These remarkable short stories from the 1940s and 50s depict women and men caught between the pull of personal desires and profound social change. From a remote peninsula in Cornwall to the drawing rooms of the British Raj, domestic arrangements are rewritten, social customs are revoked and new freedoms are embraced. Selected and introduced by writer and critic Lucy Scholes, this collection places works from renowned women writers alongside recently rediscovered voices. Suffused with tension and longing, they form a window onto a remarkable era of writing. Contains: 'The Cut Finger' by Frances Bellerby, 'Summer Night' by Elizabeth Bowen, 'The Birds' by Daphne du Maurier, 'The Land Girl' by Diana Gardner, 'Listen to the Magnolias' by Stella Gibbons, 'Shocking Weather, Isn't It?' by Inez Holden, 'The First Party' by Attia Hosain, 'Three Miles Up' by Elizabeth Jane Howard, 'The Skylight' by Penelope Mortimer, 'The Thames Spread Out' by Elizabeth Taylor and 'Scorched Earth Policy' by Sylvia Townsend Warner

These remarkable short stories from the 1940s and 50s depict women and men caught between the pull of personal desires and profound social change. From a remote peninsula in Cornwall to the drawing rooms of the British Raj, domestic arrangements are rewritten, social customs are revoked and new freedoms are embraced. Selected and introduced by writer and critic Lucy Scholes, this collection places works from renowned women writers alongside recently rediscovered voices. Suffused with tension and longing, they form a window onto a remarkable era of writing. Contains: 'The Cut Finger' by Frances Bellerby, 'Summer Night' by Elizabeth Bowen, 'The Birds' by Daphne du Maurier, 'The Land Girl' by Diana Gardner, 'Listen to the Magnolias' by Stella Gibbons, 'Shocking Weather, Isn't It?' by Inez Holden, 'The First Party' by Attia Hosain, 'Three Miles Up' by Elizabeth Jane Howard, 'The Skylight' by Penelope Mortimer, 'The Thames Spread Out' by Elizabeth Taylor and 'Scorched Earth Policy' by Sylvia Townsend Warner

'Young is a sharp and funny writer with a brilliant eye for moral fudging and verbal hypocrisy, and she has a splendid foil in Miss Mole' Sally Beauman WINNER OF THE JAMES TAIT BLACK MEMORIAL PRIZE 'Who would suspect her sense of fun and irony, of a passionate love for beauty and the power to drag it from its hidden places? Who would imagine that Miss Mole had pictured herself, at different times, as an explorer in strange lands, as a lady wrapped in luxury and delicate garments?' Miss Hannah Mole has for twenty years earned her living precariously as a governess or companion to a succession of difficult old women.Now, aged forty, a thin and shabby figure, she returns to Radstowe, the lovely city of her youth. Here she is, if not exactly welcomed, at least employed as housekeeper by the pompous Reverend Robert Corder, whose daughters are sorely in need of guidance. But even the dreariest situation can be transformed into an adventure by the indomitable Miss Mole. Blessed with imagination, wit and intelligence, she wins the affection of Ethel and her nervous sister Ruth. But her past holds a secret that, if brought to life, would jeopardise everything.

Penelope Mortimer's only collection of short stories. A mother and her young son arrive at a rental house in rural France only to find themselves locked out; a fractious family of 5 try and get through a Saturday at home together; a publisher with a penchant for parties reconnects with an old acquaintance who's the life and soul; and a woman in a maternity ward is an unwitting witness to a disturbing drama behind the hospital curtains next to her. Sharp, unsettling, and darkly humourous 'Saturday Lunch with the Brownings' is fiction drawn from life that unerringly captures the complexities and cruelties of family dynamics.