This book examines the works of major artists between the seventeenth and nineteenth centuries, as important barometers of individual and collective values toward non-human life. Once viewed as merely representational, these works can also be read as tangential or morally instrumental by way of formal analysis and critical theories. Chapter Two demonstrates the discrimination toward large and small felines in Genesis and The Book of Revelation. Chapter Three explores the cruel capture of free roaming animals and how artists depicted their furs, feathers and shells in costume as symbols of virtue and vice. Chapter Four identifies speciest beliefs between donkeys and horses. Chapter Five explores the altered Dutch kitchen spaces and disguised food animals in various culinary constructs in still life painting. Chapter Six explores the animal substances embedded in pigments. Chapter Seven examines animals in absentia-in the crafting of brushes. The book concludes with the fish paintings of William Merritt Chase whose glazing techniques demonstrate an artistic approach that honors fishes as sentient beings.

How many words do the Sami have to describe features of reindeer? Who were the three Norns who sat under Yggdrasil's branches? How did Nordic spirit-callers cast their magical spells? In this informative pocket book, author and aclaimed wine-writer Linda Johnson-Bell tells the story of Northern European paganism, and paints a landscape of stunning beauty, populated by otherworldly shamen, strange gods, heathen temples and living elemental energies.

We were created to care for each other. Some such as social workers, counselors, pastors, chaplains, seminarians, doctors, nurses, teachers, missionaries, and many others have experienced a calling and have pursued education and training that equipped them to be professional helpers. Others have sensed a calling, and out of love, passion, and compassion help and care for others. Still others just help because we are called to bear one another's burdens and to lend a helping hand along life's journey. And others took on the task of being a caregiver because that was the thing to do. This book is written for helpers and caregivers-thus everyone. Sometimes helpers become burdened with the load of caring; sometimes they need something to lift their spirits; sometimes they need a source of new insights and new ideas. Yet, sometimes, they need the comfort that comes from spending time in God's Word, meditating on God's promises, and seeing how biblical characters found help from God. I hope this book will be one that you turn to time and again; one that you will share with others. As you go along each day, use the book as a source for daily meditation, reflection, and inspiration. Or, take a break; turn to a page; or let the book fall open to a page; and anticipate how God will send the right message and encouragement that you need for a moment of disappointment, discouragement, or when you need a word of discernment. Better yet, find a happy story to make you laugh, reminisce, and celebrate. Be blessed as you help and care for others as well as yourselves. Dr. Linda Johnson Crowell Visit our website at: www.helpfullsource.com. Contact us at: Help-FULL Source, P.O. Box 46904, Bedford, Ohio 44146.

This book examines the works of major artists between the seventeenth and nineteenth centuries, as important barometers of individual and collective values toward non-human life. Once viewed as merely representational, these works can also be read as tangential or morally instrumental by way of formal analysis and critical theories. Chapter Two demonstrates the discrimination toward large and small felines in Genesis and The Book of Revelation. Chapter Three explores the cruel capture of free roaming animals and how artists depicted their furs, feathers and shells in costume as symbols of virtue and vice. Chapter Four identifies speciest beliefs between donkeys and horses. Chapter Five explores the altered Dutch kitchen spaces and disguised food animals in various culinary constructs in still life painting. Chapter Six explores the animal substances embedded in pigments. Chapter Seven examines animals in absentia-in the crafting of brushes. The book concludes with the fish paintings of William Merritt Chase whose glazing techniques demonstrate an artistic approach that honors fishes as sentient beings.