With a foreword by Maggie Nelson, an introduction from Frieze editor Andrew Durbin and afterword from Edmund White 'Unforgettable, heartbreaking' New York Times 'As much about friendship, intimacy, and betrayal as it is about sickness. ... Brilliant' - Dazed 'The father of autofiction, the master of finding that perfect balance of truth and beauty.' Guardian 'As brutal as it is elegant; shot through with a scalding and necessary rage.' - Neil Bartlett, author, Ready to Catch Him Should He Fall 'Written with urgency, clarity ... it is electrifying in its searing honesty' - Colm Toibin 'One of the most beautiful, haunting, and fascinating works in the French autofictional canon. Guibert grapples with his own AIDS diagnosis, and the death of his friend Muzil (Michel Foucault), in a dazzling piece of writing.' - Katherine Angel After being diagnosed with AIDS, Herve Guibert wrote this devastating, darkly humorous and personal novel, chronicling three months in the penultimate year of the narrator's life. In the wake of his friend Muzil's death, he goes from one quack doctor to another, from holidays to test centres, and charts the highs and lows of trying to cheat death. On publication in 1990, the novel scandalized French media, which quickly identified Muzil as Guibert's close friend Michel Foucault. The book became a bestseller, and Guibert a celebrity. The book has since attained a cult following for its tender, fragmented and beautifully written accounts of illness, friendship, sex, art and everyday life. It catapulted Guibert into notoriety and sealed his reputation as a writer of shocking precision and power.

For fans of Patricia Highsmith, Harriet Tyce, Jorn Lier Horst, Fred Vargas and Jean-Patrick Manchette.

The heart-stopping (The Millions), richly layered (Brooklyn Rail), haunting, beautiful (BuzzFeed) story of an escaped captive and the killer hound that pursues him Slave Old Man is a cloudburst of a novel, swift and compressed--but every page pulses, blood-warm. . . . The prose is so electrifyingly synesthetic that, on more than one occasion, I found myself stopping to rub my eyes in disbelief. --Parul Sehgal, The New York Times Shortlisted for the National Book Critics Circle Award for Fiction, Patrick Chamoiseau's Slave Old Man was published to accolades in hardcover in a brilliant translation by Linda Coverdale, winning the French-American Foundation Translation Prize and chosen as a Publishers WeeklyBest Book of 2018. Now in paperback, Slave Old Man is a gripping, profoundly unsettling story of an elderly enslaved person's daring escape into the wild from a plantation in Martinique, with his enslaver and a fearsome hound on his heels. We follow them into a lush rain forest where nature is beyond all human control: sinister, yet entrancing and even exhilarating, because the old man's flight to freedom will transform them all in truly astonishing--even otherworldly--ways, as the overwhelming physical presence of the forest reshapes reality and time itself. Chamoiseau's exquisitely rendered new novel is an adventure for all time, one that fearlessly portrays the demonic cruelties of the slave trade and its human costs in vivid, sometimes hallucinatory prose. Offering a loving and mischievous tribute to the Creole culture of early nineteenth-century Martinique, this novel takes us on a unique and moving journey into the heart of Caribbean history.

Patrick Chamoiseau first became known to the international literary world with Texaco, the vast and demanding novel that won France's prestigious Goncourt Prize in 1992. Less well known is the fact that Chamoiseau has written a number of extraordinary books about his childhood in Martinique. One of these, Creole Folktales, recreates in truly magical language the stories he heard as a child. Folktales with a twist, fairy tales with attitude, these stories are told in a language as savory as the spicy food so lovingly evoked within these pages. The urchins, dowagers, ne'er-do-wells, and gluttons in these tales are filled with longing for the simple things in life: a full plate, a safe journey, a good night's sleep. But their world is haunted, and the material comforts we take for granted are the stuff of dreams for them, for there are always monsters waiting to snatch away their tasty bowl of stew-or even life itself. Some of these monsters are familiar: the wicked hag, the envious neighbor, the deceitful suitor, the devil who gobbles up unwary souls. Others may be surprising, and their casual appearance in these tales makes them all the more frightening-like an unexpected glimpse into a fun-house mirror. But in contrast to these folktales' more fantastic creations, the white plantation owner and the slave ship's captain remind us that these are stories of survival in a colonized land. A marvelous introduction to a world, both real and imaginary, that North Americans have ignored for far too long.

