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In the new Republic of Texas, guns are compulsory and nothing is
forgiven. Blue Running is a gripping coming-of-age thriller set in
post-secessionist Texas. For fans of Station Eleven and Thelma and
Louise. Fourteen-year-old Bluebonnet Andrews is on the run across
the Republic of Texas. An accident with a gun killed her best
friend but everyone in the town of Blessing thinks it was murder.
Even her father - the town's drunken deputy - believes she did it.
Now, she has no choice but to run. In Texas, murder is punishable
by death. There's no one to help her. Her father is incapable and
her mother left the state on the last flight to America before the
secession. Blue doesn't know where she is but she's determined to
track her down. First she has to get across the lawless Republic
and over the wall that keeps everyone in. On the road she meets
Jet, a pregnant young woman of Latin American heritage. Jet is
secretive about her past but she's just as determined as Blue to
get out of Texas before she's caught and arrested. Together, the
two form an unlikely kinship as they make their way past marauding
motorcycle gangs, the ever watchful Texas Rangers, and armed
strangers intent on abducting them - or worse. When Blue and Jet
finally reach the wall, will they be able to cross the border, or
will they be shot down in cold blood like the thousands who have
gone before them? Some things are worth dying for.
In the new Republic of Texas, guns are compulsory and nothing is
forgiven. Blue Running is a gripping coming-of-age thriller set in
post-secessionist Texas. For fans of Station Eleven and Thelma and
Louise. Fourteen-year-old Bluebonnet Andrews is on the run across
the Republic of Texas. An accident with a gun killed her best
friend but everyone in the town of Blessing thinks it was murder.
Even her father - the town's drunken deputy - believes she did it.
Now, she has no choice but to run. In Texas, murder is punishable
by death. There's no one to help her. Her father is incapable and
her mother left the state on the last flight to America before the
secession. Blue doesn't know where she is but she's determined to
track her down. First she has to get across the lawless Republic
and over the wall that keeps everyone in. On the road she meets
Jet, a pregnant young woman of Latin American heritage. Jet is
secretive about her past but she's just as determined as Blue to
get out of Texas before she's caught and arrested. Together, the
two form an unlikely kinship as they make their way past marauding
motorcycle gangs, the ever watchful Texas Rangers, and armed
strangers intent on abducting them - or worse. When Blue and Jet
finally reach the wall, will they be able to cross the border, or
will they be shot down in cold blood like the thousands who have
gone before them? Some things are worth dying for.
This brief book focuses on the Gothic elements that help to shape
and define literature of the American South and on how these
elements are incorporated into Southern literature through overt
use of the grotesque. After exploring the foundations of what may
be loosely termed the Southern Grotesque, this work analyzes two
literary themes that have played major roles in the evolution of
Southern fiction, which often centers on women and the roles they
play in Southern society: coming-of-age themes and motherhood
themes. Coming-of-age themes trace the lives of adolescent girls
who grow up in Southern culture, come of age spiritually in the
South, and search for identity, while motherhood themes track the
influence (both productive and destructive) of Southern women who
are thrust into motherhood. This book also examines the Grotesque
and Gothic connections among the authors of Southern literature, in
particular Zora Neale Hurston, William Faulkner, Carson McCullers,
Flannery OConnor, Alice Walker, and Toni Morrison. These writers of
the grotesque tradition have influenced my own novel-writing, to
which I refer in the last chapter, a study of the creative process.
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