How does a privileged, eighteen year old end up in prison, convicted of one of the rarest of crimes--matricide? The literary nonfiction Stranger to the Truth explores the fatal intersection in the lives of Noura Jackson, her circle of dissolute Memphis friends, and the death of Noura's mother, Jennifer, on the eve of a popular outdoor festival. The brutal attack seemed to reflect personal and exponential rage. Tragedy stalked Noura. Her father was fatally shot when she was seventeen. A mystery never solved. A year later an auto accident claimed her best friend. Both mother and daughter were reeling from shock, grief, and confusion. The tension between them escalated until Noura's difficult teenage years yielded to something much darker. More than a whodunit, this fact-based account tells a spellbinding tale of impetuous youth and a single parent who too late assumes the role of disciplinarian, saying no to the demands of her daughter who will not listen. Weaving multiple points of view, back stories, and extensive research, Stranger to the Truth corrals a timely, complex story in an absorbing narrative. Praise for Stranger to the Truth "In Stranger to the Truth, Ms. Hickman has taken a local tragedy and, with eloquence and empathy, given it universal application. The reader will find not only a gripping story, but also a moving exploration of the shadows that dwell within us all." --Howard Bahr, author of The Black Flower, The Year of Jubilo, and The Judas Field

This work looks closely at the relationship between William Faulkner and Memphis novelist Joan Williams. Their story is significant not only in its depth but also in the years of their primary involvement, 1949-1953 - a period over which Faulkner won both the Nobel Prize and a National Book Award. This is the first book-length study of the Faulkner-Williams relationship, and the first truly attentive consideration of Joan Williams, her impressions of Faulkner, and her commitment to writing. Until now, Williams, an acclaimed novelist, was an ""outside"" woman in Faulkner's life. Their affair and friendship is worthy of its own story. Included here are extensive interviews with Williams conducted over several years about her relationship with Faulkner, their correspondence, and discussions of both his work and her own. It includes all of William's letters to Faulkner and his letters, either directly reproduced or paraphrased.

How does a privileged, eighteen year old end up in prison, convicted of one of the rarest of crimes--matricide? The literary nonfiction Stranger to the Truth explores the fatal intersection in the lives of Noura Jackson, her circle of dissolute Memphis friends, and the death of Noura's mother, Jennifer, on the eve of a popular outdoor festival. The brutal attack seemed to reflect personal and exponential rage. Tragedy stalked Noura. Her father was fatally shot when she was seventeen. A mystery never solved. A year later an auto accident claimed her best friend. Both mother and daughter were reeling from shock, grief, and confusion. The tension between them escalated until Noura's difficult teenage years yielded to something much darker. More than a whodunit, this fact-based account tells a spellbinding tale of impetuous youth and a single parent who too late assumes the role of disciplinarian, saying no to the demands of her daughter who will not listen. Weaving multiple points of view, back stories, and extensive research, Stranger to the Truth corrals a timely, complex story in an absorbing narrative. Praise for Stranger to the Truth "In Stranger to the Truth, Ms. Hickman has taken a local tragedy and, with eloquence and empathy, given it universal application. The reader will find not only a gripping story, but also a moving exploration of the shadows that dwell within us all." --Howard Bahr, author of The Black Flower, The Year of Jubilo, and The Judas Field

Remembering: Joan Williams’ Uncollected Pieces illustrates again that rediscovering an admired author—especially through his or her later works—is every bit as engaging as discovering a new literary voice.   Joan Williams, an accomplished and prize-winning southern novelist, published a number of short stories and nonfiction pieces in the later years of her life; a life complicated early on by the influential men with whom she was involved, namely American author William Faulkner and independent publisher Seymour Lawrence.   For years these literary gems were scattered and virtually unattainable to readers. Remembering: Joan Williams’ Uncollected Pieces unites the formerly published but never collected material. The book’s title piece, “Remembering,� features a 1981 essay on Byronic Mississippi-born poet, Frank Stanford—known to Joan from his infancy until his tragic suicide—whose collected poems What About This (2015) appeared thirty-seven years posthumously.    Skillful, nuanced, and altogether approachable, these mature efforts by a seasoned writer will surprise and reward. Remembering is a lovely testament to the craft of writing and Joan Williams’ indelible style.