The "heart-stopping" (The Millions), "richly layered" (Brooklyn Rail), "haunting, beautiful" (BuzzFeed) story of an escaped captive and the killer hound that pursues him "Slave Old Man is a cloudburst of a novel, swift and compressed--but every page pulses, blood-warm. . . . The prose is so electrifyingly synesthetic that, on more than one occasion, I found myself stopping to rub my eyes in disbelief." --Parul Sehgal, The New York Times Shortlisted for the National Book Critics Circle Award for Fiction, Patrick Chamoiseau's Slave Old Man was published to accolades in hardcover in a brilliant translation by Linda Coverdale, winning the French-American Foundation Translation Prize and chosen as a Publishers WeeklyBest Book of 2018. Now in paperback, Slave Old Man is a gripping, profoundly unsettling story of an elderly enslaved person's daring escape into the wild from a plantation in Martinique, with his enslaver and a fearsome hound on his heels. We follow them into a lush rain forest where nature is beyond all human control: sinister, yet entrancing and even exhilarating, because the old man's flight to freedom will transform them all in truly astonishing--even otherworldly--ways, as the overwhelming physical presence of the forest reshapes reality and time itself. Chamoiseau's exquisitely rendered new novel is an adventure for all time, one that fearlessly portrays the demonic cruelties of the slave trade and its human costs in vivid, sometimes hallucinatory prose. Offering a loving and mischievous tribute to the Creole culture of early nineteenth-century Martinique, this novel takes us on a unique and moving journey into the heart of Caribbean history.

In Sri Lanka, a tsunami sweeps a child out to sea, her grandfather helpless against the onrushing water. In France, a woman dies from cancer, leaving her husband and small children bereft. What links these two catastrophes is the presence of Emmanuel Carrere, who manages to find consolation and even joy as he immerses himself in lives other than his own. The result is a heartrending narrative of endless love, a meditation on courage in the face of adversity, and an intimate look at the beauty of ordinary lives.

Bruno Bontempelli's "The Traveler's Tree" is a spellbinding and most unusual tale of desperation and suspense, which takes place in the eighteenth-century maritime setting Patrick O'Brian made so familiar to American readers. A modern fable reminiscent of Camus's classic "The Plague," "The Traveler's Tree" is at its core an exploration of man's nature.

Somewhere in the Caribbean Sea the French ship "Entremetteuse" lies stranded without a breeze, its crew racked by starvation and disease, its wood rotting, and its masts limp. An island and the dim outline of the fabled traveler's tree appear on the horizon. Although only a gunshot away, the island's sheer cliffs and coral reefs make it cruelly unreachable. The heat grows unbearable, the ship's stores are nearly depleted, and the rats eagerly await the remains.

As listless as the ship and increasingly feeble with scurvy, the embattled crew dispatches one longboat after another against raging waves, barrier reefs, and poisonous fish in order to reach the island, but to no avail. As mutiny, rebellion, and utter starvation loom, they pin their last hopes on a direct charge of the ship across the reefs, in one last valiant effort to reach the traveler's tree.

Hailed in France as "a superb allegory" ("Le Monde"), "The Traveler's Tree" is an enthralling novel that tells a story of the human condition and man's limitations. Writing with extraordinary realism and historical accuracy, Bruno Bontempelli lures us into this absorbing morality tale that will be remembered for years to come.

At the City Hall in a small town in the South of France, one man starts his campaign to correct the ills that have overtaken his proud nation by lecuring the town's inhabitants on the art of conversation. In the narrator's opinion, "coversation is a specialty that is most eminently French," an art that should be nurtured and practiced, and can help repair France's reputation. Not to mention being a good conversationalist is extremely useful for seducing women, which is how the narrator managed to attract Lucienne, his "superbly lumpish" wife who died two months before giving this lecture. One of the oddest characters in contemporary fiction, the lecturer in this novel can't help but digress about his sad life in the midst of his speech, giving the reader a view of a self-centered man trying to turn one of his greatest faults into a virtue to be forced on everyone else. By turns ironic, hilarious, pathetic, and mortifying, Salvayre's The Lecture is an exuberant example of the exciting fiction being written in France.

