Despite the progress made by psychoanalysis since Freud's discovery of the sexual nature of the unconscious, analysts have tended to explore psychical causality independently of the role of the biological factors at play in sexuality. What Can We Know About Sex? explains how Lacan's work allows us to make new links between the sexual laws of discourse, gender and what Freud called the 'biological rock' in human life, allowing a new perspective not only on the history of the sexual couple but on contemporary developments of sexuality in the 21st century. Gisele Chaboudez's insights demonstrate that the old phallic logic that has been so dominant is now in the process of being dismantled, opening up the question of how people can relate sexually and what forms of jouissance are at stake for contemporary subjectivity. What Can We Know About Sex? will be a key text for analysts, academics and students of feminism, gender and sexuality.

Despite the progress made by psychoanalysis since Freud's discovery of the sexual nature of the unconscious, analysts have tended to explore psychical causality independently of the role of the biological factors at play in sexuality. What Can We Know About Sex? explains how Lacan's work allows us to make new links between the sexual laws of discourse, gender and what Freud called the 'biological rock' in human life, allowing a new perspective not only on the history of the sexual couple but on contemporary developments of sexuality in the 21st century. Gisele Chaboudez's insights demonstrate that the old phallic logic that has been so dominant is now in the process of being dismantled, opening up the question of how people can relate sexually and what forms of jouissance are at stake for contemporary subjectivity. What Can We Know About Sex? will be a key text for analysts, academics and students of feminism, gender and sexuality.

The Baby and the Drive presents a new reading of psychoanalytic drive theory, as well as offering clinical tools for early identification of difficulties and intervention with babies and their parents. This volume demonstrates that the concept of the drive is the crucial factor in early life. The drive is presented as a force with pathways that are established in the newborn's psychic development. Four drive fields are distinguished, which are activated during the first year, and the volume examines the points at which they may encounter difficulties and how these difficulties may be treated. The Baby and the Drive explains that access to the drives and their activation orients work with the newborn-an operation at once fundamental and indispensable if researchers accept the existence of a subject in the newborn. Allowing a new orientation in work with newborns and infants, this volume will be a valuable resource for academics, scholars, and students of Lacanian studies and Lacanian analysis. It will also be of great interest to Lacanian psychologists and Lacanian psychoanalysts in practice and in training.

Juvenal's sixth Satire is a masterpiece of comic hyperbole, an outrageous rant against women and marriage which, in its breadth and density, represents the high point of the misogynistic literature of classical antiquity. The Introduction situates Juvenal within the wider tradition of Roman satire, interrogates afresh the poem's architecture and recurrent themes, shows how Juvenal systematically attributes to his monstrous women the inverse of the Roman wife's canonical virtues, traces the various literary currents which infuse the Satire, and lastly addresses the much-discussed issue of the poetic voice or persona from a sociohistorical as well as a theoretical perspective. Above all, the commentary strives to locate Juvenal in his historical, literary and cultural context, while simultaneously affording assistance with the nuts and bolts of the Latin, and always keeping in view two key questions: what was Juvenal's purpose in writing the Satire? How seriously was it meant to be taken?

Juvenal's sixth Satire is a masterpiece of comic hyperbole, an outrageous rant against women and marriage which, in its breadth and density, represents the high point of the misogynistic literature of classical antiquity. The Introduction situates Juvenal within the wider tradition of Roman satire, interrogates afresh the poem's architecture and recurrent themes, shows how Juvenal systematically attributes to his monstrous women the inverse of the Roman wife's canonical virtues, traces the various literary currents which infuse the Satire, and lastly addresses the much-discussed issue of the poetic voice or persona from a sociohistorical as well as a theoretical perspective. Above all, the commentary strives to locate Juvenal in his historical, literary and cultural context, while simultaneously affording assistance with the nuts and bolts of the Latin, and always keeping in view two key questions: what was Juvenal's purpose in writing the Satire? How seriously was it meant to be taken?

Ninety poems by Martial, the first-century a.d. epigrammatist, are presented, with commentary, in this edition. Selected on the basis of their thematic importance, these concise poems provide an unique opportunity to interpret a significantly neglected author. The book considers the sociocultural and historical matrix from which the epigrams sprang and the Roman love of personal invective which sustains and enlivens a major portion of Martial's work.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!