This volume explores the myriad manifestations, tropes and experiences of power' in contemporary Southeast Asia. The contributors address the surprising absence of direct scholarly engagement with the theme of power' in Southeast Asia given innumerable social, political and economic transformations of the region over the last half-century. The rise of postcolonial nation-states, industrialization, rapid economic growth, widespread repression and genocide, social upheaval and democratization are just some of the currents that have wrought far reaching changes across Southeast Asia. Power lies at the core of these important developments, whether in the form of brute military force or as a more capillary disciplinary' influence on religious and political subjectivities. New religious, economic and political movements -- all drawing deeply on local traditions while proposing new forms of personhood, civil and political society -- cut across national, cultural, ideological and sectarian boundaries. Yet for all that power can be detected in the region, there seems to be little specifically Southeast Asian about contemporary scholarly analyses. Integrating theoretical debates with empirical evidence drawn from the contributing authors' own research, this volume will be of particular interest to scholars and students of anthropology and Asian Studies.

Southeast Asia has undergone innumerable far-reaching changes and dramatic transformations over the last half-century. This book explores the concept of power in relation to these transformations, and examines its various social, cultural, religious, economic and political forms. The book works from the ground up, portraying Southeast Asians' own perspectives, conceptualizations and experiences of power through empirically rich case studies. Exploring concepts of power in diverse settings, from the stratagems of Indonesian politicians and the aspirations of marginal Lao bureaucrats, to mass 'Prayer Power' rallies in the Philippines, self-cultivation practices of Thai Buddhists and relations with the dead in Singapore, the book lays out a new framework for the analysis of power in Southeast Asia in which orientations towards or away from certain models, practices and configurations of power take centre stage in analysis. In doing so the book demonstrates how power cannot be pinned down to a single definition, but is woven into Southeast Asian lives in complex, subtle, and often surprising ways. Integrating theoretical debates with empirical evidence drawn from the contributing authors' own research, this book is of particular interest to scholars and students of Anthropology and Asian Studies.

Who do "we" anthropologists think "we" are? And how do forms and notions of collective disciplinary identity shape the way we think, write, and do anthropology? This volume explores how the anthropological "we" has been construed, transformed, and deployed across history and the global anthropological landscape. Drawing together both reflections and ethnographic case studies, it interrogates the critical-yet poorly studied-roles played by myriad anthropological "we" ss in generating and influencing anthropological theory, method, and analysis. In the process, new spaces are opened for reimagining who "we" are - and what "we," and indeed anthropology, could become.

One of the most influential anthropological works of the last two decades, Alfred Gell's Art and Agency is a provocative and ambitious work that both challenged and reshaped anthropological understandings of art, agency, creativity and the social. It has become a touchstone in contemporary artifact-based scholarship. This volume brings together leading anthropologists, archaeologists, art historians and other scholars into an interdisciplinary dialogue with Art and Agency, generating a timely re-engagement with the themes, issues and arguments at the heart of Gell's work, which remains salient, and controversial, in the social sciences and humanities. Extending his theory into new territory - from music to literary technology and ontology to technological change - the contributors do not simply take stock, but also provoke, critically reassessing this important work while using it to challenge conceptual and disciplinary boundaries.

One of the most influential anthropological works of the last two decades, Alfred Gell's Art and Agency is a provocative and ambitious work that both challenged and reshaped anthropological understandings of art, agency, creativity and the social. It has become a touchstone in contemporary artifact-based scholarship. This volume brings together leading anthropologists, archaeologists, art historians and other scholars into an interdisciplinary dialogue with Art and Agency, generating a timely re-engagement with the themes, issues and arguments at the heart of Gell's work, which remains salient, and controversial, in the social sciences and humanities. Extending his theory into new territory - from music to literary technology and ontology to technological change - the contributors do not simply take stock, but also provoke, critically reassessing this important work while using it to challenge conceptual and disciplinary boundaries.