Pig Tales is a brilliant satirical novel about a stunning young woman working in a beauty 'massage' parlour. She enjoys extraordinary success at bringing home the bacon (in part due to her increasingly rosy and irresistible backside) until she slowly metamorphoses - into a pig. Rejected by her boyfriend, left to wander the sewers and forage for food in public parks, she takes up with a werewolf with insatiable appetites. They share everything (pizza is a particular favourite; she gets the pizza, he gets the delivery boy) until someone alerts the authorities and tragedy strikes . . . Gender, politics and social hypocrisy all come under scrutiny in this entertaining and enlightening novel. Pig Tales is a Metamorphosis for the present day, a dark fable of political and sexual corruption, and a grim warning of what can happen in a society without a soul.

'The father of contemporary European detective fiction' Ann Cleeves A man picked up for wandering in obvious distress among the cars and buses on the Grands Boulevards. Questioned in French, he remains mute . . . A madman? In Maigret's office, he is searched. His suit is new, his underwear is new, his shoes are new. All identifying labels have been removed. No identification papers. No wallet. Five crisp thousand-franc bills have been slipped into one of his pockets. A distressed man is found wandering the streets of Paris, with no memory of who he is or how he got there. The answers lead Maigret to a small harbour town, whose quiet citizens conceal a poisonous malice. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Death of a Harbour Master. 'Compelling, remorseless, brilliant' John Gray 'A supreme writer . . . unforgettable vividness' Independent

Their father's favorite saying, between drinks and blows, was, "Life holds only bad surprises, and the last one will be death." And now, Colin observes of the man sprawled under all the broken furniture, their father was definitely and forever out of surprises. Children of Heroes is the story Colin tells of what happened-and what happened before that. Testimony, confession, a child's outpouring: this is his painfully matter-of-fact account of how he and his older sister, Mariela, killed the man who tyrannized them and their piously pathetic mother, who is now a "blank." As he describes their flight from the slum in Haiti to an uncertain somewhere called "far away," Colin conjures a bleak picture of the life he and his sister are trying to leave behind. And whether these two-children only in age-are guilty or merely victims of the violence festering in their city is a question only the reader can answer. In its picture of a world in which the heroes and the destroyers-whether fathers or leaders-are often indistinguishable, and where life's poetry and poverty are inextricably linked, this book tells a story of Haiti that is at once intimate, universal, and otherworldly Lyonel Trouillot is a poet, novelist, and essayist of the post-Duvalierist generation of Haitian writers. Linda Coverdale is a Chevalier de l'Ordre des Arts et des Lettres and the award-winning translator of over fifty books, including Trouillot's Street of Lost Footsteps (PEN/Book-of-the-Month Club Translation Prize finalist) and Patrick Chamoiseau's School Days and Chronicle of the Seven Sorrows, all available in Bison Books editions.

Lyonel Trouillot's harrowing novel depicts a night of blazing violence in modern-day Port-au-Prince and recalls hundreds of years of violence stretching back even before the birth of Haiti in the fires of revolution. Three narrators--a madam, a taxi driver, and a post office employee--describe in almost hallucinatory terms the escalating chaos of a bloody uprising that pits the partisans of the Prophet against the murderous might of the great dictator Deceased Forever-Immortal. The drama of promise and betrayal in Haitian life inform's "Street of Lost Footsteps" with the grim irony and savage tenderness characteristic of writers for whom the repetitiveness of history has gone beyond tragedy, through farce, and on into insanity. With impressive originality and touching immediacy, Trouillot explores the nature of political oppression, memory, and truth.

