Religions constrain the bodies of their members through dress. In many cases, dress immediately identifies a member of the community to the outside world and separates them from a society that members believe is threatened by evil forces. Dress identifies the wearer's community to other groups and communities, and may also reflect one's status. Most interestingly, perhaps, dress is a measure of one's level of commitment to the community. While communities vary greatly in terms of what is permissible, strict conformity to internal codes invariably is interpreted as a sign of piety, whereas deviation implies at best self-indulgence and at worst contempt for community values. In order to control sexuality, women's bodies in particular are constrained in religious communities in terms of emotional expression, diet, and especially dress.
This book investigates dress in American religious communities as a vital component of the social control of cultures, and also examines how people express themselves despite religious constraints. Gender issues feature prominently since the control of female sexuality within religious communities is a matter of vital concern to its members. Drawing on rich ethnographic case studies, this wide-ranging and interdisciplinary represents a major contribution to the study of both religion and dress.

Over the years, various garments have become increasingly popular collectible items as they grant insight into the cultures in which they were made. Collectors who love the sand, sun, and surf will delight in this extraordinary guide to handsome Hawaiian clothing. Filled with over 460 beautiful photos, this book gives a historical account of Hawai`i's fashion industry and its effect on the Western world. Unique island designs, exotic fabrics, and traditional garments--including the holoku and mu`umu`u--are all included within this spectacular display of Hawaiian paradise. Generations of tourists to Hawai`i will enjoy the explanations of clothing designs unique to the islands, and designers will find this an invaluable and inspiring reference tool.

Religions constrain the bodies of their members through dress. In many cases, dress immediately identifies a member of the community to the outside world and separates them from a society that members believe is threatened by evil forces. Dress identifies the wearer's community to other groups and communities, and may also reflect one's status. Most interestingly, perhaps, dress is a measure of one's level of commitment to the community. While communities vary greatly in terms of what is permissible, strict conformity to internal codes invariably is interpreted as a sign of piety, whereas deviation implies at best self-indulgence and at worst contempt for community values. In order to control sexuality, women's bodies in particular are constrained in religious communities in terms of emotional expression, diet, and especially dress.
This book investigates dress in American religious communities as a vital component of the social control of cultures, and also examines how people express themselves despite religious constraints. Gender issues feature prominently since the control of female sexuality within religious communities is a matter of vital concern to its members. Drawing on rich ethnographic case studies, this wide-ranging and interdisciplinary represents a major contribution to the study of both religion and dress.

From Islam to Confucianism to Voodoo, dress plays a pivotal role in religious expression. This book investigates how dress symbolically evidences both religious and social systems across a wide range of cultures - from Africa and South America to Asia, Indonesia, Malaysia and the Caribbean. In some of these cultures, dress is part of a system of social control. Gender issues feature prominently since the control of female sexuality is often of great importance to the world's religions. Members of each ethno-religious group actively construct their own lives, and use dress symbolically. A central tenet for many of these groups is that the soul is visually manifested on the body through dress. Drawing on rich ethnographic case studies, this wide-ranging and interdisciplinary volume represents a major contribution to the study of both religion and dress.