The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinema from 1957 to 1963, Eric Rohmer set the terms by which people watched, made, and thought about cinema for decades. Such brilliance does not develop in a vacuum, and Rohmer cultivated a fascinating network of friends, colleagues, and industry contacts that kept his outlook sharp and propelled his work forward. Despite his privacy, he cared deeply about politics, religion, culture, and fostering a public appreciation of the medium he loved. This exhaustive biography uses personal archives and interviews to enrich our knowledge of Rohmer's public achievements and lesser known interests and relations. The filmmaker kept in close communication with his contemporaries and competitors: Francois Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette. He held a paradoxical fascination with royalist politics, the fate of the environment, Catholicism, classical music, and the French nightclub scene, and his films were regularly featured at New York and Los Angeles film festivals. Despite an austere approach to life, Rohmer had a voracious appetite for art, culture, and intellectual debate captured vividly in this definitive volume.

A definitive biography of the great French essayist and thinker One of the most important writers and thinkers of the Renaissance, Michel de Montaigne (1533-92) helped invent a literary genre that seemed more modern than anything that had come before. But did he do it, as he suggests in his Essays, by retreating to his chateau and stoically detaching himself from his violent times? Philippe Desan overturns this long standing myth by showing that Montaigne was constantly connected to and concerned with realizing his political ambitions-and that the literary and philosophical character of the Essays largely depends on them. Desan shows how Montaigne conceived of each edition of the Essays as an indispensable prerequisite to the next stage of his public career. It was only after his political failure that Montaigne took refuge in literature, and even then it was his political experience that enabled him to find the right tone for his genre. The most comprehensive and authoritative biography of Montaigne yet written, this sweeping narrative offers a fascinating new picture of his life and work.

The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinema from 1957 to 1963, Eric Rohmer set the terms by which people watched, made, and thought about cinema for decades. Such brilliance does not develop in a vacuum, and Rohmer cultivated a fascinating network of friends, colleagues, and industry contacts that kept his outlook sharp and propelled his work forward. Despite his privacy, he cared deeply about politics, religion, culture, and fostering a public appreciation of the medium he loved. This exhaustive biography uses personal archives and interviews to enrich our knowledge of Rohmer's public achievements and lesser known interests and relations. The filmmaker kept in close communication with his contemporaries and competitors: Francois Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette. He held a paradoxical fascination with royalist politics, the fate of the environment, Catholicism, classical music, and the French nightclub scene, and his films were regularly featured at New York and Los Angeles film festivals. Despite an austere approach to life, Rohmer had a voracious appetite for art, culture, and intellectual debate captured vividly in this definitive volume.

The number of travelers France welcomes each year is as great as its population-some sixty million. They arrive to experience not only the latest fashions in clothing, art, and cuisine, but also the vestiges of a past that encompasses a half million years. Among these vestiges are Neolithic cave paintings, Roman villas and temples, medieval cathedrals, and royal chateaux. This concise volume outlines French history from prehistoric times to the twenty-first century. The diverse themes discussed include the relations of France with its neighbors, the ever-present tension between national unity and regional autonomy, the role of the Catholic Church, and developments in public works and education. In order to lend this vast panorama a more human face, the author gives special attention to the life of at least one individual in each major era.

One of the most important writers and thinkers of the Renaissance, Michel de Montaigne (1533-92) helped invent a literary genre that seemed more modern than anything that had come before. But did he do it, as he suggests in his Essays, by retreating to his chateau, turning his back on the world, and stoically detaching himself from his violent times? In this definitive biography, Philippe Desan, one of the world's leading authorities on Montaigne, overturns this longstanding myth by showing that Montaigne was constantly concerned with realizing his political ambitions--and that the literary and philosophical character of the Essays largely depends on them. The most comprehensive and authoritative biography of Montaigne yet written, this sweeping narrative offers a fascinating new picture of his life and work. As Desan shows, Montaigne always considered himself a political figure and he conceived of each edition of the Essays as an indispensable prerequisite to the next stage of his public career. He lived through eight civil wars, successfully lobbied to be raised to the nobility, and served as mayor of Bordeaux, special ambassador, and negotiator between Henry III and Henry of Navarre. It was only toward the very end of Montaigne's life, after his political failure, that he took refuge in literature. But, even then, it was his political experience that enabled him to find the right tone for his genre. In this essential biography, we discover a new Montaigne--caught up in the events of his time, making no separation between private and public life, and guided by strategy first in his words and silences. Neither candid nor transparent, but also not yielding to the cynicism of his age, this Montaigne lends a new depth to the Montaigne of literary legend.