From one of the world's great writers, a novel that mirrors the journeys of millions who leave home for a better life In Leaving Tangier, award-winning, internationally bestselling author Tahar Ben Jelloun tells the story of a Moroccan brother and sister making new lives for themselves in Spain. Azel is a young man in Tangier who dreams of crossing the Strait of Gibraltar. When he meets Miguel, a wealthy Spaniard, he leaves behind his girlfriend, his sister, Kenza, and his mother, and moves with him to Barcelona, where Kenza eventually joins them. What they find there forms the heart of this novel of seduction and betrayal, deception and disillusionment, in which Azel and Kenza are reminded powerfully not only of where they've come from, but also of who they really are.

A new translation of George Simenon's taut, devastating psychological novel set in American suburbia. The inspiration for the new play by award-winning playwright David Hare. 'I had begun, God knows why, tearing a corner off of everyday truth, begun seeing myself in another kind of mirror, and now the whole of the old, more or less comfortable truth was falling to pieces' Confident and successful, New York advertising executive Ray Sanders takes what he wants from life. When he goes missing in a snow storm in Connecticut one evening, his closest friend begins to reassess his loyalties, gambling Ray's fate and his own future. 'The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place . . . utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining' John Banville 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independen

Read this an expansive meditation on death, grief and the limtless reach of the human spirit from the bestselling author of The Adversary

‘Compelling… Carrère has the gift of speaking simply and directly of the essentials’ Evening Standard

Beset by arguments and the fear that things between them may be falling apart, writer Emmanuel Carrère and his partner, Hélène, journey to Sri Lanka to spend Christmas along the coast. But when the 2004 tsunami devastates the country, sweeping their friends’ young daughter away, the couple are bound in their search among the dead. As further tragedy strikes back home, with the news that Hélène’s sister is dying of cancer, Carrère turns his characteristic eye to the subject of these two lives, documenting the dramatic effect that their deaths have on those around them.

Precise, sober, and suspenseful, Other Lives But Mine offers an intimate portrait of the fragility of life and the restorative processes of grief, that illuminates the astonishing richness of human connection.

'Compelling, remorseless, brilliant' John Gray What was it about him that had struck Maigret so forcefully? . . . Little John had cold eyes! . . . Four or five times in his life, he had met people with cold eyes, those eyes that can stare at you without establishing any human contact. Persuaded to sail to New York by a fearful young law student, Maigret finds himself drawn into the city's underworld, and a wealthy businessman's closely guarded past. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

'Compelling, remorseless, brilliant' John Gray 'She came forward, the outlines of her figure blurred in the half-light. She came forward like a film star, or rather like the ideal woman in an adolescent's dream. 'I gather you wish to talk to me, Inspector . . . but first of all please sit down . . .' Her accent was more pronounced than Carl's. Her voice sang, dropping on the last syllable of the longer words.' Maigret has been interrogating Carl Andersen for seventeen hours without a confession. He's either innocent or a very good liar. So why was the body of a diamond merchant found at his isolated mansion? Why is his sister always shut away in her room? And why does everyone at Three Widows Crossroads have something to hide? This novel has been published in previous translations as Maigret at the Crossroads and The Crossroad Murders. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

FROM THE BESTSELLING AUTHOR OF THE ADVERSARY

Little Nicolas is a delicate, timid schoolboy, with an excitable, if morbid imagination – the child of an overbearing father. So, two weeks away on the class trip is already enough to fill him with dread. But when a child goes missing, Nicolas’ mind turns to gruesome possibilities, impelling him to take up the role of detective – and edge closer to a truth more shocking than Nicolas’ worst fears.

Translated by Linda Coverdale

'There are few great writers in France today, and Emmanuel Carrère is one of them' Paris Review

Elegant, pocket-sized paperbacks, VINTAGE Editions celebrate the audacity and ambition of the written word, transporting readers to wherever in the world literary innovation may be found.

