'It is singular, that my having spent a winter with one of the most dissipated women in England should have sobered my mind so completely.' Maria Edgeworth's 1801 novel, Belinda, is an absorbing, sometimes provocative, tale of social and domestic life among the English aristocracy and gentry. The heroine of the title, only too conscious of being 'advertised' on the marriage market, grows in moral maturity as she seeks to balance self-fulfilment with achieving material success. Among those whom she encounters are the socialite Lady Delacour, whose brilliance and wit hide a tragic secret, the radical feminist Harriot Freke, the handsome and wealthy Creole gentleman Mr Vincent, and the mercurial Clarence Hervey, whose misguided idealism has led him into a series of near-catastrophic mistakes. In telling their story Maria Edgeworth gives a vivid picture of life in late eighteenth-century London, skilfully showing both the attractions of leisured society and its darker side, and blending drawing-room comedy with challenging themes involving serious illness, obsession, slavery and interracial marriage.

This complete and unabridged edition contains a biography of the author and a new introduction and afterword. Anne falls in love with Wentworth, who had nothing but himself to recommend him, and no hopes of attaining influence, so persuaded by friends and family she breaks off the match and sends him away. Years later, he returns, is it too late?

'Twelve Year a Whore, fives times a Wife (whereof once to her own Brother), Twelve Year a Thief, Eight Year a Transported Felon in Virginia, at last grew Rich, liv'd Honest, and died a Penitent' So the title page of this extraordinary novel describes the career of the woman known as Moll Flanders, whose real name we never discover. And so, in a tour-de-force of writing by the businessman, political satirist, and spy Daniel Defoe, Moll tells her own story, a vivid and racy tale of a woman's experience in the seamy side of life in late seventeenth- and early eighteenth-century England and America. Born in Newgate prison, and seduced in the home of her adoptive family, she learns to live off her wits, defying the traditional depiction of women as helpless victims. First published in 1722, and one of the earliest novels in the English language, its account of opportunism, endurance, and survival speaks as strongly to us today as it did to its original readers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'he carried Good-nature to that wonderful and uncommon Height, that he never did a single Injury to Man or Woman, by which he himself did not expect to reap some Advantage' The real-life Jonathan Wild, gangland godfather and self-styled 'Thieftaker General', controlled much of the London underworld until he was executed for his crimes in 1725. Even during his lifetime his achievements attracted attention; after his death balladeers sang of his exploits, and satirists made connections between his success and the triumph of corruption in high places. Henry Fielding built on these narratives to produce one of the greatest sustained satires in the English language. Published in 1743, at a time when the modern novel had yet to establish itself as a fixed literary form, Jonathan Wild is at the same time a brilliant black comedy, an incisive political satire, and a profoundly serious exploration of human 'greatness' and 'goodness'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The manuscripts that survive from Jane Austen's maturity offer a unique insight into her life as a creative writer. This volume collects together, for the first time, all the literary manuscripts from Austen's adult years (with the exception of the cancelled chapters of Persuasion, in this edition printed with the finished novel), together with letters discussing the art of fiction, and her record of responses to her novels. Included here are the novella 'Lady Susan', the novel fragments of 'The Watsons' and 'Sanditon', poems and charades, and the comic 'Plan of a Novel . In an Appendix are collected other works ascribed to Austen, including the play 'Sir Charles Grandison' and three prayers. The introduction offers a history of the manuscripts and a full account of the current state of scholarship on them, and the texts are accompanied by explanatory notes and contextual information."

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The manuscripts that survive from Jane Austen's maturity offer a unique insight into her life as a creative writer. This volume collects together, for the first time, all the literary manuscripts from Austen's adult years (with the exception of the cancelled chapters of Persuasion, in this edition printed with the finished novel), together with letters discussing the art of fiction, and her record of responses to her novels. Included here are the novella 'Lady Susan', the novel fragments of 'The Watsons' and 'Sanditon', poems and charades, and the comic 'Plan of a Novel'. In an Appendix are collected other works ascribed to Austen, including the play 'Sir Charles Grandison' and three prayers. The introduction offers a history of the manuscripts and a full account of the current state of scholarship on them, and the texts are accompanied by explanatory notes and contextual information.

Long of interest to literary scholars as the sister of Henry Fielding and the friend of Samuel Richardson, Sarah Fielding (1710-1768) was also a popular and innovative writer in her own right. In her lifetime Fielding was seen as a leading literary figure, her experimentation with various literary forms impressing readers and influencing later writers. Her works encompass five novels, including the moral romance The Adventures of David Simple and the philosophical fiction The Cry, as well as one of the earliest school stories for girls, a pamphlet of literary criticism, a fictionalized autobiography, and a translation of a classical Greek text. In her fiction Fielding explores the complex relationship between words and things and the moral questions confronting women and men in the middle 18th century; in her time she staked the claim of the woman writer to help shape the development of realistic and romantic fiction. Yet despite increasing attention from scholars in recent years, Sarah Fielding and her place in English letters have until now received no full-length critical analysis. Fully conversant with the array of pertinent critical scholarship, Bree incorporates into her discussion the appraisals of contemporary and later critics, including the considerable body of writing by feminists and New Historicists. Fielding's fictions, Bree argues, "reveal a high degree of originality in both content and technique" and provide "a new model for women writers...experimenting in different ways with the conventions and taboos of prose fiction". She also addresses Fielding's moral and intellectual vision of women as mature human beings responsible for their own actions and furthers anappreciation of Fielding that was held in her own day - as "a radical, original, and entertaining writer whose works challenged the reader with serious issues of morality and ethics in action".