The Argentine-born writer Adolfo Gilly has directly observed many of Latin America's most dramatic events, from the Bolivian Revolution of the 1950s and Cuba during the Missile Crisis to the guerrilla wars of Central America and Mexico's Zapatista uprising. Paths of Revolution presents the first representative selection from across his extensive body of work, collecting close-quarters reportage, sharp political analyses and reflections on art and letters. A living link between the New Left of the 1960s and the Pink Tide of recent decades, Gilly once described the twentieth century as a series of lightning flashes which can illuminate our present-day predicament. The essay form is where he fully comes into his own, covering a truly impressive range of topics and places. This collection draws out the continuities within one of the world's more vibrant and politically successful left traditions. In the Introduction, Tony Wood (author of Russia Without Putin) offer an overall portrait of Gilly's life and work.

When his fireworks factory job ends explosively and his wife returns to work, Jose is surprised to realise he has a talent for keeping house: childcare, tidying, cleaning, cooking, gardening, he excels at it all. On Thursdays, he hangs out and drinks good wine with his jazz-loving neighbour. But when Jose's new talents take a sudden and gruesome turn, life, death, resurrection, and domesticity unexpectedly converge. In one single, hypnotic paragraph, Petite Fleur harnesses the unpredictability of Aira and the mysticism of Tolstoy in a discordant riff on suburban life.

Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris apartment, welcoming Henri Matisse, Ernest Hemingway, and Ezra Pound to weekly events at her home to discuss art and literature. It comes as no surprise, then, that Picasso and Stein were fast friends and frequent confidantes. Through Picasso and Stein's casual notes and reflective letters, this volume of correspondence between the two captures Paris both in the golden age of the early twentieth century and in one of its darkest hours, the Nazi occupation through mentions of dinner parties, lovers, work, and the crises of the two world wars. Illustrated with photographs and postcards, as well as drawings and paintings by Picasso, this collection captures an exhilarating period in European culture through the minds of two artistic greats.

"We found so much to say, to share, to learn...For it wasn't just the Marquis de Sade profile and the sporty thighs-and-calves that seduced me. It was even more, perhaps, or certainly just as much, the speed at which you used to read, and still do."-Julia Kristeva "We're married, Julia and I, that's a fact, but we each have our own personalities, our own name, activities, and freedom. Love is the full recognition of the other in their otherness. If this other is very close to you, as in this case, it seems to me that what's at stake is harmony within difference. The difference between men and women is irreducible; there's no possibility of fusion."-Philippe Sollers Marriage as a Fine Art is an enchanting series of exchanges in which Julia Kristeva and Philippe Sollers, married for fifty years, speak candidly about their love. Though they live separately, Kristeva and Sollers are fully committed to each other. Their bond is intellectual and psychological, passionate and mundane. They share everything when together, and lose themselves in their interests when apart. Their marriage is art, rich with history and meaning, idiosyncratic, and dynamic in its expression. Yet it is also as common as they come. Kristeva and Sollers have lived through the same challenges, peaks, and lulls as all married couples do. With humor and honesty, they elaborate on these moments, turning marriage's familiar aspects into exceptional examples of relating, struggling, transcending, and being. Marriage as a Fine Art is a rare chance to know these intellectuals-and marriage-more intimately.

Mixing fiction, history, psychoanalysis, and personal fantasy, Teresa, My Love turns a past world into a modern marvel, following Sylvia Leclercq, a French psychoanalyst, academic, and incurable insomniac, as she falls for the sixteenth-century Saint Teresa of Avila and becomes consumed with charting her life. Traveling to Spain, Leclercq, Julia Kristeva's probing alter ego, visits the sites and embodiments of the famous mystic and awakens to her own desire for faith, connection, and rebellion. One of Kristeva's most passionate and transporting works, Teresa, My Love interchanges biography, autobiography, analysis, dramatic dialogue, musical scores, and images of paintings and sculpture to engage the reader in Leclercq's-and Kristeva's-journey. Born in 1515, Teresa of Avila outwitted the Spanish Inquisition and was a key reformer of the Carmelite Order. Her experience of ecstasy, which she intimately described in her writings, released her from her body and led to a complete realization of her consciousness, a state Kristeva explores in relation to present-day political failures, religious fundamentalism, and cultural malaise. Incorporating notes from her own psychoanalytic practice, as well as literary and philosophical references, Kristeva builds a fascinating dual diagnosis of contemporary society and the individual psyche while sharing unprecedented insights into her own character.

The product of five years' investigative reporting, the subject of intense national controversy,
and the source of death threats that forced the National Human Rights Commission to assign
two full-time bodyguards to its author, Anabel Hernandez, "Narcoland" has been a publishing
and political sensation in Mexico.
The definitive history of the drug cartels, "Narcoland" takes readers to the front lines of the
"war on drugs," which has so far cost more than 60,000 lives in just six years. Hernandez explains
in riveting detail how Mexico became a base for the mega-cartels of Latin America and one of the
most violent places on the planet. At every turn, Hernandez names names--not just the narcos,
but also the politicians, functionaries, judges and entrepreneurs who have collaborated with them.
In doing so, she reveals the mind-boggling depth of corruption in Mexico's government
and business elite.
Hernandez became a journalist after her father was kidnapped and killed and the police refused
to investigate without a bribe. She gained national prominence in 2001 with her exposure
of excess and misconduct at the presidential palace, and previous books have focused on
criminality at the summit of power, under presidents Vicente Fox and Felipe Calderon.
In awarding Hernandez the 2012 Golden Pen of Freedom, the World Association of Newspapers
and News Publishers noted, "Mexico has become one of the most dangerous countries in the
world for journalists, with violence and impunity remaining major challenges in terms of press
freedom. In making this award, we recognize the strong stance Ms. Hernandez has taken, at great
personal risk, against drug cartels."

"From the Hardcover edition."