From a colonial campaign that was envisioned by France as the redemption of its Algerian "children" through Western civilization to Algerian Independence that was lived by both parties as a bloody divorce; recent Algerian history has been imagined and represented in terms of the family. Prominent authors such as Kateb Yacine and Mouloud Mammeri pondered their own fate during the War of Independence as the "mixed" children of a failed colonial marriage. Contemporary postcolonial authors such as Rachid Boudjedra, Yasmina Salah, and Arezki Mellal have filled their narratives with orphaned children searching for ideal parents as a civil war ripped Algeria apart in the 1990s. Violent Beginnings: Literary Representations of Postcolonial Algeria explores how violence, during the War of Independence (1954-1962) to the more recent civil war (1991-2002), has shaped literary representations of both family and nation in contemporary literature. For example, discussions of the struggle for independence in Assia Djebar's La femme sans sepulture and Ahlam Mostaghanemi's Memory of the Flesh, represent sexual torture associated with this earlier war period as having a negative impact on victims' ability to have children and contribute to the development of the Algerian nation. Texts examining the more recent civil war such as Rachid Boudjedra's La vie a l'endroit and Yasmina Salah's Glass Nation establish a link between the earlier violence of the independence struggle and contemporary events. Additionally, these texts proceed to demonstrate how violence has shaped familial and national structures, more specifically causing distorted familial bonds and political chaos in contemporary Algerian society.

This interdisciplinary collection of essays unites researchers from many divergent fields in a common effort to explore the complexity, diversity, and paradoxes of French Harki literature. Given the growing body of literature written by, for, and about the Harkis, this project begins to fill a significant research gap. Although French Harki literature continues to evolve and diversify with each passing day, this book represents the first systematic attempt to delineate the significance of this emerging field within the larger context of Francophone literature, migration studies, and diaspora studies. Furthermore, the invaluable contributions of noted historians which open the volume offer an essential theoretical framework which places Harki literature in its appropriate historical context on both sides of the Mediterranean. As the title of this collection unequivocally implies, this volume was intentionally designed to foster meaningful collaboration with scholars from disciplines such as French/Francophone literature, history, anthropology, and sociology in a common effort to create intellectually rigorous essays which are also accessible to a broad audience. A Practical Guide to French Harki Literature is a much-needed point of departure that strives to encourage other researchers to contribute to the conversation regarding the past and present repercussions of the construction of the social group known as the Harkis.