'Nothing more lonely -' A selection of Basho's most magical haiku Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions Basho (1644-1694). Basho's On Love and Barley and The Narrow Road to the Deep North and Other Travel Sketches are available in Penguin Classics.

Capturing in verse the ageless spirit of Zen, these 150 poems reflect the insight of famed masters from the ninth century to the nineteenth. The translators, in collaboration with Zen Master Taigan Takayama, have furnished illuminating commentary on the poems and arranged them so as to facilitate comparison between the Chinese and Japanese Zen traditions. The poems themselves, rendered in clear and powerful English, offer a unique approach to Zen Buddhism, "compared with which," as Lucien Stryk writes, "the many disquisitions on its meaning are as dust to living earth. We see in these poems, as in all important religious art, East or West, revelations of spiritual truths touched by a kind of divinity."

Shinkichi Takahashi is one of the truly great figures in world poetry. In the classic Zen tradition of economy, disciplined attention, and subtlety, Takahashi lucidly captures that which is contemporary in its problems and experiences, yet classic in its quest for unity with the Absolute. Lucien Stryk, Takahashi's fellow poet and close friend, here presents Takahashi's complete body of Zen poems in an English translation that conveys the grace and power of Takahashi's superb art. "A first-rate poet . . . [Takahashi] springs out of some crack between ordinary worlds: that is, there is some genuine madness of the sort striven for in Zen." -- Robert Bly; "We visit places in Takahashi that we once may have visited in a dream, or in a moment too startling to record the perception. . . . You need know nothing of Zen to become immersed in his work. You will inevitably know something of Zen when you emerge." -- Jim Harrison, American Poetry Review

This is a selection from among the most significant texts in the body of Buddhist literature, culled especially for readers who want a rich, varied, and comprehensive collection in one volume, and includes translations from Pali, Sanskrit, Tibetan, Chinese, Japanese, and Lao. For the benefit of the newcomer to Buddhism -- and to facilitate the use of this volume in an academic context -- the pieces are arranged in chronological order and each chapter is preceded by a separate commentary. In addition, there is a comprehensive description of life in India at the time of the Buddha and an outline of his life and mission.

These 253 selections reveal Basho’s mastery of the genre.

Regional poems representing seventy-nine writers reveal the beginnings of a Midwest renaissance in American poetry.

Lucien Stryk's poetry is made of simple things -- frost on a windowpane at morning, ducks moving across a pond, a neighbor's fuss over his lawn -- set into language that is at once direct and powerful.
Years of translating Zen poems and religious texts have helped give Stryk a special sense of the particular, a feel for those details which, because they are so much a part of our lives, seem to define us. Stryk's poetry is neither an attempt to surpass these details nor an attempt to give them significance. It is an activity that exists among them, as ordinary -- yet as important -- as breath. Stryk's poetic power rests in the sureness of plain speech and his insistence on a direct, sympathetic attention to the world we actually inhabit.
Collected Poems, a gathering of three decades of work, contains nearly all Stryk's poems, including the best of his Zen translations and a book-length section of new poetry. This book is a revelation of the wonderful amid the familiar by a poet whose language and vision have found their maturity.

Koyashi Issa (1763-1827), long considered amoung Japan's four greatest haiku poets (along with Basho, Buson, and Shiki) is probably the best loved. This collection of more than 360 haiku, arranged seasonally and many rendered into English for the first time, attempts to reveal the full range of the poet's extraordinary life as if it were concentrated within a year. Issa's haiku are traditionally structured, of seventeen syllables in the original, tonally unified and highly suggestive, yet they differ from those of fellow haikuists in a few important respects. Given his character, they had to. The poet never tries to hide his feelings, and again and again we find him grieving over the lot of the unfortunate - of any and all species.
No poet, of any time or culture, feels greater compassion for his life of creatures. No Buddhist-Issa was to become a monk -- acts out the credos of his faith more genuinely. The poet, a devoted follower of Basho, traveled throughout the country, often doing the most menial work, seeking spiritual companionship and inspiration for the thousands of haiku he was to write. Yet his emotional and creative life was centered in his native place, Kashiwabara in the province of Shinano (now Nagano Prefecture), and his severest pain was the result of being denied a place in his dead father's house by his stepmother and half brother.
By the time he was able to share the house of his beloved father, Issa had experienced more than most the grief of living, and much more was to follow with the death of his wife and their four children. In the face of all he continued to write, celebrating passionately the lives of all that shared the world with him, all creatures, all humans. Small wonder that Issa is so greatly loved by his fellow poets throughout the world, and by poetry lovers of all ages.