Luxurious Sexualities contains some of the most path- breaking adventurous critical writing currently to be found in Britain. Focusing on eighteenth century sexuality it is intriguing, controversial and provoking.
Textual Practice contains articles relating to women, popular culture, visual media, and ethnic and sexual minorities.

Luxurious Sexualities contains some of the most path- breaking adventurous critical writing currently to be found in Britain. Focusing on eighteenth century sexuality it is intriguing, controversial and provoking. Textual Practice contains articles relating to women, popular culture, visual media, and ethnic and sexual minorities.

This book explores the intersections between Victorian literature, painting and photography. Taking as a starting point mid-nineteenth-century developments in the understanding of visual perception, Lindsay Smith examines the representation of a pervasive desire for a literal understanding of the process of seeing and perceiving. This is played out in the aesthetic theory of John Ruskin, the early poetry of William Morris, paintings of the Pre-Raphaelites, and in the photographic technique of combination printing. She demonstrates how the novel presence of the camera in nineteenth-century culture not only transforms acts of looking, but also affects major social, aesthetic and philosophical categories. By exploring the intricacies of photographic discourse she shows how Ruskin and Morris produce a critique of the earlier Cartesian perspectival model of vision.

Nineteenth-century photography is usually thought of in terms of 'black and white' images, but intense experimentation with generating and fixing colors pre-dated the public announcement of the daguerreotype in 1839. Introducing readers to the long, frequently overlooked story of the relationship of color to photography, this short anthology of primary sources includes: accounts of the scientific search for color by Elizabeth Fulhame and Sir John Herschel;photographers' views on color; extracts from the photographic press and from manuals on handcoloring; and accounts by critics such as John Ruskin. The volume provides a fresh perspective on the culture, history and theory of early photography, demonstrating why scientists, philosophers, photographers, literary writers and artists were so fascinated by the potential for polychrome in photographs. With an introductory essay arguing that from the earliest days of photography the prospect of color loomed large in the imagination of its creators, users and critics, this reader is an essential resource for students and scholars wanting to gain a full understanding of nineteenth-century photography and its relationship to art history, literature and culture.

Nineteenth-century photography is usually thought of in terms of 'black and white' images, but intense experimentation with generating and fixing colors pre-dated the public announcement of the daguerreotype in 1839. Introducing readers to the long, frequently overlooked story of the relationship of color to photography, this short anthology of primary sources includes: accounts of the scientific search for color by Elizabeth Fulhame and Sir John Herschel;photographers' views on color; extracts from the photographic press and from manuals on handcoloring; and accounts by critics such as John Ruskin. The volume provides a fresh perspective on the culture, history and theory of early photography, demonstrating why scientists, philosophers, photographers, literary writers and artists were so fascinated by the potential for polychrome in photographs. With an introductory essay arguing that from the earliest days of photography the prospect of color loomed large in the imagination of its creators, users and critics, this reader is an essential resource for students and scholars wanting to gain a full understanding of nineteenth-century photography and its relationship to art history, literature and culture.

"An empty mind is a safe mind. "Yulia's father always taught her to hide her thoughts and control her emotions to survive the harsh realities of Soviet Russia. But when she's captured by the KGB and forced to work as a psychic spy with a mission to undermine the U.S. space program, she's thrust into a world of suspicion, deceit, and horrifying power. Yulia quickly realizes she can trust no one--not her KGB superiors or the other operatives vying for her attention--and must rely on her own wits and skills to survive in this world where no SEKRET can stay hidden for long.

This book re-assesses the significance to Pre-Raphaelitism of the fundamental relationship of poem to painting, of the visual to the verbal, to examine those aspects of the movement that account for its enduring legacy. Beginning with the profound and somewhat neglected influence of Ruskin's work upon the poets and painters, Smith focuses in particular upon the Pre-Raphaelite rehabilitation of the sister arts analogy, and an aesthetic of ekphrasis as played out in the short-lived periodical The Germ and in D.G. Rossetti's sonnets for pictures. At the heart of the project is a new reading of the notorious circumstances of Rossetti's 'coffined book' - those manuscript poems Rossetti disinterred from his wife Elizabeth Siddal's grave - that brings to the fore the all-pervasive significance to the Pre-Raphaelites of a complex aesthetic of resurrection. With this and other examples, Smith redefines for us those categories of the corporeal and spiritual, the material and immaterial, the verbal and visual that the Pre-Raphaelites aspired to re-conceptualise.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

I Love You ... An epic journey of love... a dance with the Divine A poetic vision of the creation of the Universe to the birth of Man and paradise; culminating with the tumultuous world we live in today and the amazing journey into a world of hope and love. How it began? - How will it end? Scientists explore, calculate and theorize. Christianity, psychic phenomena, reincarnation, beings from other planets in galaxies beyond time and distance. What is beyond the end? There are no endings, there is no beginning. It simply has and always will be Infinite Divinity. Super Intelligent Beings from outer space, reincarnation, evolution, God of All Gods, call it what you choose. I choose Infinite Divinity. It is the source, the energy, the light that is our home. We choose to live life on earth to enjoy physical form, to learn and most importantly, to Love. We are simply not aware of our home, because we do not realize we come from Infinite Divinity until the moment we re-enter its' womb of Life. The womb of Life that continuously flows. Infinite Divinity knows why as ordinary man we will never know why. We cannot challenge Infinite Divinity. Infinite Divinity is the wisdom of all knowledge of all times, that has been and will be. Only Infinite Divinity has the answer. To swim in ocean's life with Love in your Heart, with Love all around we will celebrate the re-birth of the century and re-enter the womb of Infinite Divinity. That is our survival. Life evermore will be yours and more. Eternity in the fountain of Life, you will bathe in its' waters forever.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Articles in this issue examine the split between national and popular interests through an analysis of Branagh's "multicultural" "Much Ado" - "a Shakespeare film for the world"; the problem of the "popular" in the field of cultural studies; Virginia Woolf's life as an essayist in the light of Adorno's theory of the genre; anti-Semitism in Cocteau's version of "La Belle et la Bete"; the binary of difference in Neil Jordan's "The Crying Game" ; and a reconsideration of Freud's castration complex.