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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
The authors bring their wit and monstrous imaginations to play
across the entire history of sport, with chapters ranging from the
Greek athletic ideal and its perversions to the Nazi Olympics of
1936 and the use of drugs, alcohol and visionary states of being.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Why the world's most resilient dictatorships are products of
violent revolution Revolution and Dictatorship explores why
dictatorships born of social revolution-such as those in China,
Cuba, Iran, the Soviet Union, and Vietnam-are extraordinarily
durable, even in the face of economic crisis, large-scale policy
failure, mass discontent, and intense external pressure. Few other
modern autocracies have survived in the face of such extreme
challenges. Drawing on comparative historical analysis, Steven
Levitsky and Lucan Way argue that radical efforts to transform the
social and geopolitical order trigger intense counterrevolutionary
conflict, which initially threatens regime survival, but ultimately
fosters the unity and state-building that supports
authoritarianism. Although most revolutionary governments begin
weak, they challenge powerful domestic and foreign actors, often
bringing about civil or external wars. These counterrevolutionary
wars pose a threat that can destroy new regimes, as in the cases of
Afghanistan and Cambodia. Among regimes that survive, however,
prolonged conflicts give rise to a cohesive ruling elite and a
powerful and loyal coercive apparatus. This leads to the downfall
of rival organizations and alternative centers of power, such as
armies, churches, monarchies, and landowners, and helps to
inoculate revolutionary regimes against elite defection, military
coups, and mass protest-three principal sources of authoritarian
breakdown. Looking at a range of revolutionary and nonrevolutionary
regimes from across the globe, Revolution and Dictatorship shows
why governments that emerge from violent conflict endure.
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2G / #85 Leopold Banchini (Paperback)
Moises Puente; Introduction by Noura Al Sayeh, Bruther; Contributions by Jacques Lucan; Photographs by Dylan Perrenaud
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R894
Discovery Miles 8 940
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Ships in 12 - 17 working days
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Decadent Traveller (Paperback)
Medlar Lucan, Durian Gray; Volume editing by Alex Martin, Jerome Fletcher
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R279
Discovery Miles 2 790
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Ships in 12 - 17 working days
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In the same style as The Decadent Cookbook a nd The Decadent
Gardener, this book sees the hedonists Medla r Lucan and Durian
Gray laying bare the transgressive nature of another bourgeois
passion - travel. '
"There is an odd, subversive book called The Decadent Gardener by
Medlar Lucan and Durian Gray. The introduction describes the
decadent gardening ethos thus: 'In the garden, the decadent seeks
to create a moment of beauty, which should be allowed to fall into
decay and ruin.'Gardening, Lucan and Gray believe, is 'little more
than systematic violence in pursuit of beauty', and the gardener is
first and foremost a sadist. These two, the Kropotkin and De Sade
of horticulture, understand that'nowhere are sex and death more
intimately bound together than in the garden.' For them the garden
is a place of 'agony, self-doubt and betrayal.' They remind us
that, if we are to believe the Bible - not that they would be
inclined to - the first murder was carried out by a gardener.And
the first garden was a place where sin beckoned wherever you
turned.The book abounds with piercing, pricking truths.The flower,
they remind us, for example, is nothing but a sexual organ.The
Decadent Garden consists of the plans for a series of thematic
gardens that Lucan and Gray had conceived for a wealthy patroness.
Each garden would symbolise an aspect of nature as they saw it. The
Cruel Garden would consist largely of impenetrable thickets of
thorns.The Fatal Garden would contain only representatives of the
vegetable world's many poisonous denizens: among them, black
bryony, dropwort and, of course, deadly nightshade.In the Narcotic
Garden, by the side of the opium poppy and cannabis sativa, would
grow more obscure mind-altering plants such as mandrake, henbane
and thornapple. The Priapic Garden would be populated by those
species whose flowers and foliage assumed the most suggestive
phallic and vulvic shapes.Their Torture Garden carried the
libertine ideas of Lucan and Gray furthest and is perhaps best left
to the reader's imagination.Because Lucan and Gray barely realised
their designs(they were too decadent to bother), their gardens
flourish mainly in the mind."
