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Every recorded performance of Mahler shymphonies--and Das
Lied--from 1924 until press time! What a labor and how sorely
needed! Music Journal In the past 25 years a revival of interest in
the music of Gustav Mahler has resulted in nearly 300 new
recordings of his symphonies. The breadth and complexity of these
works, together with the plethora of recent releases, signals the
need for a guide that will be useful both to novice and the
experienced collector. Lewis M. Smoley's book fills this need,
providing critical analysis and specific recording information for
all known recordings of Mahler's symphonies as well as indexes by
conductor, orchestra, and label. The result of extensive research,
this volume includes many recordings that have not appeared in
previous listings. Recording made around the world from 1924
through 1986 are treated in chapters devoted to each of the 11
symphonies--including Das Lied von der Erde and the unfinished
10th. Listings are arranged alphabetically under the name of the
conductor and analyzed in terms of quality of performance, specific
interpretation and interpretive styles, and sonics. Recordings of
special merit are noted. Entries supply information about reissues
as well as original pressings, type of recording, and alternative
versions of some of the scores. Cross-referenced indexes list
conductor, orchestra, vocal soloists, chorus, and record label for
the recordings discussed. The foreword and preface place Mahler's
recorded symphonies in perspective and discuss some of the
interpretive and textual issues that continue to be debated. This
single-volume guide is appropriate for both the average listener
and the serious enthusiast, and will also be a valuable addition to
the collections of music schools and conservatories.
The popularity of Mahler's symphonic works is unremitting. More
recordings have been made during the past ten years than in the
previous six decades. This work is a companion to the first volume,
published in 1986; together, the two review virtually every
recording commercially released (as well as some private issues).
The intention of both works is to provide a comprehensive analysis
of all recordings. A general overview is combined with details of
particular importance. Recordings of special merit are noted. The
objective critical discussions will appeal to the newcomer as well
as the knowledgeable devotee and the work will serve as a valuable
addition to university, music school, and public libraries, as well
as any music lover's library. This guide provides a
symphony-by-symphony commentary, including the unfinished Tenth
Symphony, Das Lied von der Erde, and piano and chamber music
reductions of the works. It includes all new recordings issued
worldwide as well as compact disc reissues of previously released
recordings and all performances on videocassette. Listings are
arranged alphabetically by conductor, and headings for each
recording contain specific information about the performers, record
label, catalog number, and timing. Helpful indexes by conductor,
orchestra, vocal and instrumental soloists, chorus, and record
label are included.
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