German computer-animated movie featuring the voice of Patrick Stewart. When Gaya's power stone is stolen by Professor N. Icely (Stephan Lander), local hero Zino (Glenn Wrage), his companion Boo (Alan Mariot), the mayor's daughter Alanta (Emily Watson) and the local trouble makers The Snurks are pulled into the vortex as well. When they wake up, they find themselves in a world filled with giants, monster rats and buildings that reach into the sky.

'Laugh-out-loud funny, intensely suspenseful, page-turning fun' Allison Brennan on A Bad Day for Sunshine Running a small-town police force in the mountains of New Mexico should be a smooth, carefree kind of job. Sadly, full-time Sheriff - and even fuller-time coffee guzzler - Sunshine Vicram, didn't get that memo. All Sunshine really wants is one easy-going day. You know, the kind that starts with coffee and a donut (or three) and ends with take-out pizza and a glass of chardonnay (or seven). Turns out, that's about as easy as switching to decaf. (What kind of people do that? And who hurt them?) Before she can say iced mocha latte, Sunny's got a bar fight gone bad, a teenage daughter hunting a serial killer and, oh yes, the still unresolved mystery of her own abduction years prior. All evidence points to a local distiller, a dangerous bad boy named Levi Ravinder, but Sun knows he's not the villain of her story. Still, perhaps beneath it all, he possesses the keys to her disappearance. At the very least, beneath it all, he possesses a serious set of abs. She's seen it. Once. Accidentally. Between policing a town her hunky chief deputy calls four cents short of a nickel, that pesky crush she has on Levi which seems to grow exponentially every day, and an irascible raccoon that just doesn't know when to quit, Sunny's life is about to rocket to a whole new level of crazy. Yep, definitely a good day for chardonnay. 'A Bad Day For Sunshine is a great day for the rest of us' Lee Child

Ethan Muller is struggling to establish his reputation as a dealer in the cut-throat world of contemporary art when he is alerted to a once-in-a-lifetime opportunity: in a decaying New York slum, an elderly tenant has disappeared, leaving behind a staggeringly large trove of original drawings and paintings. Nobody can tell Ethan much about the old man, except that he came and went in solitude for nearly forty years, his genius hidden and unacknowledged. Despite the fact that, strictly speaking, the artwork doesn't belong to him, Ethan takes the challenge and makes a name for the old man - and himself. Soon Ethan has to congratulate himself on his own genius: for storytelling and salesmanship. But suddenly the police are interested in talking to him. It seems that the missing artist had a nasty past, and the drawings hanging in the Muller Gallery have begun to look a lot less like art and a lot more like evidence. Sucked into an investigation four decades cold, Ethan will uncover a secret legacy of shame and death, one that will touch horrifyingly close to home - and leave him fearing for his own life.

The compelling stand alone novel from the Sunday Times No. 1 bestselling author of Unseen and Criminal. Atlanta, 1974. As a brutal killing and a furious manhunt rock the city, Kate Murphy wonders if her first day on the police force will also be her last. For life is anything but easy in the male-dominated world of the Atlanta Police Department, where even the other female cops have little mercy for the new girl. Kate isn't the only woman on the force who is finding things tough. Maggie Lawson followed her uncle and brother into the ranks to prove her worth in their cynical eyes. When Maggie and Kate become partners, and are sidelined in the search for the city's cop killer, their fury, pain, and pride finally reach boiling point. With the killer poised to strike again, will Kate and Maggie have the courage to pursue their own line of investigation? And are they prepared to risk everything as they venture into the city's darkest heart?