Sidney Lumet's 1973 crime drama Serpico remains one of the most influential cop movies - alongside Al Pacino's nuanced performance in a disturbing portrait of corruption and morality in the city that never sleeps.

A plainclothes street patrolman, Frank Serpico (Pacino) might be the best cop in New York, but he is unwilling to play dirty and give into police corruption of drugs, violence, and kickbacks his colleagues indulge in every day. When he decides to expose those around him, Frank finds himself a target, not just to the city's criminals, but his own peers.

Shot on location and based on real events, Serpico captures the grit of New York in a way no film has rivalled, not just for its toned down realism, but also the bleakness Lumet portrays within his hometown city with brutal cynicism with frank immediacy.

An intimate look at Ben Nicholson's everyday inspirations Throughout his career, Ben Nicholson (1894-1982) transformed everyday homewares into extraordinary experiments in abstract art. Nicholson's studio was filled with objects that inspired him. From patterned mocha-ware jugs and cut glass goblets to spanners, hammers and chisels, these ordinary personal possessions were a source of almost endless inspiration to the artist. This book brings together for the first time Nicholson's paintings, reliefs, prints and drawings alongside his rarely seen personal possessions and studio tools. It traces how the artist's style developed, from his early traditional tabletop still lifes to his later abstract works. Still life was at the heart of Nicholson's artistic practice. Through these humble items, he began to experiment with form and color. His early works in particular owed inspiration to his father, the painter William Nicholson. The book traces the artistic and personal influences on Nicholson's evolutionary still life style from the 1920s to the 1970s. It explores his time with Winifred Nicholson and Barbara Hepworth, as well as his encounters with other Modernist greats, Pablo Picasso and Piet Mondrian. Distributed for Pallant House Gallery

John Landis' raucous college comedy, set in the early Sixties, now has semi-cult status. Delta House is the fraternity that will take anyone no other club wants as a member and makes sure nothing comes in the way of their partying. The college dean (John Vernon) is desperate to close Delta House down and enlists the help of another fraternity full of sanctimonious, white, rich boys. However, Delta House's affiliates are equally determined to continue their partying and high-jinks: culminating in a showdown during the homecoming parade. John Belushi's film career took off after playing the toga-loving John 'Bulto' Bultarsky, and Donald Sutherland puts in an appearance as a free-thinking, pot-smoking professor.