Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

The Love of Daphnis and Chloe (2nd century C.E.) is an ancient Greek romance novel by Longus. Set on Lesbos, it is a classic story of love set in a recognizably pastoral setting. An important early novel and a landmark in the development of Western literature, The Love of Daphnis and Chloe has inspired and influenced such wide-ranging artists as Jean-Jacques Rousseau, Allan Ramsay, Marc Chagall, Colette, and Yukio Mishima. Abandoned at birth, Daphnis is raised by a goatherd named Lamon on the island of Lesbos. Chloe, likewise abandoned, is raised by Dryas, a nearby shepherd. Living and working in the fields of their native land, the two become fast friends, frequently spending time together while herding their respective flocks. As they fall in love, with no model for romantic affection, Daphnis and Chloe struggle to understand their mutual feeling. Seeking the guidance of a wise cowherd, they are advised to share a kiss with one another, for only a kiss will cure their growing sickness. All too trusting, they follow the cowherd's instruction, only to be plunged into deeper desire. Still unsure of how to show his affection, Daphnis journeys to the city, where an older woman educates him in the ways of love. Meanwhile, Chloe is kidnapped and taken to a faraway kingdom. Fearing the worst, Daphnis embarks on a journey to save her, facing pirates, pitfalls, and countless other dangers on his way. The Love of Daphnis and Chloe is not only a groundbreaking work of prose fiction, but a widely adapted model of classical romance that continues to be read and appreciated nearly two millennia after its publication. With a beautifully designed cover and professionally typeset manuscript, this edition of Longus's The Love of Daphnis and Chloe is a classic of ancient Greek literature reimagined for modern readers.

In Longus's ravishing "Daphnis and Chloe" (second or early third century CE), one of the great works of world literature, an innocent boy and girl gradually discover their sexuality in an idealized pastoral environment. In Xenophon's "Anthia and Habrocomes" (first century CE), perhaps the earliest extant novel and a new addition to the Loeb Classical Library, a newlywed couple, separated by mischance, survive hair-raising adventures and desperate escapes as they traverse the Mediterranean and the Near East en route to a joyful reunion. The pairing of these two novels well illustrates both the basic conventions of the genre and its creative range.

This new edition offers fresh translations and texts by Jeffrey Henderson, based on the recent critical editions of Longus by M. D. Reeve and Xenophon by J. N. O'Sullivan.

Diese Hardcover-Ausgabe ist Teil der TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten

'he sat down and wept, to think that even the rams knew more about the deeds of love than he did' Daphnis is fifteen years old, Chloe thirteen. They are drawn to each other and long to make love. But no one has told them what love is, nor do they know how to accomplish the physical act. Round their predicament Longus weaves a fantasy which entertains and instructs, but never errs in taste. The hard toil and precariousness of peasant life are here, but so are its compensations - revelry, music, dance, and storytelling. Above the action brood divine presences - Eros, Dionysus, Pan, the Nymphs - who collaborate to guide the adolescents into the mystery of Love, at once a sensual and a religious initiation. Daphnis and Chloe is the best known, and the best, of the early Greek romances, precursors to the modern novel. Admired by Goethe, it has been reinterpreted in music and art by Ravel and Chagall. This new translation is immensely readable, and does full justice to the humour and humanity of the story. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Longus' Daphnis and Chloe is arguably our finest surviving Greek novel. Written under the Roman Empire and engaging with romantic, pastoral and rhetorical themes, the story and characterisation have captured the imaginations of artists over the centuries. Despite a growing interest in ancient novels over the past half-century, this is the first full commentary to address Longus' linguistic texture and its implications for his literary aspirations, as well as his narrative skills and intertextuality with earlier Greek writers. The commentary provides a detailed analysis of Longus' Greek and its relation to other Greek prose and poetry of the second century AD and earlier, and emphasises the construction and style of the original text, drawing out key points for clarification and discussion. A wide-ranging introduction ensures that this book will be an indispensable guide for teachers and students of all levels who are looking to engage with Longus' writing.

Longus' Daphnis and Chloe is arguably our finest surviving Greek novel. Written under the Roman Empire and engaging with romantic, pastoral and rhetorical themes, the story and characterisation have captured the imaginations of artists over the centuries. Despite a growing interest in ancient novels over the past half-century, this is the first full commentary to address Longus' linguistic texture and its implications for his literary aspirations, as well as his narrative skills and intertextuality with earlier Greek writers. The commentary provides a detailed analysis of Longus' Greek and its relation to other Greek prose and poetry of the second century AD and earlier, and emphasises the construction and style of the original text, drawing out key points for clarification and discussion. A wide-ranging introduction ensures that this book will be an indispensable guide for teachers and students of all levels who are looking to engage with Longus' writing.