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For many, literature and marketing are considered opposite
phenomena. This book discusses cases in which the two are closely
connected. It argues that literature is subject to the same
mechanisms as other commercial products: our experience of literary
texts is prefigured by brands, trademarks that identify a product
and differentiate it from its competitors. From the early modern
period onwards, literary authors and their texts are constantly
'branded' and have been both the object and the trailblazer of a
complex marketing process. The authors of this volume analyze this
branding process throughout the centuries, focusing on the
Netherlands. To what extent is our experience of Dutch literature
prefigured by brands, and what role does branding play when
introducing European authors in the Dutch literary field (or vice
versa)? By answering these questions, Branding Books Across the
Ages seeks to show how literary scholars understand branding - a
phenomenon that has long been intertwined with literature.
This collection brings together scholars from a wide range of
disciplines to offer perspectives on national identity formation in
various European contexts between 1600 and 1815. Contributors
challenge the dichotomy between modernists and traditionalists in
nationalism studies through an emphasis on continuity rather than
ruptures in the shaping of European nations in the period, while
also offering an overview of current debates in the field and case
studies on a number of topics, including literature,
historiography, and cartography.
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