Ever since the inception of economics over two hundred years ago, the tools at the discipline's disposal have grown more and more more sophisticated. This book provides a historical introduction to the methodology of economics through the eyes of economists. The story begins with John Stuart Mill's seminal essay from 1836 on the definition and method of political economy, which is then followed by an examination of how the actual practices of economists changed over time to such an extent that they not only altered their methods of enquiry, but also their self-perception as economists. Beginning as intellectuals and journalists operating to a large extent in the public sphere, they then transformed into experts who developed their tools of research increasingly behind the scenes. No longer did they try to influence policy agendas through public discourse; rather they targeted policymakers directly and with instruments that showed them as independent and objective policy advisors, the tools of the trade changing all the while. In order to shed light on this evolution of economic methodology, this book takes carefully selected snapshots from the discipline's history. It tracks the process of development through the nineteenth and twentieth centuries, analysing the growth of empirical and mathematical modelling. It also looks at the emergence of the experiment in economics, in addition to the similarities and differences between modelling and experimentation. This book will be relevant reading for students and academics in the fields of economic methodology, history of economics, and history and philosophy of the social sciences.

Ever since the inception of economics over two hundred years ago, the tools at the discipline's disposal have grown more and more more sophisticated. This book provides a historical introduction to the methodology of economics through the eyes of economists. The story begins with John Stuart Mill's seminal essay from 1836 on the definition and method of political economy, which is then followed by an examination of how the actual practices of economists changed over time to such an extent that they not only altered their methods of enquiry, but also their self-perception as economists. Beginning as intellectuals and journalists operating to a large extent in the public sphere, they then transformed into experts who developed their tools of research increasingly behind the scenes. No longer did they try to influence policy agendas through public discourse; rather they targeted policymakers directly and with instruments that showed them as independent and objective policy advisors, the tools of the trade changing all the while. In order to shed light on this evolution of economic methodology, this book takes carefully selected snapshots from the discipline's history. It tracks the process of development through the nineteenth and twentieth centuries, analysing the growth of empirical and mathematical modelling. It also looks at the emergence of the experiment in economics, in addition to the similarities and differences between modelling and experimentation. This book will be relevant reading for students and academics in the fields of economic methodology, history of economics, and history and philosophy of the social sciences.

A massive crowd of people, cloaked in the colors of their beloved athletes, slowly fill a 150,000-seat arena to cheer on their favorite teams. Athletes enter the stadium amid great pomp and circumstance as opposing fans hurl insults at one another and place bets on the day's outcome. Although this familiar scene might describe a contemporary football game, it also portrays a day at the chariot races in ancient Rome, where racers were the sports stars of the ancient world.

Following close on the heels of his successful book on gladiators, Fik Meijer reveals all there is to know about chariot racing in the Roman Empire. After recounting the Nika riot of 532 AD--where tens of thousands of people were killed after a politically heated tournament of races--Meijer reviews the historical background, organization, and popularity of these games. He profiles the sport's famous teams, jockeys, and horses and discusses how the whole business fed into the strategy of Juvenal's "bread and circuses" to keep the citizenry happy.

Expertly translated by Liz Waters, "Chariot Racing in the Roman Empire" also examines the political importance of these spectacles, where patricians and plebeians alike filled the stadiums. Meijer sees these contests not so much as an opiate for the people but as a political barometer: the Circus Maximus was the only place in the Empire where the supreme leader was confronted with the approval or disapproval of his people.

Meijer makes use of scarce and obscure sources in this lively narrative, describing an exciting race with such enthusiasm readers will feel they are in the stands themselves. From the length of the track and the need to ride small horses, to the risks, techniques, and training methods involved in racing, Meijer recreates ancient Rome's favorite pastime in impressive detail.

