Social Justice Journalism: A Cultural History of Social Movement Media from Abolition to #womensmarch argues that to better understand the evolution, impact, and future of digital social justice media we need to understand their connections to a venerable print culture of dissent. This cultural history seeks to deepen and contextualize knowledge about digital activist journalism by training the lens of social movement theory back on the nearly forgotten role of eight twentieth-century American social justice journals in effecting significant social change. The book deliberately conflates "social movement media" with newer and broader conceptions of "social justice journalism" to highlight changing definitions of journalism in the digital era. It uses framing theory, social movement theory, and theories about the power of facts and emotion in storytelling to show how social movement media practice journalism to mobilize collective action for their cause. After tracing the evolution and functions of each social justice movement's print culture, each chapter concludes with a comparison to its online counterparts to illuminate links with digital media. The book concludes that digital activist journalism, while in some ways unique, also shares continuities and commonalities with its print predecessors.

Inez Milholland was the most glamorous suffragist of the 1910s and a fearless crusader for women's rights. Moving in radical circles, she agitated for social change in the prewar years, and she epitomized the independent New Woman of the time. Her death at age 30 while stumping for suffrage in California in 1916 made her the sole martyr of the American suffrage movement. Her death helped inspire two years of militant protests by the National Woman's Party, including the picketing of the White House, which led in 1920 to ratification of the 19th Amendment granting women the right to vote. Lumsden's study of this colorful and influential figure restores to history an important link between the homebound women of the 19th century and the iconoclastic feminists of the 1970s.

Social Justice Journalism: A Cultural History of Social Movement Media from Abolition to #womensmarch argues that to better understand the evolution, impact, and future of digital social justice media we need to understand their connections to a venerable print culture of dissent. This cultural history seeks to deepen and contextualize knowledge about digital activist journalism by training the lens of social movement theory back on the nearly forgotten role of eight twentieth-century American social justice journals in effecting significant social change. The book deliberately conflates "social movement media" with newer and broader conceptions of "social justice journalism" to highlight changing definitions of journalism in the digital era. It uses framing theory, social movement theory, and theories about the power of facts and emotion in storytelling to show how social movement media practice journalism to mobilize collective action for their cause. After tracing the evolution and functions of each social justice movement's print culture, each chapter concludes with a comparison to its online counterparts to illuminate links with digital media. The book concludes that digital activist journalism, while in some ways unique, also shares continuities and commonalities with its print predecessors.

Hundreds of newspapers and magazines published by socialists, anarchists, and the Industrial Workers of the World in the years before World War I offered sharp critiques of the emerging corporate state that remain relevant in light of gaping twenty-first-century social inequity. Black, White, and Red All Over offers the first comprehensive narrative to explore the central role that a broad swathe of social movement media played in radical movements, stirring millions of Americans a century ago. Author Linda J. Lumsden mines more than a dozen diverse radical periodicals-including Progressive Woman, Industrial Worker, Wilshire's, the Messenger, Mother Earth, Appeal to Reason, New York Call, and International Socialist Review-to demonstrate how they served anarchists, socialists, and industrial unionists in their quest to topple capitalism and create their varied visions of a cooperative commonwealth. The book argues that these subversive periodicals were quintessentially American: individualist, independent, socialminded, egalitarian, defiant, and celebratory of freedom. Even their call for revolution resounded from the roots of the American experience. Black, White, and Red All Over explores socialist periodicals in the agrarian heartland; views socialists' attempts to provide alternatives to urban dailies; explores the radical press crusade to champion workers; analyzes the role anarchist periodicals played in their pioneering battles for a free press, free speech, and free love; surveys socialism in the black press; and details the federal government's wartime campaign to suppress the radical press. It draws parallels with Occupy Wall Street's social media movement. Despite the distance from the typewriter to Twitter, Lumsden concludes that twenty-first-century social movement media perform nearly the same function as did their nearly forgotten predecessors.