired the famous Andrew Lloyd Webber musical. Deep beneath the Paris Opera House, a masked man lives in silence... Every night at the Palais Garnier, hundreds of guests sit on the edge of velvet-covered seats, waiting for prima donna La Carlotta to take the stage. But when her voice fails her, La Carlotta is replaced with unknown understudy Christine Daae, a young soprano whose vibrant singing fills every corner of the house and wins her a slew of admirers, including an old childhood friend who soon professes his love for her. But unknown to Christine is another man, who lurks out of sight behind the heavy curtains of the opera, who can move about the building undetected, who will do anything to make sure Christine will keep singing just for him... This curated edition of The Phantom of the Opera, based on the original 1911 English translation by Alexander Teixeira de Mattos, brings an iconic story of love and obsession to today's readers and illuminates the timeless appeal of Leroux's masterpiece.

In this follow-up to the acclaimed In the Company of Sherlock Holmes, expert Sherlockians Laurie King and Les Klinger put forth the question: What happens when great writers/creators who are not known as Sherlock Holmes devotees admit to being inspired by Conan Doyle stories? While some are highly-regarded mystery writers, others are best known for their work in the fields of fantasy or science fiction. All of these talented authors, however, share a great admiration for Arthur Conan Doyle and his greatest creations, Sherlock Holmes and Dr. Watson. To the editors' great delight, these stories go in many directions. Some explore the spirit of Holmes himself; others tell of detectives themselves inspired by Holmes's adventures or methods. A young boy becomes a detective; a young woman sharpens her investigative skills; an aging actress and a housemaid each find that they have unexpected talents. Other characters from the Holmes stories are explored, and even non-Holmesian tales by Conan Doyle are echoed. The variations are endless! Although not a formal collection of new Sherlock Holmes stories-however some do fit that mold-instead these writers were asked to be inspired by the Conan Doyle canon. The results are breathtaking, for fans of Holmes and Watson as well as readers new to Doyle's writing-indeed, for all readers who love exceptional storytelling.

"Grafton's novel is not simply a historical curio, but a genuinely offbeat and entertaining suspense story."-The Washington Post The second book in the Library of Congress Crime Classics, an exciting new classic mystery series created in exclusive partnership with the Library of Congress. In this exquisite piece of hard-boiled crime fiction, is this lawyer digging his way to the truth, or digging his own grave? A timeless and propulsive story, The Rat Began to Gnaw the Rope is:For fans of historical crime mysteries and crime classicsFor readers who love the works of Sue GraftonShort, chubby, and awkward with members of the opposite sex, Gil Henry is the youngest partner in a small law firm, not a hard-boiled sleuth. So when an attractive young woman named Ruth McClure walks into his office and asks him to investigate the value of the stock she inherited from her father, he thinks nothing of it-until someone makes an attempt on his life. Soon Gil is inadvertently embroiled in a classic American scandal, subterfuge, and murder. He's beaten, shot, and stabbed, as his colleagues and enemies try to stop him from seeing the case through to the end. Surrounded by adversaries, he teams up with Ruth and her secretive brother to find answers to the questions someone desperately wants to keep him from asking. In this portrait of America on the eve of America's entry into World War II, C.W. Grafton-himself a lawyer and the father of prolific mystery writer Sue Grafton-pens an award-winning historical crime fiction that combines humor and the hard-boiled style and will keep readers guessing until its thrilling conclusion.

A dazzling collection of rare art and documents illuminate the life of Sherlock Holmes beyond the page. As one of the most beloved characters in the English language, Sherlock Holmes sometimes seems to have a life of his own, one that leaps beyond the pages of Sir Arthur Conan Doyle's mystery stories. Sherlock Holmes in 221 Objects aims its magnifying glass toward a host of overlooked extra-literary objects that tell the story of the famed detective's publication history outside of Doyle's original canon. Drawing on their extensive collection of Holmes-related bibliographic material, Cathy and Glen S. Miranker brings to light exhibits ranging from original manuscripts, handwritten letters, business correspondence, vintage book art, pirated editions, and more, all presented in thematic clusters that highlight their significance to the case at hand. Throughout, the Mirankers invite readers to share in the collector's enthusiasm for the kinds of rarities and oddities that help decipher the appeal of Sherlock Holmes in ways that transcend what can be found on the page.

