When Jane Austen died, at the age of 41, she left behind her not only six novels but a large number of manuscripts, ranging from juvenile works to the novel that she was writing at the time of her final illness. The six published novels are now undisputed classics. The manuscripts, however, despite the extraordinary writing they contain and the way in which they illuminate Jane Austen's work as a novelist, are much less well known. From the brilliance of the juvenilia to the urbane modernity of Sanditon these works show Austen pushing the conventional boundaries of fiction, exploring the implications of vulgarity and violence, experimenting with different styles and tones, and practicing and refining her arts of narrative.This Broadview Edition includes Lady Susan, The Watsons, Sanditon, and ten important early manuscript works. Historical appendices include Austen's letters on fiction; continuations written by Austen's niece and nephew of two of her early works; and Sir Walter Scott's important critical appraisal of Austen from 1816.

The manuscripts that survive from Jane Austen's maturity offer a unique insight into her life as a creative writer. This volume collects together, for the first time, all the literary manuscripts from Austen's adult years (with the exception of the cancelled chapters of Persuasion, in this edition printed with the finished novel), together with letters discussing the art of fiction, and her record of responses to her novels. Included here are the novella 'Lady Susan', the novel fragments of 'The Watsons' and 'Sanditon', poems and charades, and the comic 'Plan of a Novel . In an Appendix are collected other works ascribed to Austen, including the play 'Sir Charles Grandison' and three prayers. The introduction offers a history of the manuscripts and a full account of the current state of scholarship on them, and the texts are accompanied by explanatory notes and contextual information."

The manuscripts that survive from Jane Austen's maturity offer a unique insight into her life as a creative writer. This volume collects together, for the first time, all the literary manuscripts from Austen's adult years (with the exception of the cancelled chapters of Persuasion, in this edition printed with the finished novel), together with letters discussing the art of fiction, and her record of responses to her novels. Included here are the novella 'Lady Susan', the novel fragments of 'The Watsons' and 'Sanditon', poems and charades, and the comic 'Plan of a Novel'. In an Appendix are collected other works ascribed to Austen, including the play 'Sir Charles Grandison' and three prayers. The introduction offers a history of the manuscripts and a full account of the current state of scholarship on them, and the texts are accompanied by explanatory notes and contextual information.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

'It is singular, that my having spent a winter with one of the most dissipated women in England should have sobered my mind so completely.' Maria Edgeworth's 1801 novel, Belinda, is an absorbing, sometimes provocative, tale of social and domestic life among the English aristocracy and gentry. The heroine of the title, only too conscious of being 'advertised' on the marriage market, grows in moral maturity as she seeks to balance self-fulfilment with achieving material success. Among those whom she encounters are the socialite Lady Delacour, whose brilliance and wit hide a tragic secret, the radical feminist Harriot Freke, the handsome and wealthy Creole gentleman Mr Vincent, and the mercurial Clarence Hervey, whose misguided idealism has led him into a series of near-catastrophic mistakes. In telling their story Maria Edgeworth gives a vivid picture of life in late eighteenth-century London, skilfully showing both the attractions of leisured society and its darker side, and blending drawing-room comedy with challenging themes involving serious illness, obsession, slavery and interracial marriage.

'Twelve Year a Whore, fives times a Wife (whereof once to her own Brother), Twelve Year a Thief, Eight Year a Transported Felon in Virginia, at last grew Rich, liv'd Honest, and died a Penitent' So the title page of this extraordinary novel describes the career of the woman known as Moll Flanders, whose real name we never discover. And so, in a tour-de-force of writing by the businessman, political satirist, and spy Daniel Defoe, Moll tells her own story, a vivid and racy tale of a woman's experience in the seamy side of life in late seventeenth- and early eighteenth-century England and America. Born in Newgate prison, and seduced in the home of her adoptive family, she learns to live off her wits, defying the traditional depiction of women as helpless victims. First published in 1722, and one of the earliest novels in the English language, its account of opportunism, endurance, and survival speaks as strongly to us today as it did to its original readers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'he carried Good-nature to that wonderful and uncommon Height, that he never did a single Injury to Man or Woman, by which he himself did not expect to reap some Advantage' The real-life Jonathan Wild, gangland godfather and self-styled 'Thieftaker General', controlled much of the London underworld until he was executed for his crimes in 1725. Even during his lifetime his achievements attracted attention; after his death balladeers sang of his exploits, and satirists made connections between his success and the triumph of corruption in high places. Henry Fielding built on these narratives to produce one of the greatest sustained satires in the English language. Published in 1743, at a time when the modern novel had yet to establish itself as a fixed literary form, Jonathan Wild is at the same time a brilliant black comedy, an incisive political satire, and a profoundly serious exploration of human 'greatness' and 'goodness'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.