A Raisin in the Sun is a classic American play: a groundbreaking 1950s civil rights drama and has a strong claim to be the greatest play of the black American experience. Deeply committed to the black struggle for equality and human rights, Lorraine Hansberry's brilliant career as a writer was cut short by her death when she was only 34. A Raisin in the Sun was the first play written by a black woman to be produced on Broadway and won the New York Drama Critics Circle Award. Hansberry was the youngest and the first black writer to receive this award. She was also the first person to be called 'young, gifted and black'. The play is set in south side Chicago, where Walter Lee, a black chauffeur, dreams of a better life, and hopes to use his father's life insurance money to open a liquor store. Humane and heart-rending, the play depicts characters and a whole society with complexity and reality. This Student Edition features expert and helpful annotation, including a scene-by-scene summary, a detailed commentary on the dramatic, social and political context, and on the themes, characters, language and structure of the play, as well as a list of suggested reading and questions for further study and a review of performance history.

When it was first produced in 1959, A Raisin in the Sun was awarded the New York Drama Critics Circle Award for that season and hailed as a watershed in American drama. A pioneering work by an African-American playwright, the play was a radically new representation of black life. "A play that changed American theater forever."--The New York Times.

"Come to A Raisin in the Sun as you would to any classic. It speaks to us today as it did almost half a century ago." Bonnie Greer In south side Chicago, Walter Lee, a Black chauffeur, dreams of a better life, and hopes to use his father's life insurance money to open a liquor store. His mother, who rejects the liquor business, uses some of the money to secure a proper house for the family. Mr Lindner, a representative of the all-white neighbourhood, tries to buy them out. Walter sinks the rest of the money into his business scheme, only to have it stolen by one of his partners. In despair Walter contacts Lindner, and almost begs to buy them out, but with the help of his wife, Walter finally finds a way to assert his dignity. A Raisin in the Sun was the first play written by a Black woman to be produced on Broadway and won the New York Drama Critics Circle Award. Hansberry was the youngest and the first Black writer to receive this award. Deeply committed to the Black struggle for equality and human rights, Lorraine Hansberry's brilliant career as a writer was cut short by her death when she was only 34. This new, updated edition in Methuen Drama's Modern Classics series includes the full, definitive text and a brand new introduction by Soyica Diggs Colbert.

This is the story of a young woman born in Chicago who came to New York, won fame with her play, "A Raisin in the Sun"--and went on to new heights of artistry before her tragic death. In turns angry, loving, bitter, laughing, and defiantly proud, the story, voice, and message are all Lorraine Hansberry's own, coming together in one of the major works of the black experience in mid-century America.

"Never before, the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.

Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever.  The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun."

"The events of every passing year add resonance to A Raisin in the Sun," said The New York Times.  "It is as if history is conspiring to make the play a classic."  This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.

New Revised Version 5 black m, 3 white m, 2 white f, 1 black f, 6 extras including 1 child Unit set Best American play of 1970, Les Blancs prophetically confronts the hope and tragedy of Africa in revolution. The setting is a white Christian mission in a colony about to explode. The time is that hour of reckoning when no one the guilty nor the innocent can evade the consequences of white colonialism and imperatives of black liberation. Tshembe Matoseh, the English educated son of a chief, has come home to bury his father. He finds his teenage brother a near alcoholic and his older brother a priest and traitor to his people. Forswearing politics and wanting only to return to his wife and child in England, Tshembe is drawn into the conflict symbolized by a woman dancer, the powerful Spirit of Africa who pursues him. Incredibly moving ...towering, magnificent. - New York Times Possessed of the unrelenting power, breadth of vision and masterly technique that only a very few playwrights are capable of in any one generation. - Detroit News

This edition offers Hansberry's complete uncut screen adaptation of her play, containing at least forty percent new material that does not appear in the play.

The Unfilmed Original Screenplay of an American classic.
This is a landmark volume of the epic, original film script written by Lorraine Hansberry, adapted from her stage play. But movie audiences did not know that nearly a third of her powerful screenplay had been cut. This edition restores all of these deletions and delivers the screenplay that is true to Hansberry's vision.

In south side Chicago, Walter Lee, a black chauffeur, dreams of a better life, and hopes to use his father's life insurance money to open a liquor store. His mother, who rejects the liquor business, uses some of the money to secure a proper house for the family. Mr Lindner, a representative of the all-white neighbourhood, tries to buy them out. Walter sinks the rest of the money into his business scheme, only to have it stolen by one of his partners. In despair Walter contacts Lindner, and almost begs to buy them out, but with the help of his wife, Walter finally finds a way to assert his dignity. Deeply committed to the black struggle for equality and human rights, Lorraine Hansberry's brilliant career as a writer was cut short by her death when she was only 35. A Raisin in the Sun was the first play written by a black woman to be produced on Broadway and won the New York Drama Critics Circle Award. Hansberry was the youngest and the first black writer to receive this award.

In her first play, the now-classic A Raisin in the Sun, Hansberry introduced the lives of ordinary African Americans into our national theatrical repertory. Now, Hansberry tells her own life story in an autobiography that rings with the voice of its creator. "Brilliantly alive."--The New York Times.

By the time of her death thirty years ago, at the tragically young age of thirty-four, Lorraine Hansberry had created two electrifying masterpieces of the American theater. With A Raisin in the Sun, Hansberry gave this country its most movingly authentic portrayal of black family life in the inner city. Barely five years later, with The Sign in Sidney Brustein's Window, Hansberry gave us an unforgettable portrait of a man struggling with his individual fate in an age of racial and social injustice. These two plays remain milestones in the American theater, remarkable not only for their historical value but for their continued ability to engage the imagination and the heart.

With an Introduction by Robert Nemiroff