The first book to fully chronicle the struggles and triumphs of African American athletes in the Modern Olympic summer games. In the modern Olympic Games, from 1896 through the present, African American athletes have sought to honor themselves, their race, and their nation on the global stage. But even as these incredible athletes have served to promote visions of racial harmony in the supposedly-apolitical Olympic setting, many have also bravely used the games as a means to bring attention to racial disparities in their country and around the world. In Black Mercuries: African American Athletes, Race, and the Modern Olympic Games, David K. Wiggins, Kevin B. Witherspoon, and Mark Dyreson explore in detail the varied experiences of African American athletes, specifically in the summer games. They examine the lives and careers of such luminaries as Jesse Owens, Rafer Johnson, Wilma Rudolph, Florence Griffith-Joyner, Michael Johnson, and Simone Biles, but also many African American Olympians who have garnered relatively little attention and whose names have largely been lost from historical memory. In recounting the stories of these Black Olympians, Black Mercuries makes clear that their superior athletic skills did not always shield them from the racial tropes and insensitivity spewed by fellow athletes, the media, spectators, and many others. Yet, in part because of the struggles they faced, African American Olympians have been extraordinarily important symbolically throughout Olympic history, serving as role models to future Black athletes and often putting their careers on the line to speak out against enduring racial inequality and discriminatory practices in all walks of life.

In the American South, the civil rights movement in the 1960s and the struggle to abolish racial segregation erupted in dramatic scenes at lunch counters, in schools, and in churches. The admission of James Meredith as the first black student to enroll at the University of Mississippi; the march from Selma to Montgomery, Alabama; and the sanitation workers' strike in Memphis - where Martin Luther King was assassinated - rank as cardinal events in black Americans' fight for their civil rights. The photographs featured in I Am A Man: Photographs of the Civil Rights Movement, 1960-1970 bear witness to the courage of protesters who faced unimaginable violence and brutality as well as the quiet determination of the elderly and the angry commitment of the young. Talented photographers documented that decade and captured both the bravery of civil rights workers and the violence they faced. Most notably, this book features the work of Bob Adelman, Dan Budnik, Doris Derby, Roland Freeman, Danny Lyon, Art Shay, and Ernest Withers. Like the fabled music and tales of the American South, their photographs document the region's past, its people, and the places that shaped their lives. Protesters in these photographs generated the mighty leverage that eventually transformed a segregated South. The years from 1960 to 1970 unleashed both hope and profound change as desegregation opened public spaces and African Americans secured their rights. The photographs in this volume reveal, as only great photography can, the pivotal moments that changed history, and yet remind us how far we have to go.