This new collection from Routledge and Edition Synapse provides the documentary backdrop to this growing critical interest in anti-feminism. Based on the premise that to understand the social and intellectual context of the women's movement and feminism, it is crucial that all contributions to the debate be explored, and not just those of the ?winning side?, the collection meets an urgent need to restore to the historical record a sense of how feminism was a deeply marginalized position, and to remember that anti-feminism in many cases better represents public opinion concerning the gender politics of the nineteenth and early twentieth centuries.

Highlighting the contributions of feminist media history to media studies and related disciplines, this book focuses on feminist periodicals emerging from or reacting to the Edwardian suffrage campaign and situates them in the context of current debates about the public sphere, social movements, and media history.

The Edwardian period experienced a particularly vibrant periodical culture, with phenomenal growth in the numbers of titles published that were either aimed specifically at women, or else saw women as a key section of their readership or contributor group. It was an era of political ferment in which a number of a ~progressivea (TM) traditions were formulated, shaped or abandoned, including socialism, feminism, modernism, empire politics, trade unionism and welfarism.

Organized around some of the central themes of political thought and utopian thinking, this impressive collection gathers together classic articles from key periodicals. The set presents a comprehensive sourcebook of readings on Edwardian/Progressive era feminist thought, exploring the intervention of the radical public intellectuals working in these traditions in North America and the UK from 1900-1918.

Historians have traditionally seen domestic service as an obsolete or redundant sector from the middle of the twentieth century. Knowing Their Place challenges this by linking the early twentieth century employment of maids and cooks to later practices of employing au pairs, mothers' helps, and cleaners. Lucy Delap tells the story of lives and labour within twentieth century British homes, from great houses to suburbs and slums, and charts the interactions of servants and employers along with the intense controversies and emotions they inspired.
Knowing Their Place examines the employment of men and migrant workers, as well as the role of laughter and erotic desire in shaping domestic service. The memory of domestic service and the role of the past in shaping and mediating the present is examined through heritage and televisual sources, from Upstairs, Downstairs toThe 1900 House. Drawing from advice manuals, magazines, novels, cinema, memoirs, feminist tracts, and photographs, this fascinating book will be of particular interest to scholars and students of Modern history, English literature, anthropology, cultural studies, social geography, gender studies, and women's studies. It points to new directions in cultural history through its engagement in innovative areas such as the history of emotions and cultural memory. Through its attention to the contemporary rise in the employment of domestic workers, Knowing Their Place sets 'modern' Britain in a new and compelling historical context.

In the early twentieth century the term 'feminist' was used by self-consciously 'modern' men and women, to distinguish their ideas from those of 'the women's movement', and even to adopt anti-suffrage positions. In the first major study of twentieth-century feminism as an Anglo-American phenomenon, Lucy Delap offers a unique perspective on the politics of gender during this period. Delap explores the intellectual history and cultural politics of Anglo-American feminism in a way that challenges the reader to rethink the nature of both the 'avant-garde' and 'feminism'. Focusing on the development of transnational feminisms within Edwardian and interwar print culture, feminist political argument is placed at the centre of an account of modernism, highlighting some unexpected and often uncomfortable components, including the feminist fascination with individualism and egoism; ambivalence over World War One; utopian thinking and captivation by the idea of 'the simple life'; anti-Semitism; sexual radicalism; and ideas about 'the superwoman'.

Highlighting the contributions of feminist media history to media studies and related disciplines, this book focuses on feminist periodicals emerging from or reacting to the Edwardian suffrage campaign and situates them in the context of current debates about the public sphere, social movements, and media history.

How has feminism developed? What have feminists achieved? What can we learn from the global history of feminism? Feminism is the ongoing story of a profound historical transformation. Despite being repeatedly written off as a political movement that has achieved its aim of female liberation, it has been continually redefined as new generations of women campaign against the gender inequity of their age. In this absorbing book, historian Lucy Delap challenges the simplistic narrative of 'feminist waves' - a sequence of ever more progressive updates - showing instead that feminists have been motivated by the specific concerns of their historical moment. Drawing on an extraordinary range of examples from Japan to Russia, Egypt to Germany, Delap explores different feminist projects to show that those who are part of this movement have not always agreed on a single programme. This diverse history of feminism, she argues, can help us better navigate current debates and controversies. A tour de force from an award-winning expert, Feminisms shows that a rich relationship to the past can infuse today's activism with a sense possibility and inspiration.

Feminism's origins have often been framed around a limited cast of mostly white and educated foremothers, but the truth is that feminism has been and continues to be a global movement. For centuries, women from all walks of life have been mobilizing for gender justice. As the last decade has reminded even the most powerful women, there is nothing "post-feminist" about our world. And there is much to be learned from the passion and protests of the past. Historian Lucy Delap looks to the global past to give us a usable history of the movement against gender injustice-one that can help clarify questions of feminist strategy, priority and focus in the contemporary moment. Rooted in recent innovative histories, the book incorporates alternative starting points and new thinkers, challenging the presumed priority of European feminists and ranging across a global terrain of revolutions, religions, empires and anti-colonial struggles. In Feminisms, we find familiar stories-of suffrage, of solidarity, of protest-yet there is no assumption that feminism looks the same in each place or time. Instead, Delap explores a central paradox: feminists have demanded inclusion but have persistently practiced their own exclusions. Some voices are heard and others are routinely muted. In amplifying the voices of figures at the grassroots level, Delap shows us how a rich relationship to the feminist past can help inform its future.

In the early twentieth century the term 'feminist' was used by self-consciously 'modern' men and women, to distinguish their ideas from those of 'the women's movement', and even to adopt anti-suffrage positions. In the first major study of twentieth-century feminism as an Anglo-American phenomenon, Lucy Delap offers a unique perspective on the politics of gender during this period. Delap explores the intellectual history and cultural politics of Anglo-American feminism in a way that challenges the reader to rethink the nature of both the 'avant-garde' and 'feminism'. Focusing on the development of transnational feminisms within Edwardian and interwar print culture, feminist political argument is placed at the centre of an account of modernism, highlighting some unexpected and often uncomfortable components, including the feminist fascination with individualism and egoism; ambivalence over World War One; utopian thinking and captivation by the idea of 'the simple life'; anti-Semitism; sexual radicalism; and ideas about 'the superwoman'.