When 30-something housewife, Alison Monaghan discovers proof of her husband's infidelity in a photograph with a mysterious woman, she must decide how to confront Frank when he returns home from work. Despite the influence of her best friend Valerie, a strong Christian, Alison remains aloof from God and is determined to handle this crisis her own way. But Alison may not get that chance. Frank never makes it home. Soon his body is found on a lonely back-country road in antebellum Weathersby Historic Park where Frank served on the board of directors and where Alison, with a degree in landscape design, was a volunteer garden docent. Homicide detective Mike Barefoot, a Cherokee native from the Blue Ridge Mountains of North Carolina, immediately puts Alison at the top of his suspect list. He finds himself drawn to her--and not just because she had motive for the crime. As an army veteran, Mike usually keeps his emotional walls high. And as a detective, he knows not to get involved with murder suspects. So why he is so attracted to Alison? Can he fight his feelings for her--and the stirrings in his heart toward God?

A tangled web of lies characterizes the life Laura Mabry has built for herself and her son after the tragic death of her husband. But Laura's carefully constructed world slides off its axis when she stumbles upon the body of a young college student on the recreational trails of Raleigh's Greenway. What's worse, Detective Jon Locklear is Laura's worst nightmare...and her dream come true. Jon has spent years trying to forget Laura. Past experience has taught him that he can't trust her, but old habits--like old loves--die hard. When the killer turns his attention on Laura, Jon may be the only one who can save her. Truth and murder lurk just around the corner for Laura. Can she find the courage to face her deepest fears and unravel the lies of her past before she and her son become the Greenway Killer's next victims.

When federal agent Aaron Yazzie is assigned to protect the only witness to a drug cartel execution, he hides Kailyn Eudailey in the safest place he knows . . . the vast, untamed wilderness of the Navajo Reservation.

Transporting Kailyn to New Mexico may not be as easy as Aaron would like. Kailyn is a high-maintenance Southern belle who is determined to assert her independence at every step. Although Aaron's job is to protect her from the dangers that could get them both killed, Kailyn is getting to him. As an undercover agent, Aaron has grown adept at playing many roles. But will he be able to embrace his true identity and God s plan for his life in order to keep Kailyn alive?"

Tighty-whities, Polk-a-dots and lace, Turtles and Monkeys, Cars in a race, Penguins and snowmen, Froggies with crowns, Dinosaurs and doggies, Flowers and names, These are some undies that my friends claim ...

For most young readers, there aren't many things that will get a giggle out of them quicker than underwear. We all wear underwear, and there are so many different kinds In this silly song turned story, author Lisa Carter delves into the wacky world of underwear to answer age-old questions for young readers: Who wears underwear, and what kinds of underwear are there?

Intended for the young and young at heart, "U is for Underwear" uses a sing-song style and brightly colored illustrations that bring even more humor to the words. Children may be amused to discover that even teachers, preachers, nurses, and scientists wear underwear.

Whimsical and fun, this illustrated song gives a truly different viewpoint on underwear.

The search for a woman who disappeared in 1906 has lead cultural anthropologist Erin Dawson to Cedar Canyon, where the iconic terrain of red rock walls and mesas keep Navajo traditions and maybe criminal evidence well hidden. When Erin s search leads her to cross paths with tribal policeman Adam Silverhorn, it s hardly love at first sight. But everywhere she turns, Adam is already there.

Fighting their feelings for each other, the two are suddenly thrust into a battle far more dangerous a common quest to rout an insidious drug cartel that has spawned the recent rise in gang violence on the reservation. Adam s position of authority gives Erin a rare glimpse into Navajo life few outsiders like her ever see and into a crime ring that no one dares to imagine. As danger mounts, Adam and Erin begin to wonder if they will live to tell how they really feel."

When Laney Carrigan sets out to find her birth family, her only clue is the Hawaiian quilt a red rose snowflake appliqued on a white background in which she was found wrapped as an infant. Centering her search on the Big Island and battling fears of rejection, Laney begins a painstaking journey toward her true heritage. Kai Barnes, however, is determined to protect the people he s come to regard as family. He thinks Laney is nothing more than a gold digger and blocks every move she makes toward her Hawaiian family. As their conflict escalates, it puts at risk the one thing that Kai and Laney both want most a family."

Shakespeare's plays are to be seen all over the world in any major repertory company. While much has been written on every aspect of the staging of his plays by Shakespearean scholars, actors and directors, the dancing has over time become less and less important almost to the point of obsolescence. While this trend is certainly not acceptable to me (and probably would not be to Mr. Shakespeare either were he alive today), directors when asked about the reason for there being no dance in the play lamely point to a lack of clear guidance from Shakespeare in his scripts as well as to rehearsal time constraints to teach the required period dances. My thesis will endeavor to show that a lack of dance in Shakespeare's plays is not only historically incorrect but also robs the modern day audience of the full spectacle of the occasion that defined that historical period. There are many resources available to directors should they be willing to commit to a wholly accurate reading of the play because a Shakespearean drama without the dance is, to my mind, hardly Shakespeare at all.