This compilation of seminal essays introduces students to the most exciting scholarship and writing on the environmental history in the United States. With primary documents that illustrate the conditions, perception, and influences of environmental issues from the pre-Columbian era to the present, the book invites students to analyze not only the connections between people and nature, but popular ideas of the environment in American history. Subjects include the changing American landscape, virgin soil epidemics and biological invasions, the impact of colonialism and industrial development, conservation, and the environmental movement and the backlash against it.

An editorial introduction and headnotes for each chapter add scholarly value to the readings and documents. Students and instructors of American environmental history will find this an ideal collection for their courses and research.

This compilation of seminal essays introduces students to the most exciting scholarship and writing on the environmental history in the United States. With primary documents that illustrate the conditions, perception, and influences of environmental issues from the pre-Columbian era to the present, the book invites students to analyze not only the connections between people and nature, but popular ideas of the environment in American history. Subjects include the changing American landscape, virgin soil epidemics and biological invasions, the impact of colonialism and industrial development, conservation, and the environmental movement and the backlash against it.

An editorial introduction and headnotes for each chapter add scholarly value to the readings and documents. Students and instructors of American environmental history will find this an ideal collection for their courses and research.

In 1890, on Indian reservations across the West, followers of a new religion danced in circles until they collapsed into trances. In an attempt to suppress this new faith, the US Army killed over two hundred Lakota Sioux at Wounded Knee Creek. Louis Warren's God's Red Son offers a startling new view of the religion known as the Ghost Dance, from its origins in the visions of a Northern Paiute named Wovoka to the tragedy in South Dakota. To this day, the Ghost Dance remains widely mischaracterized as a primitive and failed effort by Indian militants to resist American conquest and return to traditional ways. In fact, followers of the Ghost Dance sought to thrive in modern America by working for wages, farming the land, and educating their children, tenets that helped the religion endure for decades after Wounded Knee. God's Red Son powerfully reveals how Ghost Dance teachings helped Indians retain their identity and reshape the modern world.

This provocative book takes a new look at the angry struggles between American conservationists and local hunters since the rise of wildlife conservation at the end of the 1800s. From Italian immigrants in Pennsylvania, to rural settlers and Indians in New Mexico, to Blackfeet in Montana, local hunters' traditions of using wildlife have clashed with conservationist ideas of "proper" hunting for over a century. Louis Warren contends that these conflicts arose from deep social divisions and that the bitter history of conservation offers a new narrative for the history of the American West. At the heart of western-and American-history, Warren argues, is the transformation of many local resources, like wildlife, into "public goods," or "national commons." The Hunter's Game reveals that early wildlife conservation was driven not by heroic idealism, but by the interests of recreational hunters and the tourist industry. As American wildlife populations declined at the end of the nineteenth century, elite, urban sportsmen began to lobby for game laws that would restrict the customary hunting practices of immigrants, Indians, and other local hunters. Not surprisingly, poor subsistence and market hunters resisted, sometimes violently. Dramatic shifts in deer and elk populations-the result of complex environmental dynamics-further complicated the struggles. Warren concludes that the history of wildlife conservation sheds much light on the tensions between local and national priorities that pervade twentieth-century American culture.

Drawing inspiration from Standing Bear's legacy, Amiotte uses ephemera, historical and modern photographs and artworks, and the remembered stories of his relatives to compose collages that tell the story of a culture and people in transition. The vivid juxtaposition of materials allows viewers to experience the nuances and fluctuations in the Lakota people's environment, values, and way of life. Louis S. Warren relates the life of Standing Bear in a brief biography, and Janet Catherine Berlo contributes an essay placing Amiotte's collages in their artistic and anthropological contexts.