Traditional approaches have reduced Caesar's Bellum Civile to a tool for teaching Latin or to one-dimensional propaganda, thereby underestimating its artistic properties and ideological complexity. Reading strategies typical of scholarship on Latin poetry, like intertextuality, narratology, semantic, rhetorical and structural analysis, cast a new light on the Bellum Civile: Ciceronian language advances Caesar's claim to represent Rome; technical vocabulary reinforces the ethical division between 'us' and the 'barbarian' enemy; switches of focalization guide our perception of the narrative; invective and characterization exclude the Pompeians from the Roman community, according to the mechanisms of rhetoric; and the very structure of the work promotes Caesar's cause. As a piece of literature interacting with its cultural and socio-political world, the Bellum Civile participates in Caesar's multimedia campaign of self-fashioning. A comprehensive approach, such as has been productively applied to Augustus' program, locates the Bellum Civile at the interplay between literature, images and politics.

Well-known as a brilliant general and politician, Julius Caesar also played a fundamental role in the formation of the Latin literary language and remains a central figure in the history of Latin literature. With twenty-three chapters written by renowned scholars, this Companion provides an accessible introduction to Caesar as an intellectual along with a scholarly assessment of his multiple literary accomplishments and new insights into their literary value. The Commentarii and Caesar's lost works are presented in their historical and literary context. The various chapters explore their main features, the connection between literature, state religion and politics, Caesar's debt to previous Greek and Latin authors, and his legacy within and outside of Latin literature. The innovative volume will be of great value to all students and scholars of Latin literature and to those seeking a more rounded portrait of the achievements of Julius Caesar.

Traditional approaches have reduced Caesar's Bellum Civile to a tool for teaching Latin or to one-dimensional propaganda, thereby underestimating its artistic properties and ideological complexity. Reading strategies typical of scholarship on Latin poetry, like intertextuality, narratology, semantic, rhetorical and structural analysis, cast a new light on the Bellum Civile: Ciceronian language advances Caesar's claim to represent Rome; technical vocabulary reinforces the ethical division between 'us' and the 'barbarian' enemy; switches of focalization guide our perception of the narrative; invective and characterization exclude the Pompeians from the Roman community, according to the mechanisms of rhetoric; and the very structure of the work promotes Caesar's cause. As a piece of literature interacting with its cultural and socio-political world, the Bellum Civile participates in Caesar's multimedia campaign of self-fashioning. A comprehensive approach, such as has been productively applied to Augustus' program, locates the Bellum Civile at the interplay between literature, images and politics.

Perhaps no other single Roman speech exemplifies the connection between oratory, politics and imperialism better than Cicero's De Provinciis Consularibus, pronounced to the senate in 56 BC. Cicero puts his talents at the service of the powerful "triumviri" (Caesar, Crassus and Pompey), whose aims he advances by appealing to the senators' imperialistic and chauvinistic ideology. This oration, then, yields precious insights into several areas of late republican life: international relations between Rome and the provinces (Gaul, Macedonia and Judaea); the senators' view on governors, publicani (tax-farmers) and foreigners; the dirty mechanics of high politics in the 50s, driven by lust for domination and money; and Cicero's own role in that political choreography. This speech also exemplifies the exceptional range of Cicero's oratory: the invective against Piso and Gabinius calls for biting irony, the praise of Caesar displays high rhetoric, the rejection of other senators' recommendations is a tour de force of logical and sophisticated argument, and Cicero's justification for his own conduct is embedded in the self-fashioning narrative which is typical of his post reditum speeches. This new commentary includes an updated introduction, which provides the readers with a historical, rhetorical and stylistic background to appreciate the complexities of Cicero's oration, as well as indexes and maps.

Perhaps no other single Roman speech exemplifies the connection between oratory, politics and imperialism better than Cicero's De Provinciis Consularibus, pronounced to the senate in 56 BC. Cicero puts his talents at the service of the powerful "triumviri" (Caesar, Crassus and Pompey), whose aims he advances by appealing to the senators' imperialistic and chauvinistic ideology. This oration, then, yields precious insights into several areas of late republican life: international relations between Rome and the provinces (Gaul, Macedonia and Judaea); the senators' view on governors, publicani (tax-farmers) and foreigners; the dirty mechanics of high politics in the 50s, driven by lust for domination and money; and Cicero's own role in that political choreography. This speech also exemplifies the exceptional range of Cicero's oratory: the invective against Piso and Gabinius calls for biting irony, the praise of Caesar displays high rhetoric, the rejection of other senators' recommendations is a tour de force of logical and sophisticated argument, and Cicero's justification for his own conduct is embedded in the self-fashioning narrative which is typical of his post reditum speeches. This new commentary includes an updated introduction, which provides the readers with a historical, rhetorical and stylistic background to appreciate the complexities of Cicero's oration, as well as indexes and maps.

Well-known as a brilliant general and politician, Julius Caesar also played a fundamental role in the formation of the Latin literary language and remains a central figure in the history of Latin literature. With twenty-three chapters written by renowned scholars, this Companion provides an accessible introduction to Caesar as an intellectual along with a scholarly assessment of his multiple literary accomplishments and new insights into their literary value. The Commentarii and Caesar's lost works are presented in their historical and literary context. The various chapters explore their main features, the connection between literature, state religion and politics, Caesar's debt to previous Greek and Latin authors, and his legacy within and outside of Latin literature. The innovative volume will be of great value to all students and scholars of Latin literature and to those seeking a more rounded portrait of the achievements of Julius Caesar.