Manfred, the lord of the castle of Otranto, has long lived in dread of an ancient prophecy: it's foretold that when his family line ends, the true owner of the castle will appear and claim it. In a desperate bid to keep the castle, Manfred plans to coerce a young woman named Isabella into marrying him. Isabella refuses to yield to Manfred's reprehensible plan. But once she escapes into the depths of the castle, it becomes clear that Manfred isn't the only threat. As Isabelle loses herself in the seemingly endless hallways below, voices reverberate from the walls and specters wander through the dungeons. Otranto appears to be alive, and it's seeking revenge for the sins of the past.

Dive into this collection of exquisite, classic horror stories-just make sure to have the lights on and the doors locked! First published in 1904, Ghost Stories of an Antiquary contains eight tales of supernatural horror by genre master M.R. James. Highly regarded as a masterwork of horror, this collection is a must-have for fans of the frightful. The stories in this collection include: "Canon Alberic's Scrap-Book," "Lost Hearts," "The Mezzotint," "The Ash-Tree." "Number 13," "Count Magnus," "Oh, Whistle and I'll Come to You, My Lad," and "The Treasure of Abbot Thomas."

In this follow-up to the acclaimed In the Company of Sherlock Holmes, expert Sherlockians Laurie King and Les Klinger put forth the question: What happens when great writers/creators who are not known as Sherlock Holmes devotees admit to being inspired by Conan Doyle stories? While some are highly-regarded mystery writers, others are best known for their work in the fields of fantasy or science fiction. All of these talented authors, however, share a great admiration for Arthur Conan Doyle and his greatest creations, Sherlock Holmes and Dr. Watson. To the editors' great delight, these stories go in many directions. Some explore the spirit of Holmes himself; others tell of detectives themselves inspired by Holmes's adventures or methods. A young boy becomes a detective; a young woman sharpens her investigative skills; an aging actress and a housemaid each find that they have unexpected talents. Other characters from the Holmes stories are explored, and even non-Holmesian tales by Conan Doyle are echoed. The variations are endless! Although not a formal collection of new Sherlock Holmes stories-however some do fit that mold-instead these writers were asked to be inspired by the Conan Doyle canon. The results are breathtaking, for fans of Holmes and Watson as well as readers new to Doyle's writing-indeed, for all readers who love exceptional storytelling.

Agatha Christie is undoubtedly the world's best-selling mystery author, hailed as the "Queen of Crime," with worldwide sales in the billions. Christie burst onto the literary scene in 1920, with The Mysterious Affair at Styles; her last novel was published in 1976, a career longer than even Conan Doyle's forty-year span. The truth is that it was due to the success of writers like Anna Katherine Green in America; L. T. Meade, C. L. Pirkis, the Baroness Orczy, and Elizabeth Corbett in England; and Mary Fortune in Australia that the doors were finally opened for women crime-writers. Authors who followed them, such as Patricia Wentworth, Dorothy Sayers, and, of course, Agatha Christie would not have thrived without the bold, fearless work of their predecessors-and the genre would be much poorer for their absence. So while Agatha Christie may still reign supreme, it is important to remember that she did not ascend that throne except on the shoulders of the women who came before her-and inspired her-and who are now removed from her shadow once and for all by this superb new anthology by Leslie S. Klinger. Featuring: Mary Fortune, Harriet Prescott Spofford, Ellen Wood, Elizabeth Corbett, C. L. Pirkis, Geraldine Bonner, Ellen Glasgow, L. T. Meade, Baroness Orczy, Augusta Grosser, M. E. Graddon, Anna Katherine Green, Carolyn Wells, Susan Glaspell

Nightclub singer Margaret Odell, the famous Broadway beauty and ex-Follies girl known as "The Canary", is found murdered in her ransacked apartment, her jewelry stolen. It appears at first to be a robbery gone wrong, but the police can find no physical evidence to pinpoint a culprit. No one witnessed anyone entering or leaving, and the only unwatched entrance to the apartment building was bolted from the inside. Who could have killed the Canary in her locked cage? The victim was seeing a number of men, ranging from a high society gentleman to ruthless gangsters, and more than one man visited her apartment on the night she died. When the D.A. is stumped, he turns to his friend Philo Vance, an erudite and snobbish aristocrat, who applies his brilliant observations of human nature during a poker game with the suspects to determine who in fact knocked the Canary from her perch-permanently.