Bringing together an interdisciplinary group of scholars, this volume explores nineteenth-century Italian sexualities from a variety of viewpoints, illuminating in particular personal and political relationships, same-sex desires, gender roles that defy societal norms, sexual behaviours of different classes and transnational encounters.

The Risorgimento is considered to be the defining moment in Italy's history, the period where Italy became a nation and entered the modern world. Lucy Riall provides a provocative and pioneering examination of the historical debates surrounding this complex and controversial period, incorporating new research on national identity.

This is the first in-depth analysis of the impact of Italian unification on the hitherto isolated communities of rural Sicily. Traditional explanations of Sicily's instability depict a society trapped by a feudal past. Lucy Riall finds instead that many areas of the island were experiencing a period of rapid modernization, as local government increased their organizational efforts. Beginning with the period prior to the revolution of 1860, Dr Riall shows why successive attempts at political reform failed, and analyses the effects of this failure. She describes the bitter and violent conflict between rival elites and the mounting tide of peasant unrest which together threatened the status quo within the isolated communities of the Sicilian interior. Through an examination of the problems of local government - tax collection, conscription, the organization of policing - and of attempts to suppress peasant disturbances and control crime, she shows that the modernization of the Sicilian countryside both undermined the control of the central government and made the countryside itself more unstable.

During the momentous events that shook Italy in 1860 as the nation was unified, there was a murderous riot in the Sicilian town of Bronte on the slopes of Mount Etna. Thereafter, Bronte became a symbol - of the limits of the liberal Risorgimento and of the persistence of foreign domination: descendants of Admiral Horatio Nelson had the largest landholding in the town and the British were said to have put pressure on Garibaldi to crush the uprising, which his lieutenant did with brutality. Lucy Riall has used the discovery of a new archive to transform brilliantly this episode into an ambitious exploration of much larger themes. Relaying an often brutal tale of poverty, injustice, and mismanagement, her powerful and engaging narrative also opens windows onto the true meaning of the British presence. Bronte's story becomes one that is also about Britain's policy towards Italy and Europe in the nineteenth century, and about colonial rule overseas in the age of Empire. It shows what happened when these two different aspects of British power bumped into each other in one Sicilian town.

Bringing together an interdisciplinary group of scholars, this volume explores nineteenth-century Italian sexualities from a variety of viewpoints, illuminating in particular personal and political relationships, same-sex desires, gender roles that defy societal norms, sexual behaviours of different classes and transnational encounters.

The first sustained analysis of the cult of the legendary Italian hero Giuseppe Garibaldi, the Italian revolutionary leader and popular hero, was among the best-known figures of the nineteenth century. This book seeks to examine his life and the making of his cult, to assess its impact, and understand its surprising success. For thirty years Garibaldi was involved in every combative event in Italy. His greatest moment came in 1860, when he defended a revolution in Sicily and provoked the collapse of the Bourbon monarchy, the overthrow of papal power in central Italy, and the creation of the Italian nation state. It made him a global icon, representing strength, bravery, manliness, saintliness, and a spirit of adventure. Handsome, flamboyant, and sexually attractive, he was worshiped in life and became a cult figure after his death in 1882. Lucy Riall shows that the emerging cult of Garibaldi was initially conceived by revolutionaries intent on overthrowing the status quo, that it was also the result of a collaborative effort involving writers, artists, actors, and publishers, and that it became genuinely and enduringly popular among a broad public. The book demonstrates that Garibaldi played an integral part in fashioning and promoting himself as a new kind of "charismatic" political hero. It analyzes the way the Garibaldi myth has been harnessed both to legitimize and to challenge national political structures. And it identifies elements of Garibaldi's political style appropriated by political leaders around the world, including Mussolini and Che Guevara.

