Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

"He will win who knows when to fight -- and when not to fight."

This is the classic translation of the Chinese military masterpiece, and it remains the best as it preserves the character and nuances of the Chinese original. An inspiration for Mao Tse Tung and countless generations of military leaders, it was written in antiquity and consists of thirteen chapters that reflect the mind of a born strategist and practical soldier whose maxims, full of acuteness and common sense, relate as much to the present day as they do to the military conditions of the time in which they were written. Preceded by critical notes on Sun Tzu and his work and including key Chinese characters, chapters are devoted to laying plans; waging war; attack by strategem, tactical dispositions, energy, weak points, and strong; maneuvering; variation of tactics; the army on the march; terrain; the nine situations; attack by fire; and the use of spies. The book also contains an extensive index. As useful in the pursuit of success in modern business as it was in ancient warfare, this volume also relates to all aspects of personal and everyday life in which you must either be a winner or a loser.

Featuring the Chinese text on the left and the English translation on the right, this beautifully bound edition of Sun Tzu's classic text makes a unique gift or collector's item. Written in the sixth century BCE, Sun Tzu's The Art of War is still widely read and consulted today for its timeless, piercing insights into strategy and tactics. Napoleon, Mao Zedong, General Vo Nguyen Giap, and General Douglas MacArthur all claimed to have drawn inspiration from it. Beyond the world of war, business and management gurus have also applied Sun Tzu's ideas to office politics and corporate strategy. This edition of The Art of War is printed on high-quality paper and bound by traditional Chinese book-making techniques. It contains the full 13 chapters on such topics as laying plans, attacking by stratagem, weaponry, terrain, and the use of spies. Sun Tzu addresses different campaign situations, marching, energy, and how to exploit your enemy's weaknesses. This edition is an essential addition to any library, whether you're fascinated by the philosophy of warfare, Chinese history, or even twenty-first-century business.

Sun Tzu's classic on military strategy is profound and absolutely clear. It is valuable in the political and business world today. We present the definitive translation, by Lionel Giles, assistant curator at the British Museum and Keeper of the Department of Oriental Manuscript.