Lonely Planet's Texas is our most comprehensive guide that extensively covers all the state has to offer, with recommendations for both popular and lesser-known experiences. Delight in live music at an Austin club, get lost in Big Bend National Park and visit NASA's Space Center in Houston; all with your trusted travel companion. Inside Lonely Planet's Texas Travel Guide: Lonely Planet's Top Picks - a visually inspiring collection of the destination's best experiences and where to have them Itineraries help you build the ultimate trip based on your personal needs and interests Local insights give you a richer, more rewarding travel experience - whether it's history, people, music, landscapes, wildlife, politics Eating and drinking - get the most out of your gastronomic experience as we reveal the regional dishes and drinks you have to try Toolkit - all of the planning tools for solo travelers, LGBTQIA+ travelers, family travelers and accessible travel Colour maps and images throughout Language - essential phrases and language tips Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Covers Austin, San Antonio, Dallas, Fort Worth, Houston, the Gulf Coast, Big Bend, El Paso and more! About Lonely Planet: Lonely Planet, a Red Ventures Company, is the world's number one travel guidebook brand. Providing both inspiring and trustworthy information for every kind of traveller since 1973, Lonely Planet reaches hundreds of millions of travellers each year online and in print and helps them unlock amazing experiences. Visit us at lonelyplanet.com and join our community of followers on Facebook (facebook.com/lonelyplanet), Twitter (@lonelyplanet), Instagram (instagram.com/lonelyplanet), and TikTok (@lonelyplanet). 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.'  Fairfax Media (Australia)

G.W.M. Reynolds (1814-1879) had a major impact on the mid-Victorian era that until now has been largely unacknowledged. A prolific novelist whose work had a massive circulation, and an influential journalist and editor, he was a man of contradictions in both his life and writing: a middle-class figure who devoted his life to working class issues but seldom missed a chance to profit from the exploitation of current issues; the founder of the radical newspaper Reynolds Weekly, as well as a bestselling author of historical romances, gothic and sensation novels, oriental tales, and domestic fiction; a perennial bankrupt who nevertheless ended his life prosperously. A figure of such diversity requires a collaborative study. Bringing together a distinguished group of scholars, this volume does justice to the full range of Reynolds's achievement and influence. With proper emphasis on new work in the field, the contributors take on Reynolds's involvement with Chartism, serial publication, the mass market periodical, commodity culture, and the introduction of French literature into British consciousness, to name just a few of the topics covered. The Mysteries of London, the century's most widely read serial, receives the extensive treatment this long-running urban gothic work deserves. Adding to the volume's usefulness are comprehensive bibliographies of Reynolds's own writings and secondary criticism relevant to the study of this central figure in mid-nineteenth-century Britain.

Caribbean Literature in English places its subject in its precise regional context. The `Caribbean', generally considered as one area, is highly discrete in its topography, race and languages, including mainland Guyana, the Atlantic island of Barbados, the Lesser Antilles, Trinidad, and Jamaica, whose size and history gave it an early sense of separate nationhood. Beginning with Raleigh's Discoverie of...Guiana (1596), this innovative study traces the sometimes surprising evolution of cultures which shared a common experience of slavery, but were intimately related to individual local areas. The approach is interdisciplinary, examining the heritage of the plantation era, and the issues of language and racial identity it created. From this base, Louis James reassesses the phenomenal expansion of writing in the contemporary period. He traces the influence of pan-Caribbean movements and the creation of an expatriate Caribbean identity in Britain and America: `Brit'n' is considered as a West Indian island, created by `colonization in reverse'. Further sections treat the development of a Caribbean aesthetic, and the repossession of cultural roots from Africa and Asia. Balancing an awareness of the regional identity of Caribbean literature with an exploration of its place in world and postcolonial literatures, this study offers a panoramic view that has become one of the most vital of the `new literatures in English'. This accessible overview of Caribbean writing will appeal to the general reader and student alike, and particularly to all who are interested in or studying Caribbean literatures and culture, postcolonial studies, Commonwealth 'new literatures' and contemporary literature and drama.

