The complex, enigmatic work of Meret Oppenheim (1913-1985) has lost nothing of its fascination to the present day. Much has been written about her career and her art. Yet very little is known about the real person Meret Oppenheim, who always remained secretive about herself and banned publication of any personal documents until 20 years after her death. In 1958, Oppenheim put together an album that she titled Von der Kindheit bis 1943 (From Childhood to 1943). It has a dual identity of a diary and a work of art in itself. It assembles photos, objects, notes and brief texts, as well as ideas and concepts for art works, and offers very personal insights into Oppenheim's private life and thought. This book features the entire album in true-size colour reproductions and, for the first time ever, with the full text translated into English. This is supplemented with a previously unpublished autobiographical text by Oppenheim, which she wrote in 1957-58 on the request of the French scholar Yves Poupard-Lieussou for his never completed project of a bio-bibliographical history of Dada and Surrealism. An introduction by the editors Lisa Wenger and Martina Corgnati rounds out this beautiful book that offers entirely new perspectives on one of the most distinguished woman artists. Text in English and German.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Der Vogel Im Kafig: Roman Lisa Wenger Morgarten-Verlag, 1922

Early dystopian science fiction like George Orwell's 1984 or Thea von Harbou's Metropolis show us bleak worlds where capitalism has no boundaries and has corrupted sovereign powers, exploiting the lower classes and benefiting only a select few at the top. Political laws and policies related to human life--or the biopolitical--devalue that life, making humanity little more than expendable "machines" producing for capitalism. Capitalism's focus on progress has made it a central concern in much of science fiction. Covering science fiction from the early 1900s to present, this book examines the portrayal of dystopian capitalism and the biopolitical in works like Brave New World and R.U.R., among many others.