The idea of the book was central throughout the western European and the eastern Mediterranean world in the Middle Ages and the Renaissance. From the beginning, the word for 'book'-sefer in Hebrew, biblia in Greek, and liber in Latin-was identified with sacred writings--the Holy Scriptures of Jews and Christians, who were known as 'people of the book'. The centrality of the book to medieval thought is reflected materially in the countless images of books that appear in the manuscripts of the era, be they in the most treasured, highly decorated, sacred texts or in devotional and secular works as well. In Penned & Painted, Lucy Freeman Sandler, one of one of the world's most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Library's most precious manuscript holdings and describes the many uses and meanings of these 'books in books'. Through the fascinating face-to-face discovery of 60 manuscripts, she investigates the various types and forms of books as depicted in the era. How were they produced and what did they look like? What do they tell us of the lives and skills of the scribes and illuminators? What did these books record and signify? How were they displayed, consumed and how did some of these objects of supreme beauty even come to be wantonly destroyed? Penned & Painted is presented in full-colour throughout and includes a high number of images specially photographed for this volume.

In recent times discoveries of previously unknown medieval manuscripts of great beauty or historic importance have become rare events, which appear all the more remarkable if the discovery is made in a totally unexpected place. Felix Heinzer's identification of a psalter of the Bohun family in the archives of the active Cistercian convent of Lichtenthal in the German state of Baden is one such find. The Bohun family rose to prominence in England in the course of the thirteenth century. Hereditary Constables of England, by 1361 the Bohuns, as earls of Hereford, Essex and Northampton, were holders of vast estates across the breadth of the land. They became one of the most important patrons of 14th-century manuscript production in England. The present study of this fully-illustrated psalter reproduces every illumination in full-color and original size, with many black and white details and comparative illustrations. A detailed description of each illuminated folio is included. The author also provides a complete historical background of the Bohun family.