Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

While many believe that being diagnosed with leukemia is like being handed a death sentence, South Dakota native Louis George Whitehead provides living proof that survival of this life-threatening and life-changing illness is possible.

At age twenty-one, Whitehead's doctor informs him that he is suffering from acute myeloid leukemia. After two rounds of chemotherapy and a relapse a few months later, Whitehead makes the decision to undergo a bone-marrow transplant. "Living through Leukemia" chronicles his story of endurance and optimism.

Whitehead shares his feelings following his initial diagnosis and through the realization that a fatal outcome was possible. He also details the events and symptoms leading up to his courageous battle and describes the importance of both his friends and family in the struggle to get well and stay that way.

If you or someone close to you is living with leukemia or is facing the prospect of a bone-marrow transplant, Whitehead's personal reflections will serve as encouragement on how to approach each day with a leveled patience and look ahead to a more hopeful time.

Based on the work of 70 researchers in 15 countries, this title is a mammoth, encyclopaedic book that documents the history of homosexuality, and various cultural responses to it, in all regions of the world.

Mechanical Witness will be the first cultural and legal history charting the changing role and theoretical implications of the use of film and video as courtroom evidence. The author moves from the earliest uses of film in the courts of the 1920s to Osama Bin Laden's taped statements after 9/11, revealing how the courts have developed a reliance on film and video technologies and contributed to the growing influence of visual media in twentieth century America. At the same time, the meaning of film and video as used in juridical contexts has developed a theoretical legacy which both resonates with and contradicts existing scholarship-focusing on economic, social, or aesthetic factors-which hitherto has defined film's status and cultural contribution. In the context of a trial, the possible meanings of a film or video can be very different from its meaning when shown in a movie theater or broadcast on television, yet the public and cinema scholars tend to assume that the meaning of an image remains constant. Mechanical Witness demonstrates that we must understand evidentiary film and video's institutional specificity if we are to understand the effects of motion picture technologies on our culture. This study sets the terms for a long overdue assessment of how the entertainment industry has dominated and shaped our film viewing practices, the place of moving picture evidence in the courtroom, and the social and cultural consequences of these intertwined histories.

Mechanical Witness will be the first cultural and legal history charting the changing role and theoretical implications of the use of film and video as courtroom evidence. The author moves from the earliest uses of film in the courts of the 1920s to Osama Bin Laden's taped statements after 9/11, revealing how the courts have developed a reliance on film and video technologies and contributed to the growing influence of visual media in twentieth century America. At the same time, the meaning of film and video as used in juridical contexts has developed a theoretical legacy which both resonates with and contradicts existing scholarship-focusing on economic, social, or aesthetic factors-which hitherto has defined film's status and cultural contribution. In the context of a trial, the possible meanings of a film or video can be very different from its meaning when shown in a movie theater or broadcast on television, yet the public and cinema scholars tend to assume that the meaning of an image remains constant. Mechanical Witness demonstrates that we must understand evidentiary film and video's institutional specificity if we are to understand the effects of motion picture technologies on our culture. This study sets the terms for a long overdue assessment of how the entertainment industry has dominated and shaped our film viewing practices, the place of moving picture evidence in the courtroom, and the social and cultural consequences of these intertwined histories.