'Compelling, remorseless, brilliant' John Gray A first ink drawing showed a hanged man swinging from a gallows on which perched an enormous crow. And there were at least twenty other etchings and pen or pencil sketches that had the same leitmotif of hanging. On the edge of a forest: a man hanging from every branch. A church steeple: beneath the weathercock, a human body dangling from each arm of the cross. . . Below another sketch were written four lines from Francois Villon's Ballade of the Hanged Men. On a trip to Brussels, Maigret unwittingly causes a man's suicide, but his own remorse is overshadowed by the discovery of the sordid events that drove the desperate man to shoot himself. This novel has been published in previous translations as Maigret and the Hundred Gibbets and The Crime of Inspector Maigret. 'One of the greatest writers of the twentieth century' Guardian

A new translation of Simenon's gripping novel about lives transformed by deceit and the destructive power of lust. It was all real: himself, the room, Andree still lying on the ravaged bed. For Tony and Andree, there are no rules when they meet in the blue room at the Hotel des Voyageurs. Their adulterous affair is intoxicating, passionate - and dangerous. Soon it turns into a nightmare from which there can be no escape. Simenon's stylish and sensual psychological thriller weaves a story of cruelty, reckless lust and relentless guilt. 'A wondrous achievement, brief, inexorable, pared to, and agonisingly close to, the bone, and utterly compelling; in short, a true and luminous work of art.' John Banville 'A double crime, a dark provincial scandal, and a dreadful sort of triumph . . . presented with shattering power' San Francisco Chronicle 'One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

During the spring of 1994, in a tiny country called Rwanda, some 800,000 people were hacked to death, one by one, by their neighbors in a gruesome civil war. Several years later, journalist Jean Hatzfeld traveled to Rwanda to interview ten participants in the killings, eliciting extraordinary testimony from these men about the genocide they perpetrated. As Susan Sontag wrote in the preface, "Machete Season" is a document that "everyone should read . . . because making] the effort to understand what happened in Rwanda . . . is part of being a moral adult."

From "Morocco's greatest living author" (The Guardian), an internationally bestselling novel of universal appeal-about the powerful pull of home and the lengths to which a parent will go to bring his family together Mohammed has spent the past forty years working in France. As he approaches retirement, he takes stock of his life-his devotion to Islam and to his assimilated children-and decides to return to Morocco, where he spends his life's savings building the biggest house in the village and waiting for his children and grandchildren to come be with him. A heartbreaking novel about parents and children, A Palace in the Old Village captures the sometimes stark contrasts between old- and new-world values, and immigrant's abiding pursuit of home.

'His artistry is supreme' John Banville 'What was he doing there? A hundred times, in the middle of an investigation, he'd had the same feeling of helplessness or, rather, futility. He would find himself abruptly plunged into the lives of people he had never met before, and his job was to discover their most intimate secrets. This time, as it happened, it wasn't even his job. He was the one who had chosen to come, because a teacher had waited for him for hours in the Purgatory at the Police Judiciaire.' When a school teacher from a small coastal town near La Rochelle asks Maigret to help prove he is innocent of murder, the Inspector returns with him to his insular community and finds the residents closing ranks to conceal the truth. 'Compelling, remorseless, brilliant' John Gray

In June 2002, Mukhtar Mai, a Pakistani woman from the impoverished village of Meerwala, was gang raped by a local clan known as the Mastoi -- punishment for indiscretions allegedly committed by the woman's brother. While certainly not the first account of a female body being negotiated for honor in a family, this time the survivor had bravely chosen to fight back. In doing so, Mai single-handedly changed the feminist movement in Pakistan, one of the world's most adverse climates for women.

By July 2002, the Pakistani government awarded her the equivalent of 8,500 U.S. dollars in compensation money and sentenced her attackers to death -- and Mukhtar Mai went on to open a school for girls so that future generations would not suffer, as she had, from illiteracy.

In this rousing account, Mai describes her experience and how she has since become an agent for change and a beacon of hope for oppressed women around the world. Timely and topical, "In the Name of Honor" is the remarkable and inspirational memoir of a woman who fought and triumphed against exceptional odds.

Renowned for his compeling, humane portraits of everyday Arab lives, Tahar Ben Jelloun has affirmed his place in the literary world by winning such awards as the Prix Goncourt and Prix Maghreb. In "The Last Friend," Ben Jelloun presents a spellbinding coming-of-age story and a dazzling portrait of Morocco in an era of repression and disillusionment. In Tangiers in the late 1950s, two teenagers, Mamed and Ali, strike up an intense friendship that will last a lifetime. But lurking just beneath the surface is a deep, unspoken jealousy in danger of destroying them both.