Since its publication in 2008, Exhibit Makeovers has been a useful do-it-yourself handbook for museum staff and volunteers. Exhibit Makeovers is a workbook that provides grounding in interpretive principles, how-to-advice, step-by-step guidance, and moral support for in-house exhibit planning and design. The revised and expanded 2nd edition preserves the supportive tone and easy-to-follow steps that make the original Exhibit Makeovers so user-friendly. Significant revisions-especially in the technology arena-and additions make this new edition a must-have addition to any museum's toolkit: * New emphasis on visitor input, with step-by-step guidelines for evaluation studies during planning and design. * New text and worksheets to guide development of interactives, and ensure varied levels of visitor participation. * Focus on affordable software to help with exhibit planning and design, as well as low- cost technologies that can vary and deepen the visitor experience. * Brand-new chapters on exhibit design, production, and installation, written by the experienced team responsible for in-house exhibits at a thriving, mid-size museum. Following the same pattern as the 2008 original, the revised Exhibit Makeovers guides users through step-by-step processes of a single-case makeover, development of a new exhibit, and renovation/renewal of an entire gallery or museum.

Philip Glenister stars in this BBC drama from producer and creator Peter Bowker. Daniel Cotton (Glenister) runs a sweet factory with his father Samuel (Bernard Hill) in Manchester. When Samuel, Daniel and his brother Robbo (Steven Mackintosh) get caught up in an IRA attack on Manchester city centre, Daniel begins to rethink the choices he has made in the past and wonders if he can become a better person in the future.

Archaeological heritage legislation aims to ensure the best possible protection for the archaeological heritage, yet it remains the case that legislation can remain ineffective through other practical considerations. Some consideration may be legal or procedural, such as difficulties in enforcing legislation or in preventing crimes or damage or archaeological monuments. However other problems may be less obvious and harder to address, and require solutions which go much further than the simple application of the law. The aim of this volume is to address several issues surrounding the management of archaeological heritage comparing and contrasting which laws 'work' and which ones do not, and ignoring other issues which might effectively present the transplantation of an 'ideal system' to another country or political climate. Or the cultural attitudes which might prevent a law working in the legal system for which it was designed. The contributions are from various international jurisdictions and address a variety of subjects - from the protection of archaeological monuments to dealing with and controlling chance finds made by members of the public.

All six episodes from the BBC drama that tells the true story of the Mottershead family who founded Chester Zoo. George Mottershead (Lee Ingleby) and his wife Lizzie (Liz White) live in a small flat above his father Albert (Peter Wight)'s grocery shop with their daughters Muriel and June (Amelia Clarkson and Honor Kneafsey) but feel it's time to move out and start a life of their own. Suffering from post-traumatic stress disorder, George often finds solace in rescuing abandoned animals. When he sees a dilapidated manor in Chester for sale at auction he borrows money from the bank and purchases the land with a view to converting it into a modern zoo where animals are allowed to roam free. The episodes are: 'The Idea', 'Moving On', 'The Village Rivals', 'The Fund of Chester Zoo', 'In the Middle of a Local War' and 'The Final Decision'.

Archaeological heritage legislation aims to ensure the best possible protection for the archaeological heritage, yet it remains the case that legislation can remain ineffective through other practical considerations. Some consideration may be legal or procedural, such as difficulties in enforcing legislation or in preventing crimes or damage or archaeological monuments. However other problems may be less obvious and harder to address, and require solutions which go much further than the simple application of the law. The aim of this volume is to address several issues surrounding the management of archaeological heritage comparing and contrasting which laws 'work' and which ones do not, and ignoring other issues which might effectively present the transplantation of an 'ideal system' to another country or political climate. Or the cultural attitudes which might prevent a law working in the legal system for which it was designed. The contributions are from various international jurisdictions and address a variety of subjects - from the protection of archaeological monuments to dealing with and controlling chance finds made by members of the public.

"Everyone knows who won. But not everyone knows how."

The result of the Brexit referendum in the summer of 2016 caused a political earthquake that laid waste to the normally stable British establishment and sent political tremors across the world. This punchy and provocative feature length drama goes exclusively behind the scenes of the “Vote Leave” campaign, unpacking the personalities, strategies, and feuds of the winning side, and exploring the new world of data driven campaign tactics.

Brexit: The Uncivil War is not an analysis of who was right and who was wrong. It is the story of how it happened, and why - on the high street, in the campaign offices, and the darker corners of the internet. A drama of political ambition and personal betrayals with nation-changing results.

This is a three-part collection of 34 poems. Some of the poems are about love. Some are about sadness. Some ask questions--what if the sun failed to rise? If life were a race, could one simply drop out? You may enjoy this book if you love poetry and loathe yourself. You may enjoy this book if you are thirteen years old and confused, or thirty years old and confused, or one hundred years old and confused. You may enjoy this book if you have ever felt desperate, or if you like the ways words feel against each other. You may enjoy this book if you are fond of underlining and margin-jotting--having a dialogue with your reading material. You may enjoy this book. Disclaimer - "Let's Live 'til Saturday" is neither a first draft or a final copy. It is something somewhere in between. I hope you find something in common with it.

Since its publication in 2008, Exhibit Makeovers has been a useful do-it-yourself handbook for museum staff and volunteers. Exhibit Makeovers is a workbook that provides grounding in interpretive principles, how-to-advice, step-by-step guidance, and moral support for in-house exhibit planning and design. The revised and expanded 2nd edition preserves the supportive tone and easy-to-follow steps that make the original Exhibit Makeovers so user-friendly. Significant revisions-especially in the technology arena-and additions make this new edition a must-have addition to any museum's toolkit: * New emphasis on visitor input, with step-by-step guidelines for evaluation studies during planning and design. * New text and worksheets to guide development of interactives, and ensure varied levels of visitor participation. * Focus on affordable software to help with exhibit planning and design, as well as low- cost technologies that can vary and deepen the visitor experience. * Brand-new chapters on exhibit design, production, and installation, written by the experienced team responsible for in-house exhibits at a thriving, mid-size museum. Following the same pattern as the 2008 original, the revised Exhibit Makeovers guides users through step-by-step processes of a single-case makeover, development of a new exhibit, and renovation/renewal of an entire gallery or museum.