Emilia has it all: a rewarding career as a statistician, a wonderful husband, and two healthy young sons. Having escaped Amsterdam for a life in the countryside, she and Bruch pass their time performing endless jobs around the house. But when a brief moment of panic triggers the memory of a traumatic experience from twelve years before, Emilia finds herself floating away from her average existence. The secret she's kept for so long refuses to stay hidden, and as Emilia's grip on reality loosens, heavy rains begin to fall. In this critically acclaimed novel, Schermer explores the impact of sexual violence, and whether or not it's possible to truly know another person. Breakwater is a haunting examination of memory and trauma, written in prose stunning in its frankness and precision.

Lieve Joris has long been considered "one of the best journalists in the world" (Liberation, France) and in The Rebels' Hour she illuminates the dark heart of contemporary Congo through the prism of one lonely, complicated man--a rebel leader named Assani who becomes a high-ranking general in the Congolese army. As we navigate the chaos of his lawless country alongside him, the pathologically evasive Assani stands out in relief as a man who is both monstrous and sympathetic, perpetrator and victim.

'Mak is the history teacher everyone should have had' Financial Times From the author of the internationally acclaimed In Europe, a stunning history of our present, examining the first two decades of this most fragile and fraught new millennium. How did the great European dream turn sour? And where do we go from here? In this illuminating book, Geert Mak - one of Europe's best-loved commentators - charts the seismic events that have shaped people's lives over the past twenty years. He moves through the rocky expansion of the EU, the aftermath of 9/11 and terrorist attacks across Europe, the 2008 financial crash and the euro crisis, and on to the rise of right-wing populism and Brexit. Like no other, Mak blends history, politics and culture with the stories and experiences of the many Europeans he meets on his travels. He brings this continent to life, and asks: what role does Europe now play, and how might we face our fresh challenges together? 'A powerful, humane and serious mind' Guardian 'Mak is a truly cosmopolitan chronicler' Independent

In 1960 John Steinbeck and his dog Charley set out in their green pickup truck to rediscover the soul of America, visiting small towns and cities from New York to New Orleans.The trip became Travels With Charley, one of his best-loved books. Half a century on, Geert Mak sets off from Steinbeck's home. Mile after mile, as he retraces Steinbeck's footsteps through the potato fields of Maine to the endless prairies of the Midwest and stumbles across glistening suburbs and boarded-up stores, Mak searches for the roots of America and what remains of the world Steinbeck describes. How has America changed in the last fifty years; what remains of the American dream; and what do Europe and America now have in common?

It is the middle of the roaring twenties, and Gittel is living The Hague with her parents, whose blazing rows are the traditional preserve of Sundays and public holidays. What luck, then, that Gittel is Jewish, and must submit to "the double helping of public holidays that is the lot of Jewish families". After every matrimonial slanging match, Gittel's mother runs off to her parents' home in Antwerp - with her daugher in tow. Much to her delight, Gittel makes the acquaintance of the well-to-do Mardell family, who allow her to practise on their Steinway. Gittel feels that she is taken seriously by Mr Mardell, the head of the household, and by thirty-year-old Lucie, whom she adores. When these friendships turn out to be nothing but an illusion, Gittel learns her first lessons about trust and betrayal. Her second comes soon after, when her father, whose talents for business leave much to be desired, attempts to make a quick killing in Berlin on the eve of the Wall Street Crash. Though this intimate portrayal of familial strife is set in the shadow of the Holocaust, Simons says little about the horror that awaits her characters, yet she succeeds in giving the reader the sense that the novel is about more than a young girl's loss of innocence. In a fluid, almost casual style, she has written a masterly and timeless ode to a relatively carefree interlude in a dark and dramatic period. Translated from the Dutch by Liz Waters

Superfit, muscled, and macho, gladiators were hero-worshipped for their skills and courage as they fought to the death, yet despised for their humble status. For over six cruel centuries, tens of thousands died in the blood soaked arenas of Rome and its colonies, watched by enthralled crowds screaming for violence. Professor Fik Meijer has ingeniously pieced together their true stories from contemporary evidence, describing the gladiators' origins, daily life, training, and the odds of their survival pitted against their legions of fans' lust for blood and spectacle.