"We need books like this one." --Steven Pinker At last, stupidity explained! And by some of the world's smartest people, among them Daniel Kahneman, Dan Ariely, Alison Gopnik, Howard Gardner, Antonio Damasio, Aaron James, and Ryan Holiday. And so I proclaim, o idiots of every stripe and morons of all kinds, this is your moment of glory: this book speaks only to you. But you will not recognize yourselves... Stupidity is all around us, from the coworker who won't stop hitting "reply all" to the former high school classmate posting conspiracy theories on Facebook. But in order to vanquish it, we must first understand it. In The Psychology of Stupidity, some of the world's leading psychologists and thinkers--including a Nobel Prize winner and bestselling authors--will show you... why smart people sometimes believe in utter nonsense; how our lazy brains cause us to make the wrong decisions; why trying to debate fools is a trap; how media manipulation and Internet overstimulation make us dumber; why the stupidest people don't think they're stupid. The wisdom and wit of these experts are a balm for our aggrieved souls and a beacon of hope in a world of morons.

From the internationally bestselling author of The Club comes a gripping historical novel of love and betrayal, set in wartime Berlin In 1942, Friedrich, an even-keeled but unworldly young man, arrives in Berlin from bucolic Switzerland with dreams of becoming an artist. At a life drawing class, he is hypnotized by the beautiful model, Kristin, who soon becomes his energetic yet enigmatic guide to the bustling and cosmopolitan city. Kristin teaches the nai ve Friedrich how to take care of himself in a city filled with danger, and brings him to an underground jazz club where they drink cognac, dance, and kiss. The war feels far away to Friedrich as he falls in love with Kristin, the pair cocooned inside their palatial rooms at the Grand Hotel, where even Champagne and fresh fruit can be obtained thanks to the black market. But as the months pass, the mood in the city darkens yet further, with the Nazi Party tightening their hold on everyday life of all Berliners, terrorizing anyone who might be disloyal to the Reich. Kristin's loyalties are unclear, and she is not everything she seems, as his realizes when one frightening day she comes back to Friedrich's hotel suite in tears, battered and bruised. She tells him an astonishing secret: that her real name is Stella, and that she is Jewish, passing for Aryan. Fritz comforts her, but he soon realizes that Stella's control of the situation is rapidly slipping out of her grasp, and that the Gestapo have an impossible power over her. As Friedrich confronts Stella's unimaginable choices, he finds himself woefully unprepared for the history he is living through. Based in part on a real historical character, Stella sets a tortured love story against the backdrop of wartime Berlin, and powerfully explores questions of naivete , young love, betrayal, and the horrors of history.

Set in the Maremma region of Southern Tuscany, this novel tells the story of two families against the backdrop of a rapidly transforming country. The Biagini are local ranchers, while the wealthy Sanfilippi belong to Rome’s upper middle-class. When Sauro, an ambitious rancher, and Filippo, a hedonistic politician, become business partners, the stories of their families become irrevocably intertwined. As an influx of new money pours into the town, political allegiances, family loyalties, moral codes, and sexual identities all begin to shift.

Sauro and Filippo, their wives Miriam and Giulia, and their sons, are the prototypes of the new Italy, ostensibly emancipated from traditional mores, but at the same time, insecure and blinkered. Fifteen-year-old Annamaria, fragile and anxious, struggles to find her place among them. Luckily, a parallel world is taking shape nearby: the Tarot Garden, the monumental sculpture garden created by the French-American artist Niki de Saint Phalle. It is in this magical place, through her conversations with the artist, that Annamaria will slowly find a sense of identity and belonging.

From the internationally bestselling author of The Club comes a gripping historical novel of love and betrayal, set in wartime Berlin In 1942, Friedrich, an even-keeled but unworldly young man, arrives in Berlin from bucolic Switzerland with dreams of becoming an artist. At a life drawing class, he is hypnotized by the beautiful model, Kristin, who soon becomes his energetic yet enigmatic guide to the bustling and cosmopolitan city. Kristin teaches the nai ve Friedrich how to take care of himself in a city filled with danger, and brings him to an underground jazz club where they drink cognac, dance, and kiss. The war feels far away to Friedrich as he falls in love with Kristin, the pair cocooned inside their palatial rooms at the Grand Hotel, where even Champagne and fresh fruit can be obtained thanks to the black market. But as the months pass, the mood in the city darkens yet further, with the Nazi Party tightening their hold on everyday life of all Berliners, terrorizing anyone who might be disloyal to the Reich. Kristin's loyalties are unclear, and she is not everything she seems, as his realizes when one frightening day she comes back to Friedrich's hotel suite in tears, battered and bruised. She tells him an astonishing secret: that her real name is Stella, and that she is Jewish, passing for Aryan. Fritz comforts her, but he soon realizes that Stella's control of the situation is rapidly slipping out of her grasp, and that the Gestapo have an impossible power over her. As Friedrich confronts Stella's unimaginable choices, he finds himself woefully unprepared for the history he is living through. Based in part on a real historical character, Stella sets a tortured love story against the backdrop of wartime Berlin, and powerfully explores questions of naivete , young love, betrayal, and the horrors of history.

