Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Principles of French Constitutional Law offers a concise and accessible account of the key principles and rules of constitutional law in the French legal system. With its particular historical background since the chaotic post-revolutionary period and current specific mechanisms, French constitutional law offers a fascinating object of study for anyone interested in public law and the broader area of comparative constitutional studies. This textbook will equip students with an understanding of the current Fifth Republic and how constitutional rules are adopted and applied, and affect other areas of law and politics. It offers a critical account of the 1958 Constitution's past, present and future by placing it in its political and socio-historical contexts and critically assessing contemporary developments and constitutional reforms. Given the growing expansion of this branch of law in the French legal system (in particular the case law on the priority preliminary rulings on the issue of constitutionality) and the growing relevance of comparative legal studies, the book will make a significant contribution to the knowledge exchange in teaching and learning. Principles of French Constitutional Law will be structured around the following main themes: (i) The bases of French constitutional law with theoretical developments about key notions of constitutional law such as the state, the constitution, as well as historical background of French constitutional law (ii) The Fifth Republic of France with coverage of the main powers, namely executive, legislative and judiciary with particular emphasis on constitutional review and justice and (iii) A practical part on legal education dealing with the emergence of French constitutional law as an academic subject of research and teaching, as well as with the method of teaching as illustrated by typical legal exercises.

Since the mid-1980s, Sudan has been involved in civil war fueled by religious, ethnic, and regional strife. Thousands of children have experienced horrors and intense hardships beyond the scale of human understanding. They have been dubbed the Lost Boys of Sudan. Many, orphaned by the war, have arrived at Kakuma, a refugee camp in Kenya. The label of the Lost Boys was borrowed from the children's story Peter Pan. The Lost Boys of Sudan describe a generation of Sudanese boys driven from their tribal lands by the devastation of the civil war between the North and the South. The Original Lost Boy of Sudan told by King Deng Akon, details the truth regarding the war in southern Sudan, the scorching desert, heat, and the historical events that led to the bloodshed. The true experiences of "the Lost Boys of Sudan" has been overlooked or simply mentioned by the media. However, King Deng Akon provides an opportunity to witness a perilous quest for freedom from a first-person perspective. King Deng is the emblem of peace and The Original Lost Boy of Sudan is the insignia of struggle out of Africa to America.