In architecture, composition refers to the conception of a building
according to principles of regularity and hierarchy, or according
to the principles of obtaining equilibrium. However, it is not
until the beginning of the nineteenth century that the notion of
composition becomes truly associated with architectural conception,
notably under the influence of Jean-Nicolas-Louis Durand and his
statement on the Marche a suivre dans la composition d'un project
quelconque [Procedure to be followed in the composition of any
project]. The concept quickly erodes during the twentieth century,
with the adoption of neutral architectural devices, the use of
aggregative processes, and the adoption of "objective" operations,
all of which can be understood as an attempt to move beyond
compositional principles. In Composition, Non-Composition, Jacques
Lucan invites his readers to consider this novel historical
perspective of architectural theory. The author describes the
interaction of ideas that often clash with one another, with some
that fade away as others emerge, thus offering invaluable keys to
understanding contemporary architecture. Although this book is
primarily addressed to students of architecture, it will also
appeal to architects, historians of architecture, as well as to the
interested public.
Pluralism by Default explores sources of political contestation in
the former Soviet Union and beyond. Lucan Way proposes that
pluralism in "new democracies" is often grounded less in democratic
leadership or emerging civil society and more in the failure of
authoritarianism. Dynamic competition frequently emerges because
autocrats lack the state capacity to steal elections, impose
censorship, or repress opposition. In fact, the same institutional
failures that facilitate political competition may also thwart the
development of stable democracy.
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Civil War (Paperback)
Lucan; Translated by Brian Walters; Introduction by W.R. Johnson
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R528
R498
Discovery Miles 4 980
Save R30 (6%)
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Ships in 12 - 17 working days
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Written in the reign of Nero-the emperor against whom Lucan was
implicated in a conspiracy and by whom he was compelled to commit
suicide at the age of 25-the poet's dark, ambiguous, unfinished
masterpiece focuses on the disintegration of the Roman body politic
and the war between Julius Caesar and Pompey that ultimately lead
to the end of the Roman republic. While aiming for a poem both as
rugged as Lucan's-with its mix of history and fantasy, of high and
low registers, of common and uncommon turns of phrase, of narrative
and declamation-and as reader-friendly as possible, Brian Walters
owns that he has "nowhere tried to simplify the rhetorical excesses
that are the essence of Lucan's poem, the real meat and bone of the
Civil War ." A brilliant Introduction by W. R. Johnson discusses
the poem's relationship to Nero and monarchy; its invocations of
both the gods and chaos; the real hero of the Civil War ; and the
poem's end and narrative styles. Synopses of individual books;
suggestions for further reading; a glossary of names, places, and
Roman institutions; and a map are also included.
Lucan (M. Annaeus Lucanus, 39-65 CE), son of wealthy M. Annaeus
Mela and nephew of Seneca, was born at Corduba (Cordova) in Spain
and was brought as a baby to Rome. In 60 CE at a festival in
Emperor Nero's honour Lucan praised him in a panegyric and was
promoted to one or two minor offices. But having defeated Nero in a
poetry contest he was interdicted from further recitals or
publication, so that three books of his epic "The Civil War" were
probably not issued in 61 when they were finished. By 65 he was
composing the tenth book but then became involved in the
unsuccessful plot of Piso against Nero and, aged only twenty-six,
by order took his own life.
Quintilian called Lucan a poet "full of fire and energy and a
master of brilliant phrases." His epic stood next after Virgil's in
the estimation of antiquity. Julius Caesar looms as a sinister hero
in his stormy chronicle in verse of the war between Caesar and the
Republic's forces under Pompey, and later under Cato in Africa--a
chronicle of dramatic events carrying us from Caesar's fateful
crossing of the Rubicon, through the Battle of Pharsalus and death
of Pompey, to Caesar victorious in Egypt. The poem is also called
"Pharsalia."
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Pharsalia (Paperback)
Lucan, Marcus Annaeus Lucanus, C. E. Haskins
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R704
Discovery Miles 7 040
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Ships in 10 - 15 working days
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Pharsalia (Hardcover)
Lucan, Marcus Annaeus Lucanus, C. E. Haskins
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R994
Discovery Miles 9 940
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Ships in 10 - 15 working days
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