The landmark novel that inspired both Verdi's opera La Traviata and the Oscar-winning musical Moulin Rouge!, in a sparkling new translation. One of the greatest love stories of all time, The Lady of the Camellias recounts the history of Marguerite Gautier, the most beautiful, brazen, and expensive courtesan in all of Paris. Known to all as 'the Lady of the Camellias' because she is never seen without her favourite flowers, she leads a glittering life of endless parties and aristocratic balls, with the richest men in France flocking to her boudoir to lay their fortunes at her feet. But despite having many lovers, she has never really loved - until she meets Armand Duval, young, handsome and from a lower social class, and yet hopelessly in love with Marguerite. ALEXANDRE DUMAS fils (1824-1895) was the son of the famous novelist Alexandre Dumas. In 1847 he published his first novel, Adventures of Four Women and a Parrot, followed a year later by The Lady of the Camellias and ten other novels over the next decade. After the great success of the dramatic version of The Lady of the Camellias, he was gradually drawn away from the novel to the stage. In 1874 he was elected to the French Academy and until his death continued to produce a long line of successful plays. LIESL SCHILLINGER is a journalist and literary critic who writes regularly for The New York Times Book Review and spent many years on the editorial staff of The New Yorker. JULIE KAVANAGH is the author of The Girl Who Loved Camellias, a biography of the courtesan who inspired The Lady of the Camellias. An award-winning biographer of Rudolf Nureyev and Frederick Ashton, she has been London editor of both Vanity Fair and The New Yorker. 'One of the greatest love stories of the world' Henry James 'Anyone who has read an outdated English translation of this novel; seen the opera it inspired - La Traviata, by Verdi; or watched the film it inspired - Camille, starring Greta Garbo, might have missed the audacity, obstinacy, sensuality, and recklessness of its characters' Liesl Schillinger

In 1942, Friedrich, an even-keeled but unworldly young man, arrives in Berlin from bucolic Switzerland with dreams of becoming an artist. At a life drawing class, he is hypnotized by the beautiful model, Kristin, who soon becomes his energetic yet enigmatic guide to the bustling and cosmopolitan city, escorting him to underground jazz clubs where they drink cognac, dance and kiss. The war feels far away to Friedrich, who falls in love with Kristin as they spend time together in his rooms at the Grand Hotel, but as the months pass, the mood in the city darkens as the Nazis tighten their hold on Berlin, terrorizing any who are deemed foes of the Reich. One day, Kristin comes back to Friedrich's rooms in tears, battered and bruised. She tells him that her real name is Stella, and that she is Jewish, passing for Aryan. More disturbing still, she has troubling connections with the Gestapo that Friedrich does not fully understand. As Friedrich confronts Stella's unimaginable choices, he finds himself woefully unprepared for the history he is living through. Based in part on a real historical character, Stella sets a tortured love story against the backdrop of wartime Berlin, and powerfully explores questions of naivete, young love, betrayal, and the horrors of history.

In 1942, Friedrich, an even-keeled but unworldly young man, arrives in Berlin from bucolic Switzerland with dreams of becoming an artist. At a life drawing class, he is hypnotized by the beautiful model, Kristin, who soon becomes his energetic yet enigmatic guide to the bustling and cosmopolitan city, escorting him to underground jazz clubs where they drink cognac, dance and kiss. The war feels far away to Friedrich, who falls in love with Kristin as they spend time together in his rooms at the Grand Hotel, but as the months pass, the mood in the city darkens as the Nazis tighten their hold on Berlin, terrorizing any who are deemed foes of the Reich. One day, Kristin comes back to Friedrich's rooms in tears, battered and bruised. She tells him that her real name is Stella, and that she is Jewish, passing for Aryan. More disturbing still, she has troubling connections with the Gestapo that Friedrich does not fully understand. As Friedrich confronts Stella's unimaginable choices, he finds himself woefully unprepared for the history he is living through. Based in part on a real historical character, Stella sets a tortured love story against the backdrop of wartime Berlin, and powerfully explores questions of naivete, young love, betrayal, and the horrors of history.