This ground-breaking, revisionist collection of essays, based on the most recent research, provides a long-needed reassessment of the legacy of the French Revolution and the Napoleonic wars upon the governments of Restoration Europe. Traditionally the Restoration has been regarded by historians as a period in which European governments returned to the reactionary policies which prevailed before the upheavals of 1789, and which involved an outright rejection of the reforms of the Napoleonic era. In this book, leading historians challenge this interpretation and emphasize the sometimes surprising loyalty shown to Napoleonic policies of modernization by Restoration governments.The problems of dealing with new ideologies, accommodating the interests of old elites, and keeping the benefits of recent reforms were broadly similar across Europe, and provide a connecting theme throughout the volume. However, the nature of governmental response was never uniform. The essays explore these varieties of response, both through detailed case studies and more general surveys, and address issues such as policing and censorship, revolutionary symbolism, elite formation and bureaucratic structures in France, Spain, Italy, Germany and Poland, making a fascinating contribution to the study of the nature of political change in the modern period.'A dazzling collection of articles by the sharpest young historians in the field [that] overturns much of the received wisdom about Europe after Napoleon'Tim Blanning, Sidney Sussex College, Cambridge

This ground-breaking, revisionist collection of essays, based on the most recent research, provides a long-needed reassessment of the legacy of the French Revolution and the Napoleonic wars upon the governments of Restoration Europe. Traditionally the Restoration has been regarded by historians as a period in which European governments returned to the reactionary policies which prevailed before the upheavals of 1789, and which involved an outright rejection of the reforms of the Napoleonic era. In this book, leading historians challenge this interpretation and emphasize the sometimes surprising loyalty shown to Napoleonic policies of modernization by Restoration governments.The problems of dealing with new ideologies, accommodating the interests of old elites, and keeping the benefits of recent reforms were broadly similar across Europe, and provide a connecting theme throughout the volume. However, the nature of governmental response was never uniform. The essays explore these varieties of response, both through detailed case studies and more general surveys, and address issues such as policing and censorship, revolutionary symbolism, elite formation and bureaucratic structures in France, Spain, Italy, Germany and Poland, making a fascinating contribution to the study of the nature of political change in the modern period.'A dazzling collection of articles by the sharpest young historians in the field [that] overturns much of the received wisdom about Europe after Napoleon'Tim Blanning, Sidney Sussex College, Cambridge

An overlooked classic of Italian literature, this epic and unforgettable novel recounts one man's long and turbulent life in revolutionary Italy. At the age of eighty-three and nearing death, Carlo Altoviti has decided to write down the confessions of his long life. He remembers everything: his unhappy childhood in the kitchens of the Castle of Fratta; romantic entanglements during the siege of Genoa; revolutionary fighting in Naples; and so much more. Throughout, Carlo lives only for his twin passions in life: his dream of a unified, free Italy and his undying love for the magnificent but inconstant Pisana. Peopled by a host of unforgettable characters - including drunken smugglers, saintly nuns, scheming priests, Napoleon and Lord Byron - this is an epic historical novel that tells the remarkable and inseparable stories of one man's life and the history of Italy's unification. Ippolito Nievo was born in 1831 in Padua. Confessions of an Italian, written in 1858 and published posthumously in 1867, is his best known work. A patriot and a republican, he took part with Garibaldi and his Thousand in the momentous 1860 landing in Sicily to free the south from Bourbon rule. Nievo died before he reached the age of thirty, when his ship, en route from Palermo to Naples, went down in the Tyrrhenian Sea in early 1861. He was, Italo Calvino once said, the sole Italian novelist of the nineteenth century in the 'daredevil, swashbuckler, rambler' mould so dear to other European literatures. Frederika Randall has worked as a cultural journalist for many years. Her previous translations include Luigi Meneghello's Deliver Us and Ottavio Cappellani's Sicilian Tragedee and Sergio Luzzatto's Padre Pio: Miracles and Politics in a Secular Age. Lucy Riall is Professor of Comparative History at the European University Institute. Her many books include Garibaldi. Invention of a Hero. 'Of all the furore that came out of the Risorgimento, only Manzoni and Nievo really matter today' - Umberto Eco 'The one 19th century Italian novel which has [for an Italian reader] that charm and fascination so abundant in foreign literatures' - Italo Calvino 'Perhaps the greatest Italian novel of the nineteenth century' - Roberto Carnero 'A spirited appeal for liberte, egalite and fraternite, the novel is also an astute, scathing and amusing human comedy, a tale of love, sex and betrayal, of great wealth and grinding poverty, of absolute power and scheming submission, of idealism and cynicism, courage and villainy' - The Literary Encyclopedia