It's a chilly winter night on the farm. Everyone is fast asleep. All but one ... On silent feet the Tomten visits the dreaming cows, the slumbering sheep and the children sleeping soundly in their beds. He whispers softly to each of them, making sure they are safe and warm. This classic picture book is a delight for young children, depicting the traditional Swedish character of the house elf, or tomten.

As artificial intelligence (AI) continues to seep into more areas of society and culture, critical social perspectives on its technologies are more urgent than ever before. Bringing together state-of-the-art research from experienced scholars across disciplines, this Handbook provides a comprehensive overview of the current state of critical AI studies. Moving beyond narrow technological definitions of AI, the Handbook provides readers with an in-depth understanding of its social, ethical and political implications. Chapters cover a broad range of timely issues related to AI, including the risk of bias and discrimination in its systems, its impact on democracy and governance, concerns surrounding privacy and surveillance, and the use of its technologies in decision-making processes. Underscoring the urgent need for deeper critical analyses of AI, the Handbook constitutes a major contribution to the ongoing discussion about what critical studies of AI can entail, what questions they may pose, and what concepts they can offer to address them. Rich in theoretical and empirical analysis, this cutting-edge Handbook will prove an invaluable resource for students and scholars of digital sociology and science and technology studies. Its extensive coverage of this emerging field will also appeal to practitioners, developers and policymakers seeking orientation in the complex social and political dynamics of AI.

On small silent feet, the Tomten tiptoes through the snow, keeping watch over the farm on chilly winter nights. One night, a cunning fox comes by. How will the Tomten guard the chickens, and help the hungry fox? These classic stories are a delight for young children, depicting the traditional Swedish character of the house elf, or tomten. This is a beautiful collector's combined edition of Astrid Lindgren's two classic Tomten tales, The Tomten & The Tomten and the Fox.

Met hierdie heruitgawe van die Pippie Langkous-omnibus vier Pippie haar 75ste bestaansjaar. Lesers sal hulle opnuut verlustig aan Pippie se manewales in hierdie nuwe uitgawe, waarin die 1975-vertaling deur Nerina Ferreira in hedendaagse Afrikaans deur bekroonde skrywer, Jaco Jacobs, hersien is. Die spesiale versameling sluit drie klassieke Pippie-titels in: Pippie Langkous, Pippie Langkous gaan aan boord en Pippie Langkous in die Suidsee.

Although there is a significant literature on the philosophy of Jacques Derrida, there are few analyses that address the deconstructive critique of phenomenology as it simultaneously plays across range of cultural productions including literature, painting, cinema, new media, and the structure of the university. Using the critical figures of "ghost" and "shadow"-and initiating a vocabulary of phantomenology-this book traces the implications of Derridean "spectrality" on the understanding of contemporary thought, culture, and experience.This study examines the interconnections of philosophy, art in its many forms, and the hauntology of Jacques Derrida. Exposure is explored primarily as exposure to the elemental weather (with culture serving as a lean-to); exposure in a photographic sense; being over-exposed to light; exposure to the certitude of death; and being exposed to all the possibilities of the world. Exposure, in sum, is a kind of necessary, dangerous, and affirmative openness.The book weaves together three threads in order to format an image of the contemporary exposure: 1) a critique of the philosophy of appearances, with phenomenology and its vexed relationship to idealism as the primary representative of this enterprise; 2) an analysis of cultural formations-literature, cinema, painting, the university, new media-that highlights the enigmatic necessity for learning to read a spectrality that, since the two cannot be separated, is both hauntological and historical; and 3) a questioning of the role of art-as semblance, reflection, and remains-that occurs within and alongside the space of philosophy and of the all the "posts-" in which people find themselves.Art is understood fundamentally as a spectral aesthetics, as a site that projects from an exposed place toward an exposed, and therefore open, future, from a workplace that testifies to the blast wind of obliteration, but also in that very testimony gives a place for ghosts to gather, to speak with each other and with humankind. Art, which installs itself in the very heart of the ancient dream of philosophy as its necessary companion, ensures that each phenomenon is always a phantasm and thus we can be assured that the apparitions will continue to speak in what Michel Serres's has called the "grotto of miracles." This book, then, enacts the slowness of a reading of spectrality that unfolds in the chiaroscuro of truth and illusion, philosophy and art, light and darkness.Scholars, students, and professional associations in philosophy (especially of the work of Derrida, Husserl, Heidegger, and Kant), literature, painting, cinema, new media, psychoanalysis, modernity, theories of the university, and interdisciplinary studies.

