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These poems chart the journeys of sleepless nights when whole
lifetimes seem to pass with their stories: loves lost and gained;
children and seasons in their phases; and the world beyond, both
threatening and enriching life. The time before sleep acts as an
invitation to reflect on the world's quieter movements-from gardens
heavy after a first storm to the moon slipping into darkness in an
eclipse-as well as on the subtle but relentless passage of time.
Insomnia embodies Linda Pastan's graceful and iconic voice, both
lucid and haunting.
"Plume magazine, and now the second volume of its Plume Anthology
of Poetry, is a beautifully edited and stylishly presented
cross-section of what is alive and well in contemporary poetry."
Diane Wakoski
"[Linda Pastan's] poems are skillfully written with lovely syntax
and strong, evocative imagery. Surprising readers with subject and
an occasional rhyme, Pastan proves once again that, 12 books later,
she is a poet who can ground us, who can astound us. Essential
reading for poetry lovers."-Library Journal
As the San Francisco Review of Books has written: In Pastan s
world, a poem is not just anything; it is more than some inspired
words strung together casually. She earns each poem, line by line,
insight by insight, felt emotion by felt emotion. She reminds us of
the origin of the word poet: maker . . . . Pastan can be read by
anyone and enjoyed. And she deserves to be. More important, people
who read books on the latest political, economic, sociological, and
psychological concerns should put Pastan on their list. So should
people who read novels. In her work there is a return to the role
of the poet as it served the human race for centuries: to fuel our
thinking, show us our world in new ways, and to get us to feel more
intensely. "
Linda Pastan writes, "the art that mattered / was the life led
fully / stanza by swollen stanza." That life is portrayed here,
from the poet's earliest childhood memories to the surprises that
come with age.
This remarkable new collection of poems is a sure affirmation of
the fact that, as one critic has written, Linda Pastan "has quietly
become one of our leading poets." Another critic noted, of her
first volume, that she "in large measure fulfilled Emerson's
dream-the revelation of 'the miraculous in the common.'"
"Autumnal and subdued...movingly chronicles loss, fear, the passing of time."—Michael Dirda, Washington Post Book World
In The Last Uncle, Linda Pastan writes, "If death is everywhere we look, / at least let's marry it to beauty." The poems in this new collection deal with loss and the difficult transition between generations, but they are also about love and landscape and the many pleasures of the imagination.
"Pastan's unfailing mastery of her medium holds the darkness firmly in check."—New York Times Book Review
"The world wounds us / with its beauty, as if it knew / we had to leave it soon," Linda Pastan writes in "In a Northern Country," and the poems in this new volume are full of those wounds, that beauty. Whether her subject is the return of childhood ghosts or the metaphor of baseball, whether it is the impact of landscape or the vagaries of family love, Pastan continues to explore and illuminate the mysteries and dangers beneath the common surfaces of ordinary life. As the Jerusalem Post put it, "She has, in large measure, fulfilled Emerson's dreamthe revelation of 'the miraculous in the common.'" Or, as she herself writes in one of her new poems, "Long after Eden, the imagination flourishes with all its unruly weeds."
In her eighth collection, Linda Pastan touches upon themes of
family, childhood, time and loss, and the beauty of nature. "Let
the eye enlarge with all it beholds," she says in the opening poem;
she becomes a seer, as the San Francisco Review of Books has said,
returning to the role of the poet as it served the human race for
centuries: to fuel our thinking, show us our world in new ways, and
to get us to feel more intensely. "
"It is above all her integrity that has made Linda Pastan such a
rewarding poet. Nothing is here for effect. There is no self-pity,
but in this new book she has reached down to a deeper layer and is
letting the darkness in." May Sarton"
This volume brings together new work along with poems gathered from
nine previous collections. When Linda Pastan's first book was
published in 1971, the Jerusalem Post wrote, she "in large measure
fulfilled Emerson's dream -- the revelation of 'the miraculous in
the common.'" Since then, Pastan has continued to explore the
complexities, passion, and dangers under the surfaces of ordinary
life. She speaks in the voices of Penelope and Eve; of daughter,
mother, and wife. The new book follows work that over thirty years
both darkens and deepens with time.
"Pastan's unfailing mastery of her medium holds the darkness firmly in check."—New York Times Book Review
In The Last Uncle, Linda Pastan writes, "If death is everywhere we look, / at least let's marry it to beauty." The poems in this new collection deal with loss and the difficult transition between generations, but they are also about love and landscape and the many pleasures of the imagination.
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