This volume collects Lillian Smith s speeches and essays, under three headings. In Addressed to the South, they are a historical record of segregation and the opposition to segregation. In Words That Chain Us and Words That Set Us Free, they discuss the power of language to change political and social situations, the necessity of respect for people s differences, the groping for meaning that we do, and the political role of the creative person. The speeches and essays in Of Women, Men, and Autobiography deal with such topics as the difference in experience of women and men, the power and powerlessness of women, and the complexities of autobiographical truth."

Published to wide controversy, it became the source (acknowledged or unacknowledged) of much of our thinking about race relations and was for many a catalyst for the civil rights movement. It remains the most courageous, insightful, and eloquent critique of the pre-1960s South. "I began to see racism and its rituals of segregation as a symptom of a grave illness," Smith wrote. "When people think more of their skin color than of their souls, something has happened to them." Today, readers are rediscovering in Smith's writings a forceful analysis of the dynamics of racism, as well as her prophetic understanding of the connections between racial and sexual oppression.

There were nine of the Smith children, and the grandmothers and cousins, and there was a big house that never quite ended, and there were the smokehouse and hog-killing and the shaking of the pecan trees, and all the delicious doings that went on in a nineteenth-century kitchen, which lingered into the early decades of the twentieth century. But above all, there was a father who, as impresario and ritual maker, polished family events so that, as the author says," Even today, a half century later, they blind the eyes with their shine." She goes on to day, "But perhaps what holds it so fresh in my memory is the fact that along with all our physical play and work we lived a wild life of imagination: it was hard to keep it from spilling over into reality and painful when reality would step up and prune our flowering. That is why in this memory of Christmas in a small southern town there are sudden excursions to Versailles and the Hall of Mirrors and to the small-town Opera House and the jail in search of a Christmas gift for the parents; and it is why an elegant coffin could figure so prominently in the festivities. And why, one year, forty-eight 'real' convicts ate Christmas dinner with us."

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Ely Green was born in Sewanee, Tennessee, in 1893. His father was a member of the white gentry, the son of a former Confederate officer. His mother was a housemaid, the daughter of a former slave. In this small Episcopal community-home to the University of the South-Ely lived his early childhood oblivious to the implications of his illegitimacy and his parentage. He was nearly nine years old before he realized that being different from his white playmates was of any real significance. An incident at a local drugstore marked the beginning of what would be a painful rite of passage from an idyllic childhood through a tormented adolescence as Ely struggled to understand why he could not wholly belong to either his father's world or his mother's. "I was having a struggle within," he writes, ". . . learning to hate white people after I had been taught that they were all God's children and we are to love everybody." At age eighteen, still warring to reconcile one part of himself with the other, he fled the mountains of Tennessee-and a brewing lynch mob-for the plains of Texas and a new beginning. Straightforwardly recounting his early life, rising above bitterness and pain, Ely Green gives his readers an astoundingly honest and poignant portrait of a young man trying to come to terms with race relations in the early twentieth-century South.

When it was first published in 1944, this novel sparked immediate controversy and became a huge bestseller. It captured with devastating accuracy the deep-seated racial conflicts of a tightly knit southern town. The book is as engrossing and incendiary now as the day it was written.