The Birth of Grapevine Health The COVID pandemic has taught the world many things, but one of the most crucial is the need to communicate tailored health information through trusted messengers effectively. The Birth of Grapevine Health chronicles the experiences of one physician, Dr. Lisa Fitzpatrick, a CDC-trained medical epidemiologist, on a mission to deliver trusted health information to the black community and why she started Grapevine Health, a community and health outreach organization that aims to improve patient engagement and health literacy in underserved communities through the digital delivery of tailored health messages. Fitzpatrick reveals why she began building an organization that, in 2020, appeared tailored for the Covid 19 pandemic long before that crisis unfolded across the globe. Frustrated by the lack of progress in addressing health inequity, Dr. Lisa moved into an under-resourced community to become proximal enough to better understand health inequity and the structural and policy changes needed to address it. She weaves her professional experiences with storytelling and lessons learned into a call to action for healthcare leaders, decisionmakers and funders to move beyond data collection and shift toward action to focus on health prevention, move our health support further upstream and ultimately, improve health outcomes for underserved communities. The Birth of Grapevine Health is part memoir, part health equity playbook and offers a roadmap to actions needed to achieve health equity. At a time when health equity conversations seem ubiquitous, what sets the Birth of Grapevine Health apart is its embrace and integration of community voice. This book delivers deep insights and, at times, uncomfortable advice through the eyes of black and brown patients and their communities about what it will take to achieve health equity.

The Birth of Grapevine Health The COVID pandemic has taught the world many things, but one of the most crucial is the need to communicate tailored health information through trusted messengers effectively. The Birth of Grapevine Health chronicles the experiences of one physician, Dr. Lisa Fitzpatrick, a CDC-trained medical epidemiologist, on a mission to deliver trusted health information to the black community and why she started Grapevine Health, a community and health outreach organization that aims to improve patient engagement and health literacy in underserved communities through the digital delivery of tailored health messages. Fitzpatrick reveals why she began building an organization that, in 2020, appeared tailored for the Covid 19 pandemic long before that crisis unfolded across the globe. Frustrated by the lack of progress in addressing health inequity, Dr. Lisa moved into an under-resourced community to become proximal enough to better understand health inequity and the structural and policy changes needed to address it. She weaves her professional experiences with storytelling and lessons learned into a call to action for healthcare leaders, decisionmakers and funders to move beyond data collection and shift toward action to focus on health prevention, move our health support further upstream and ultimately, improve health outcomes for underserved communities. The Birth of Grapevine Health is part memoir, part health equity playbook and offers a roadmap to actions needed to achieve health equity. At a time when health equity conversations seem ubiquitous, what sets the Birth of Grapevine Health apart is its embrace and integration of community voice. This book delivers deep insights and, at times, uncomfortable advice through the eyes of black and brown patients and their communities about what it will take to achieve health equity.

This anthology provides access to neglected theatrical work and broadens our understanding of the history of Irish theatre as well as the vital role of women within it. The introduction places these plays in dialogue with one another as well as within the national context of the repealing of women’s rights during the Irish Free State years. These are plays by authors including Mary Manning, Dorothy Macardle, Mary Devenport O’Neill, Kate O'Brien and Margaret O’Leary, which are difficult to access, but which are increasingly visible in Irish theatre scholarship. This unique collection places the playwrights in dialogue to form a tradition of women’s theatrical work that challenges the male-dominated literary canon of Irish theatre, as well as enriching the body of women’s theatrical work in the Anglophone world during the interwar years. Includes the plays: Kate O’Brien – Distinguished Villa (1926) Margaret O’Leary – The Woman (1929) Mary Manning – Youth’s the Season (1931) Dorothy Macardle – Witch’s Brew (1931) Mary Devenport O’Neill – Bluebeard (1933)

This book investigates the representation of rape in British and Irish theatre since the second wave of the Women's Movement. Mainly focusing on the period from the 1990s to the present, it identifies key feminist debates on rape and gender, and introduces a set of ideas about the function of rape as a form of embodied, gendered violence to the analysis of dramaturgical and performance strategies used in a range of important and/or controversial works. The chapters explore the dramatic representation of consent; feminist performance strategies that interrogate common attitudes to rape and rape survivors; the use of rape as an allegory for political oppression; the relationships of vulnerability, eroticism and affect in the understanding and representation of sexual violence; and recent work that engages with anti-rape activism to present women's personal experiences on stage.

Men in Black: The Official Visual Companion to the Films is the first book to cover all four films, including Men in Black International.

Men in Black: The Official Visual Companion to the Films is the ultimate retrospective to the universally beloved film franchise. Unveiling the secrets behind the suits, this book contains concept art, sketches, storyboards, costume designs, makeup tests and more. With exclusive commentary from key members of the cast and crew, this extraordinary collection of art will take readers on a journey out of this world. This book tells the whole story for each film, from sketch to screen, and delves into the design and creation of the aliens, vehicles, weaponry and the agents defending the universe as only the Men in Black can do.

This must-have book details the script development and production process of all four films, as well as the impact and influence of those films in popular culture, as well as the makeup, costuming, animatronics, music, and much more. Men in Black: The Official Visual Companion to the Films is the only book you'll ever need or want on the subject.

This book investigates the representation of rape in British and Irish theatre since the second wave of the Women's Movement. Mainly focusing on the period from the 1990s to the present, it identifies key feminist debates on rape and gender, and introduces a set of ideas about the function of rape as a form of embodied, gendered violence to the analysis of dramaturgical and performance strategies used in a range of important and/or controversial works. The chapters explore the dramatic representation of consent; feminist performance strategies that interrogate common attitudes to rape and rape survivors; the use of rape as an allegory for political oppression; the relationships of vulnerability, eroticism and affect in the understanding and representation of sexual violence; and recent work that engages with anti-rape activism to present women's personal experiences on stage.

This anthology provides access to neglected theatrical work and broadens our understanding of the history of Irish theatre as well as the vital role of women within it. The introduction places these plays in dialogue with one another as well as within the national context of the repealing of women’s rights during the Irish Free State years. These are plays by authors including Mary Manning, Dorothy Macardle, Mary Devenport O’Neill, Kate O'Brien and Margaret O’Leary, which are difficult to access, but which are increasingly visible in Irish theatre scholarship. This unique collection places the playwrights in dialogue to form a tradition of women’s theatrical work that challenges the male-dominated literary canon of Irish theatre, as well as enriching the body of women’s theatrical work in the Anglophone world during the interwar years. Includes the plays: Kate O’Brien – Distinguished Villa (1926) Margaret O’Leary – The Woman (1929) Mary Manning – Youth’s the Season (1931) Dorothy Macardle – Witch’s Brew (1931) Mary Devenport O’Neill – Bluebeard (1933)

Over the last twenty years Deirdre Kinahan has emerged as a significant and original female voice in Irish theatre, with her plays produced in Ireland, the UK, the USA and across mainland Europe. Her work explores issues of personal and communal identity, bringing forward the difficulties that arise for individuals when accepted narratives of identity diverge from contemporary experience. In this collection of ten original essays, and an interview with the playwright, the authors address the ways in which Kinahan's plays interrogate and seek to renegotiate value systems of family, class, ethnicity, age and gender in the 21st century neoliberal, secular state, with an emphasis on experimental forms and the renewal of the genre of the family play. Theoretical frameworks rely on feminism, intersectionality, genre studies, and age studies, among other approaches, by authors from Ireland, the UK, Hungary, the USA, Nigeria, Canada and Taiwan.