First published in 1999, this volume examines antiquarianism which had its roots in Renaissance thought and was a popular intellectual and cultural pursuit throughout the eighteenth and nineteenth centuries. The antiquarian work of collecting, compiling and presenting material which exposed the past was seminal to the formation of social and national identities. These essays evaluate the cultural and poltical implications of antiquarianism in the period 1700-1850. The volume also considers how the antiquarians laid the foundations of later museum culture and the discipline of history. With a preface by Stephen Bann and introduced by Martin Myrone and Lucy Peltz, Producing the Past has contributions from Stephen Bending, Alexandrina Buchanan, Susan A. Crane, David Haycock, Maria Grazia Lolla, Heather MacLennan, Martin Myrone, Lucy Peltz, Annegret Pelz, Sam Smiles and Johann Reusch.

First published in 1999, this volume examines antiquarianism which had its roots in Renaissance thought and was a popular intellectual and cultural pursuit throughout the eighteenth and nineteenth centuries. The antiquarian work of collecting, compiling and presenting material which exposed the past was seminal to the formation of social and national identities. These essays evaluate the cultural and poltical implications of antiquarianism in the period 1700-1850. The volume also considers how the antiquarians laid the foundations of later museum culture and the discipline of history. With a preface by Stephen Bann and introduced by Martin Myrone and Lucy Peltz, Producing the Past has contributions from Stephen Bending, Alexandrina Buchanan, Susan A. Crane, David Haycock, Maria Grazia Lolla, Heather MacLennan, Martin Myrone, Lucy Peltz, Annegret Pelz, Sam Smiles and Johann Reusch.

The National Portrait Gallery's collections hold numerous portraits of creative partnerships. This book looks at the extensive collection of the Gallery and explores the role of love and the people featured both as sitters and artists. Drawing on recent scholarship, the exhibition will explore changing ideas of love, and give readers the opportunity to discover love stories both tragic and transcendent. The stories cover a variety of topicsincluding: the role of the muse,featuring stories such as George Romney, Lady Emma Hamilton and Nelson,and the Bloomsbury group; scandal and tragedy, exploringthe relationshipsof Oscar Wilde and Lord Alfred Douglas, Edward VIII and Wallis Simpson,and John Lennon and Yoko Ono; literary love,highlightingthe talesof Mary and Percy Shelley,and Sylvia Plath and Ted Hughes; a shared studio, featuring the stories of artists Lee Miller and Man Ray,and Barbara Hepworth and Ben Nicholson;and love and the lens,which exploresthe stories of Laurence Olivier and Vivien Leigh,and Mick and Bianca Jagger. Love Stories will be brought to life through the perspective of various authors, using material from the sitter's own letters, diaries and poetry, while highlighting their connection and influence on some of the greatest masterpieces of art.