With its complex structure, Anna Karenina places special demands on readers who must follow multiple plotlines and discern their hidden linkages. In her well-conceived and jargon-free analysis, Liza Knapp offers a fresh approach to understanding how the novel is constructed, how it creates patterns of meaning, and why it is much more than Tolstoy's version of an adultery story. Knapp provides a series of readings of Anna Karenina that draw on other works that were critical to Tolstoy's understanding of the interconnectedness of human lives. Among the texts she considers are The Scarlet Letter, a novel of adultery with a divided plot; Middlemarch, a multiplot novel with neighbourly love as its ideal; and Blaise Pascal's Pensees, which fascinated Tolstoy during his own religious crisis. She concludes with a tour-de-force reading of Mrs. Dalloway that shows Virginia Woolf constructing this novel in response to Tolstoy's treatment of Anna Karenina and others.

War and Peace and Anna Karenina are widely recognised as two of the greatest novels ever written. Their author, Leo Tolstoy, has been honoured as the father of the modern war story; as an innovator in psychological prose and forerunner of stream of consciousness; and as a genius at using fiction to reveal the mysteries of love and death. At the time of his death in 1910, Tolstoy was known the world over as both a great writer and as a merciless critic of institutions that perpetrated, bred, or tolerated injustice and violence in any form. Yet among literary critics and rival writers, it has become a commonplace to disparage Tolstoy's "thought" while praising his "art." In this Very Short Intorduction Liza Knapp explores the heart of Tolstoy's work. Focussing on his masterpieces of fiction which have stood the test of time, she analyses his works of non-fiction alongside them, and sketches out the core themes in Tolstoy's art and thought, and the interplay between them. Tracing the continuing influence of Tolstoy's work on modern literature, Knapp highlights those aspects of his writings that remain relevant today. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

With its complex structure, Anna Karenina places special demands on readers who must follow multiple plotlines and discern their hidden linkages. In her well-conceived and accessible analysis, Liza Knapp offers a fresh approach to understanding how the novel is constructed, how it creates patterns of meaning, and why it is much more than Tolstoy's version of an adultery story. Knapp provides a series of readings of Anna Karenina that draw on other works that were critical to Tolstoy's understanding of the interconnectedness of human lives. Among the texts she considers are The Scarlet Letter, a novel of adultery with a divided plot; Middlemarch, a multiplot novel with neighborly love as its ideal; and Blaise Pascal's Pensees, which fascinated Tolstoy during his own religious crisis. She concludes with a tour-de-force reading of Mrs. Dalloway that shows Virginia Woolf constructing this novel in response to Tolstoy's treatment of Anna Karenina and others.

This book is designed to guide readers through Dostoevsky's The Idiot, first published in 1869 and generally considered to be his most mysterious and confusing work.

The volume begins with an introductory section comprising two essays: the first looks at when, where, and how The Idiot was written; the second introduces the major characters. The essays in the second section guide the reader through the plans and notebooks out of which the novel evolved; use contemporary feminist criticism to shed light on how this novel explores alternatives to traditional roles; examine the ways in which the novel reflects Dostoevsky's concern with apocalypse, modernity, and time; and address the ways in which the novel's hero, Prince Myshkin, can be compared to Christ. The final section offers an exceptionally rich collection of primary sources, including letters by Dostoevsky concerning The Idiot, and an annotated bibliography.

The contributors are Liza Knapp, Robin Feuer Miller, Nina Pelikan Straus, and David M. Bethea.