G.W.M. Reynolds (1814-1879) had a major impact on the mid-Victorian era that until now has been largely unacknowledged. A prolific novelist whose work had a massive circulation, and an influential journalist and editor, he was a man of contradictions in both his life and writing: a middle-class figure who devoted his life to working class issues but seldom missed a chance to profit from the exploitation of current issues; the founder of the radical newspaper Reynolds Weekly, as well as a bestselling author of historical romances, gothic and sensation novels, oriental tales, and domestic fiction; a perennial bankrupt who nevertheless ended his life prosperously. A figure of such diversity requires a collaborative study. Bringing together a distinguished group of scholars, this volume does justice to the full range of Reynolds's achievement and influence. With proper emphasis on new work in the field, the contributors take on Reynolds's involvement with Chartism, serial publication, the mass market periodical, commodity culture, and the introduction of French literature into British consciousness, to name just a few of the topics covered. The Mysteries of London, the century's most widely read serial, receives the extensive treatment this long-running urban gothic work deserves. Adding to the volume's usefulness are comprehensive bibliographies of Reynolds's own writings and secondary criticism relevant to the study of this central figure in mid-nineteenth-century Britain.

The majority of young people in the American juvenile justice system have diagnosable mental illnesses, including substance abuse, mental retardation and learning disorders. However, these often remain undetected and untreated. In this book, a team of experts examines the prevalence of mental disorders in this population and describes the means of screening for, diagnosing, and treating them effectively in a developmentally appropriate, culturally sensitive manner. They also examine psychopharmacologic and psychotherapeutic approaches; innovative alternatives to detention; the true costs of detaining youth; vulnerability to self-incrimination; and the alarming trend of minority confinement. Their comprehensive coverage includes discussion of ethical dilemmas and the need for preventive strategies and integrated approaches involving judicial, law enforcement, educational, and mental health professionals. This book will be of interest to both mental health and juvenile justice professionals.

Caribbean Literature in English places its subject in its precise regional context. The `Caribbean', generally considered as one area, is highly discrete in its topography, race and languages, including mainland Guyana, the Atlantic island of Barbados, the Lesser Antilles, Trinidad, and Jamaica, whose size and history gave it an early sense of separate nationhood. Beginning with Raleigh's Discoverie of...Guiana (1596), this innovative study traces the sometimes surprising evolution of cultures which shared a common experience of slavery, but were intimately related to individual local areas. The approach is interdisciplinary, examining the heritage of the plantation era, and the issues of language and racial identity it created. From this base, Louis James reassesses the phenomenal expansion of writing in the contemporary period. He traces the influence of pan-Caribbean movements and the creation of an expatriate Caribbean identity in Britain and America: `Brit'n' is considered as a West Indian island, created by `colonization in reverse'. Further sections treat the development of a Caribbean aesthetic, and the repossession of cultural roots from Africa and Asia. Balancing an awareness of the regional identity of Caribbean literature with an exploration of its place in world and postcolonial literatures, this study offers a panoramic view that has become one of the most vital of the `new literatures in English'. This accessible overview of Caribbean writing will appeal to the general reader and student alike, and particularly to all who are interested in or studying Caribbean literatures and culture, postcolonial studies, Commonwealth 'new literatures' and contemporary literature and drama.

Since the beginning of the nineteenth century many forms of theatre have been called ‘popular’, but in the twentieth century the term ‘popular drama’ has taken on definite political overtones, often indicating a repudiation of ‘commercial theatre’. But does that mean that political theatre is or tries to be more attractive to more people than commercial theatre? Does it conversely mean that commercial theatre has no political effects? The articles in this book were submitted as papers for a conference on the theme of ‘popular’ theatre, film and television. Contributions came from people with very different types of experience: from an ex-animal trainer to a lecturer in film studies; from playwrights, directors and actors to professional critics and academics. Each author focused on a particular problem of defining drama in performance, drawing together the conditions of performance, the types of audience and the political effects of the plays or films in question. The result was a series of fruitful connections and juxtapositions which shows the remarkable continuity of the problems raised in attempts to create a popular political drama.

3D Printing for Product Designers closes the gap between the rhetoric of 3D printing in manufacturing and the reality for product designers. It provides practical strategies to support the adoption and integration of 3D printing into professional practice. 3D printing has evolved over the last decade into a practical proposition for manufacturing, opening up innovative opportunities for product designers. From its foundations in rapid prototyping, additive manufacturing has developed into a range of technologies suitable for end-use products. This book shows you how to evaluate and sensitively understand people, process, and products and demonstrates how solutions for working with additive manufacturing can be developed in context. It includes a practical, step-by-step plan for product designers and CEOs aimed at supporting the successful implementation of 3D printing by stakeholders at all levels of a manufacturing facility, tailored to their stage of technology integration and business readiness. It features a wide range of real-world examples of practice illustrated in full colour, across industries such as healthcare, construction, and film, aligning with the strategic approach outlined in the book. The book can be followed chronologically to guide you to transform your process for a company, to meet the unique needs of a specific client, or to be used as a starting point for the product design entrepreneur. Written by experienced industry professionals and academics, this is a fundamental reference for product designers, industrial designers, design engineers, CEOs, consultants, and makers.