A newlywed couple arriving in Northern Alaska in 1942 might have perished in a blinding blizzard during their first dog team trip but for the sixth sense of their Eskimo musher. Other harrowing experiences included landing in a small plane that had lost one wheel in flight, a close encounter with death in a savage storm on the Bering Sea, and being caught aloft in a bush plane during a perilous white out snowstorm. But mostly, Adventure in Alaska is about a decade of hands-on service among the Eskimos in three villages in the land of long summer days and long winter nights - memories of heartache, joy, pathos, humor, friendships, and great rewards.

This flagship gift edition illustrated by Lauren Child is a glorious celebratory tribute to the strongest girl in the world. Pippi Longstocking is nine years old. She has just moved into Villa Villekulla where she lives all by herself with a horse, a monkey, and a big suitcase full of gold coins. The grown-ups in the village try to make Pippi behave in ways that they think a little girl should, but Pippi has other ideas. She would much rather spend her days arranging wild, exciting adventures to enjoy with her neighbours, Tommy and Annika, or entertaining everyone she meets with her outrageous stories. Pippi thinks nothing of wrestling a circus strongman, dancing a polka with burglars, or tugging a bull's tail. Generations of children have fallen in love with Pippi Longstocking. Just like Tommy and Annika, readers are instantly charmed by her warmth, strength and sense of fun.

This book proposes a framework for assessing countries' levels of compliance with international space law and norms. It begins by exploring the development of two movements - the evidence-based policymaking and programming movement, and the rise of ratings and rankings research - and their growth across various disciplines. The analysis suggests that such efforts are useful in gauging the behavior of countries in space according to how well they adhere to existing space law and norms. To date, there is no comprehensive, periodic, and systematic measure of countries' efforts to comply with space law and norms; this work endeavors to fill that gap by offering a framework in which to assess compliance. Applying the framework results in five possible ratings that a country may be assigned, ranging from highly compliant to non-compliant. Ideally, the proposed framework can be used to promote compliance, and with it, space security and sustainability.

The time is June 1942, the beginning of America's first summer at war. Somewhere off the coast of Massachusetts a German U-boat surfaces under cover of darkness. Aboard the U-boat are two agents of the Abwehr, Germany's military intelligence service, whom the ship's commander has been ordered to drop safely on American soil. The agents have as their mission to conduct sabotage against military and industrial installations. Hitler's intention in devising such an operation is to remind Americans he has the capability and the will to bring the war to their backyard.            As the two agents are bringing their equipment ashore, they are surprised by a patrolling US Coastguardsman, who is quickly killed by one of the crewmen from the U-boat but an attack dog accompanying him badly mauls one of the agents. Desperately in need of medical attention, the wounded agent must be returned to the U-boat for treatment. As the crewmen disappear into the night Erich Stinnes, alias Karl Stoner, is left with the sudden realization he will be carrying out this operation on his own.              Stoner is fortunate in not only finding a job at the local shipyard but he is able to rent an apartment from an attractive woman, who is recently widowed.  It is not long before the two of them begin an affair that causes Karl, already ambivalent about the war, to question the wisdom of his mission. Before he can resolve his dilemma, an incident at the shipyard exposes him for what he is. Having no choice he is forced to flee leaving Anne to suffer the consequences of her affair with a Nazi spy.

This book explores the changing business landscape of the 21st century and what it means for organizations. The author presents a new model for how to think about and handle the complex world of business from a managerial and innovative perspective with tips and tools for motivating and engaging your organization, clients, and customers.