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In the fields of documentation and conservation of cultural heritage assets, there is a constant need for higher quality records and better analytical tools for extracting information about the condition of artefacts. Digital photography and digital image processing provide these capabilities, and recent technological advances in both fields promise new levels of performance for the capture and understanding of colour images. This inter-disciplinary book covers the imaging of decorated surfaces in historical buildings and the digitisation of documents, paintings and objects in museums and galleries, and shows how user requirements can be met by application of powerful digital imaging techniques. Numerous case studies illustrate the methods.
Although a small Warwickshire market town, Stratford-upon-Avon has a remarkable number and variety of historic buildings. The medieval street plan survives, with most of the streets still known by the same names. Over the past 250 years, tourism has become a major activity because of the town's associations with William Shakespeare, and the Royal Shakespeare Theatre on the riverside. Many listed buildings are located along the Historic Spine, which runs from Shakespeare's Birthplace through the town centre to his resting place at Holy Trinity Church. In Stratford-upon-Avon in 50 Buildings, Robert Bearman and Lindsay MacDonald present an engaging and insightful account of the rich architectural heritage of the town. The buildings and landmarks featured are all much appreciated by townspeople and tourists alike, and they give the town its essential character. Taken together, this wide-ranging selection of buildings, landmarks and architectural styles tells the story of the town's history and development from its medieval origins through all of its phases to the present day. Superbly illustrated throughout, this book will be of immense interest to residents, visitors and local historians.
In this unique collection the authors present a wide range of interdisciplinary methods to study, document, and conserve material cultural heritage. The methods used serve as exemplars of best practice with a wide variety of cultural heritage objects having been recorded, examined, and visualised. The objects range in date, scale, materials, and state of preservation and so pose different research questions and challenges for digitization, conservation, and ontological representation of knowledge. Heritage science and specialist digital technologies are presented in a way approachable to non-scientists, while a separate technical section provides details of methods and techniques, alongside examples of notable applications of spatial and spectral documentation of material cultural heritage, with selected literature and identification of future research. This book is an outcome of interdisciplinary research and debates conducted by the participants of the COST Action TD1201, Colour and Space in Cultural Heritage, 2012-16 and is an Open Access publication available under a CC BY-NC-ND licence.
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