This Norton Critical Edition includes: The 1633 quarto (Q) text-the only authoritative version-with modernised spelling and silent alteration of obvious errors, of confusing punctuation and of word-form changes. A Textual Notes section follows the play. Editorial matter by Lloyd Kermode. Six illustrations and one map. An unusually rich selection of sixteenth- and seventeenth-century contexts, thematically organised to promote classroom discussion. Topics include "Theater and Marlowe", "Machiavelli and Mediterranean Identities" and "Ideas of the Jew". Twenty-seven critical interpretations spanning three centuries and including seven considerations of The Jew of Malta in performance. A chronology and a selected bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts and criticism-helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This collection brings together established scholars and new names in the field of Tudor drama studies. Through a range of traditional and theoretical approaches, the essays address the neglected early and mid-Tudor period before the rise of the 'mature' drama of Marlowe and Shakespeare in the 1590s. New Ideas for research topics and pedagogical methods are discussed in the essays, which each provide original arguments about specific texts and/or performances while also providing an advanced introduction to a concentrated area of Tudor drama studies. While the continuation of mystery play performances and morality plays through the first three-quarters of the sixteenth century have been discussed with some consistency in the academy, other types of drama (e.g. folk or school plays) have received short shrift, and critical theory has been slow in coming to this scholarship. This collection begins to fill in these deficiencies and suggest fruitful directions for a twenty-first century revival in pre-Shakespearean Tudor drama studies.

This book provides for the first time modern-spelling, fully annotated editions of three important Elizabethan and Jacobean 'usury plays' - The Three Ladies of London, Englishmen for My Money, and The Hog Hath Lost His Pearl. The edition includes an extensive scholarly introduction to the attitudes toward money-lending in early modern England, and to the authors, texts and historical contexts of these dramas. The plays included in this edition also represent examples of 'city plays' and 'alien plays', thus making them widely relevant to scholars and teachers in many areas of early modern studies. They are also gaining new appreciation in their own right. As befits a volume in the RPCL series, the edition is academically advanced to cater for specialised scholars. However, the introduction, editing and annotation remain accessible for undergraduates and theatregoers. -- .

This book provides for the first time modern-spelling, fully annotated editions of three important Elizabeth and Jacobean "usury plays"--"The Three Ladies of London," " Englishmen for My Money," "The Hog Hath Lost His Pearl." The edition includes an extensive scholarly introduction to the attitudes toward money-lending in early modern England, and to the authors, texts and historical contexts of this drama.

The plays included in this edition also represent examples of "city plays" and "alien plays," thus making them widely relevant to scholars and teachers in many areas of early modern studies. They are also gaining new appreciation in their own right.As befits a volume in the RPCL series, the edition is academically advanced to cater for specialized scholars. However, the introduction, editing and annotation remain accessible for undergraduates and theatregoers.