Literature for the masses appeared on an unprecedented scale in the first half of the 19th-century. This was the earliest response to new and voracious demands for cheap books of all kinds. This famous and innovative book enquires as to the nature of this new material, the responses to it, and its audiences amidst the new reading public which it illuminatesThe technological advances in printing, and the urbanisation of the population were key influences. So, too, were new entrepreneurial energies amongst author and publishers.Professor James shows what were the realities and the resonances of this new culture. He examines the effects of a new urban culture, its complicated class relations, the difficult history of the radical press, and the relationships between popular fiction and 'literature'. His is a detailed and engaging, well illustrated study of the growth of literacy and the vivacious and enormously varied popular literature of both entertainment, improvement, and instruction which was published. This included chapbooks and broadsheets, plagiarisms of Dickens in penny serial numbers, gothic tales of terror, 'blood-and-murder', 'ghost-and-goblin' fiction, exuberant historical novels, domestic stories, romances, and tales of fashionable life.The first edition was welcomed by Raymond Williams, who wrote that "Dr. James has done so thorough a job that all students of the period will be permanently in his debt...the success of the enquiry, in research terms is outstanding: a solid contribution to the necessary rewriting of nineteenth-century cultural history."This expanded edition includes new material on how this important study started with, D. Phil work on the Barry Ono Collection; existing non-academic collectors and enthusiasts (Lawson, Algar, Jay, Medcraft, Summers); theatrical artistes (Barry Ono , Frank Pettingell); research on 'Old Boys blood and thunder' serials (E.S. Turner), early academic studies of popular fiction and its audience; literary studies (J.M.S. Tompkins, Margaret Dalziel); readership (Richard Altick, Raymond Williams); social issues (Q.D. Leavis, Richard Hoggart).The author has also added a short epilogue on other work in the field by radical historians, including E. P. Thompson, Ian Haywood, and Rohan McWilliam.On working-class readership (by David Vincent); on serial fiction and popular traditions, journalism, melodrama and the visual arts; and on recent studies of Edward Lloyd, J.M. Rymer, G.W.M. Reynolds; reprinted fiction by Valancourt et al. He has added a guide to relevant websites for ongoing study.

This work offers a wonderfully illustrated guide - and a rigorous analysis - of popular print and literature in all its many forms in the first half of the 19th century.It provides a unique collection of illustrated popular literature published between the events of 'Peterloo' in 1819 and the Great Exhibition of 1851, much never reprinted before. This was a time when the expansive growth of literacy led to the rapid and diverse evolution of popular culture, of publishing and print. This did much to transform the life experiences of millions. The printing press, combined with the railways and the telegraph, was a key agent of mass change.Louis James gives a picture of what the working classes were reading and a fascinating insight into their interest and concerns - their sports, work, crime, politics, religion and entertainments. His detailed introduction places all of this in its context of the contemporary cultural and social movements.The book profusely illustrates the fare which was offered: woodcut pictures, broadsheets and ballads, sensational Gothic novels issued in parts, newspapers and magazines, melodramatic penny dreadfuls published weekly in parts, and tracts of all kinds. The work examines this material in its many aspects, and from both sides of the social mirror. As well as showing the material, and analysing its significance, the book deals with official attempts to damp down or suppress the revolutionary new political and cultural press which served the new literacy. This did much to change taste, and ways of thinking and feeling. The book brings thus not only brings together a great deal of unusual and otherwise inaccessible illustration, it also offers a multi-facetted discussion of how the material was received, and its longer-term cultural influences.The new edition also includes a survey of studies in popular culture including song (A.L. Lloyd); the popular arts (Barbara Jones, Marx and Lambert, Panofsky, Gombrich); cartoons and graphic satire (Meisel, Maidment); the conventions and influence of popular melodrama and woodcuts, and a case study of the fiction of G.W.M. Reynolds. Also, a list of relevant web sites.