The Things We Value takes as its subject the creativity and cultural heritage of Solomon Islands, focusing on the kinds of objects produced and valued by local communities across this diverse country in the south-west Pacific. Combining historical and interpretive analyses with personal memories and extensive illustrations, the contributors examine such distinctive forms as red feather-money, shell valuables, body ornaments, war canoes, ancestral stones and wood carvings. Their essays discuss the materials, designs, manufacture, properties and meanings of artefacts from across the country. Solomon Islanders value these things variously as currency, heirlooms and commodities, for their beauty, power and sanctity, and as bearers of the historical identities and relationships which sustain them in a rapidly changing world. The volume brings together indigenous experts and leading international scholars as authors of the most geographically comprehensive anthology of Solomon Islands ethnography yet published. It engages with historical and contemporary issues from a range of perspectives, anthropological and archaeological, communal and personal, and makes a major new contribution to Pacific Islands studies.

Melanesia is one of the most culturally diverse and artistically fertile regions of the world. This book is an exporation of one of the richest collections of Melanesian art, that of the British Museum. It is the product of sustained dialogue with people from Papua New Guinea, Solomon Islands, Vanuatu, West Papua, and New Caledonia, who are authors or co-authors of many of its chapters. Melanesia: Art and Encounter is a companion to this outstanding collection. The book ranges over an extraordinary variety of historic and modern art forms, from striking masks and shell valuables to intricately woven fabrics, string bags, and paintings on canvas. It investigates histories of exploration and exchange, conversion to Christianity and cultural revival, drawing upon a wealth of new information gleaned from archives, photographs, oral histories, and dialogue with Melanesians. The book is a revelation, not only of the arts of Melanesia, but also of the challenges and possibilities of collaborative research today.