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Soldier, special agent, prisoner, escapee -- the further adventures of LejeuneIn this second volume of Lejeune's memoirs he is despatched by Napoleon to Spain, to investigate and report on the state of French forces there and on the general progress of the war. While there, he finds himself running the gauntlet through a country where guerrilla bands and the entire populace seek his destruction. Eventually he is ambushed, captured and barely escapes execution before being shipped to England as a prisoner of war. A thrilling escape returns Lejeune to France in time to join Napoleon at Borodino and the disastrous retreat from Moscow. He returns once again to the army to take part in the fi nal battles that led to the defeat of France. This is a beautifully crafted memoir that deserves its place as one of the great literary works of the age of Napoleon.
Soldier, artist, engineer, designer, writer, courtier This is a book by and about an exceptional and talented man, Lejeune epitomised the ideals of the age of revolutions and became an incomparable chronicler, in both words and pictures, of the reality of the Napoleonic era. In the fi rst volume of his memoirs we meet a young artist charmed by Marie Antoinette in the gardens at Versailles. Such is the pace of this narrative that within pages we experience with Lejeune the Terror in Paris, the slaughter of the Swiss Guards and her execution on the guillotine. His time in the army follows, with campaigns in Holland and Italy - battles such as Austerlitz, Jena, Eylau and Friedland are graphically described. Designing uniforms for Napoleon is followed by war in the Peninsula where his participation at the siege of Saragossa inspired a lyrically written account of appalling intensity. The war with Austria follows, and once more Lejeune shows us what a bloody place a Napoleonic battlefield was.
Soldier, artist, engineer, designer, writer, courtier This is a book by and about an exceptional and talented man, Lejeune epitomised the ideals of the age of revolutions and became an incomparable chronicler, in both words and pictures, of the reality of the Napoleonic era. In the fi rst volume of his memoirs we meet a young artist charmed by Marie Antoinette in the gardens at Versailles. Such is the pace of this narrative that within pages we experience with Lejeune the Terror in Paris, the slaughter of the Swiss Guards and her execution on the guillotine. His time in the army follows, with campaigns in Holland and Italy - battles such as Austerlitz, Jena, Eylau and Friedland are graphically described. Designing uniforms for Napoleon is followed by war in the Peninsula where his participation at the siege of Saragossa inspired a lyrically written account of appalling intensity. The war with Austria follows, and once more Lejeune shows us what a bloody place a Napoleonic battlefield was.
Soldier, special agent, prisoner, escapee -- the further adventures of Lejeune In this second volume of Lejeune's memoirs he is despatched by Napoleon to Spain, to investigate and report on the state of French forces there and on the general progress of the war. While there, he finds himself running the gauntlet through a country where guerrilla bands and the entire populace seek his destruction. Eventually he is ambushed, captured and barely escapes execution before being shipped to England as a prisoner of war. A thrilling escape returns Lejeune to France in time to join Napoleon at Borodino and the disastrous retreat from Moscow. He returns once again to the army to take part in the fi nal battles that led to the defeat of France. This is a beautifully crafted memoir that deserves its place as one of the great literary works of the age of Napoleon.
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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